Three Treatises on the Divine Images

Three Treatises on the Divine Images PDF

Author: Saint John (of Damascus)

Publisher: St Vladimir's Seminary Press

Published: 2003

Total Pages: 198

ISBN-13: 9780881412451

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In AD 726, the Byzantine emperor ordered the destruction of all icons, or religious images, throughout the empire, and icons were subject to an imperial ban that was to last, with a brief remission, until AD 843. A defender of icons, St John of Damascus wrote three treatises against "those who attack the holy images." He differentiates between the veneration of icons, which is a matter of expressing honor, and idolatry, which is offering worship to something other than God.

The Icon Painter's Handbook

The Icon Painter's Handbook PDF

Author: Ian Knowles

Publisher: Youcanprint

Published: 2023-06-01

Total Pages: 294

ISBN-13:

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This handbook is an in depth introduction to the theory and practice of Byzantine icon painting in egg tempera. The aim is to help all students aspire to create icons that are both sound theologically while being aesthetically beautiful. This volume focuses on the Face of Christ, especially in the Mandolin icon, and covers all the basics of icon painting. Subsequent volumes are planned which will look at the figure and the Kyykotissa icon, the design of festal icons, backgrounds and buildings . This handbook uses dozens of precisely chosen, clear illustrations, gives precise recipes for colours and mixtures, provides step by step instructions to follow, and links directly to video demonstrations which show some of the most difficult processes close up. It puts the practical aspects of icon painting in a clear historical and theological framework, introducing the application of the timeless principles on which the aesthetics of icon painting are built. As art for the Church's Liturgy, icon painting calls for the highest aesthetic standards and this book aims to help make that achievable for the average committed student. Icon painting is presented here as a vocation, rather than a hobby or an interesting artistic technique though this handbook will be of interest to anyone drawn to the world of the Byzantine liturgy and its icons. By encouraging students to do more than simply copy good examples from the past but to understand how the medieval Christian artist understood what he or she was doing and how they put that into practice, this handbook brings the world of the Byzantine artist back to life. Icon painting is opened up as a living art form for today's Church. The author, who has theology degrees from Oxford University and Heythrop College in London, has many years of icon teaching experience, founding the Bethlehem Icon School in 2010 at the Emmanuel Greek Catholic Monastery in Bethlehem, where he continues to teach from time to time. This handbook began as handouts for his students on the Prince's School of Traditional Arts icon painting course, while that was being run at the Bethlehem Icon Centre in Palestine, and has finally emerged as a companion to the online Academy Course in Icon Painting and for members of the Arbor Vitae Icon Academy which the author established during the Covid pandemic.

Icons and Saints of the Eastern Orthodox Church

Icons and Saints of the Eastern Orthodox Church PDF

Author: Alfredo Tradigo

Publisher: Getty Publications

Published: 2006

Total Pages: 384

ISBN-13: 9780892368457

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Catalogues the heritage of images according to type and subject, from the ancient at the Monastery of Saint Catherine in the Sinai to those from Greece, Constantinople, and Russia. This book includes chapters such as role of icons in the Orthodox liturgy and on common iconic subjects, including the fathers and saints of the Eastern Church.

The sensual icon

The sensual icon PDF

Author: Bissera V

Publisher: Penn State Press

Published:

Total Pages: 346

ISBN-13: 0271035846

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"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.

Orthodox Iconography

Orthodox Iconography PDF

Author: Constantine Cavarnos

Publisher: Institute for Byzantine & Modern Greek Studies, Incorporated

Published: 1977

Total Pages: 108

ISBN-13:

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"Four essays dealing with the history of Orthodox iconography, the iconographic decoration of churches, the functions of icons, and the theology and aesthetics of Byzantine iconography. In addition, three appendixes containing authoritative early Christian texts on icons, explanations of the techniques of iconography, and a discussion of two Russian books on icons.

Reconstructing the Reality of Images

Reconstructing the Reality of Images PDF

Author: Maria G. Parani

Publisher: BRILL

Published: 2003

Total Pages: 720

ISBN-13: 9789004124622

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This examination of realia in Byzantine religious painting provides valuable information on Byzantine dress, household effects and implements, while introducing at the same time an alternative, literally 'objective', approach to the study of the formative processes of Byzantine art.

Color As Light in Byzantine Painting

Color As Light in Byzantine Painting PDF

Author: George Kordis

Publisher:

Published: 2021

Total Pages:

ISBN-13: 9781936773718

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This book records the many years of experience of George Kordis' use of egg tempera, which after many tests and research he combines with a specific type of sub-painting. It shows that this technique, which is a personal technological proposal, can be combined with the traditional Byzantine style, established for centuries in the Hellenic lands as the appropriate way for the rendering of Orthodox images.In the first chapters of the first part, the Byzantine painting system's visual autonomy is examined, with reference to the western naturalistic painting system and other contemporary artistic proposals. The foundation of the findings is attempted with an analysis of selected works of Byzantine and post-Byzantine painting. A detailed description of the egg tempera technique is given by sub-painting and evaluation based on its functionality in the Byzantine painting system.In the second part, the technique of egg tempera with sub-painting is presented on a laboratory level. More specifically, methods of preparation of the host (wood) are presented, gilding techniques, and mainly how landscapes, clothes, objects, faces, and compositions are painted with the technique of egg tempera with sub-painting. Also included are appendices from fresco paintings and icons painted with the method presented in the book.