Greek Sculpture

Greek Sculpture PDF

Author: Olga Palagia

Publisher: Cambridge University Press

Published: 2008-10-06

Total Pages: 0

ISBN-13: 9780521738378

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During the sixth and fifth centuries BC, Greek sculpture developed into a fine art. With the human figure as its main subject, artists worked to represent it in increasingly natural terms. This book explores the material aspects of Greek sculpture at a pivotal phase in its evolution. Considering typologies and function, an international team of experts traces the development of technical characteristics of marble and bronze sculpture, the choice of particular marbles in different areas, and the types of monuments that were created on the Greek mainland, the islands and the west coast of Asia.

Handbook of Greek Sculpture

Handbook of Greek Sculpture PDF

Author: Olga Palagia

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-07-22

Total Pages: 798

ISBN-13: 1614513538

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The Handbook of Greek Sculpture aims to provide a detailed examination of current research and directions in the field. Bringing together an international cast of contributors from Greece, Italy, France, Great Britain, Germany, and the United States, the volume incorporates new areas of research, such as the sculptures of Messene and Macedonia, sculpture in Roman Greece, and the contribution of Greek sculptors in Rome, as well as important aspects of Greek sculpture like techniques and patronage. The written sources (literary and epigraphical) are explored in dedicated chapters, as are function and iconography and the reception of Greek sculpture in modern Europe. Inspired by recent exhibitions on Lysippos and Praxiteles,the book also revisits the style and the personal contributions of the great masters.

The Emergence of the Classical Style in Greek Sculpture

The Emergence of the Classical Style in Greek Sculpture PDF

Author: Richard Neer

Publisher: University of Chicago Press

Published: 2010-10-22

Total Pages: 287

ISBN-13: 0226570657

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In this wide-ranging study, Richard Neer offers a new way to understand the epoch-making sculpture of classical Greece. Working at the intersection of art history, archaeology, literature, and aesthetics, he reveals a people fascinated with the power of sculpture to provoke wonder in beholders. Wonder, not accuracy, realism, naturalism or truth, was the supreme objective of Greek sculptors. Neer traces this way of thinking about art from the poems of Homer to the philosophy of Plato. Then, through meticulous accounts of major sculpture from around the Greek world, he shows how the demand for wonder-inducing statues gave rise to some of the greatest masterpieces of Greek art. Rewriting the history of Greek sculpture in Greek terms and restoring wonder to a sometimes dusty subject, The Emergence of the Classical Style in Greek Sculpture is an indispensable guide for anyone interested in the art of sculpture or the history of the ancient world.

Understanding Greek Sculpture

Understanding Greek Sculpture PDF

Author: Nigel Jonathan Spivey

Publisher: Thames & Hudson

Published: 1997

Total Pages: 240

ISBN-13: 9780500278765

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Taking a new approach to the subject, the author here examines the contexts in which classical statuary was made and displayed, restoring its former cultural significance and explaining the techniques of the manufacture of Greek sculpture.

Greek Sculpture

Greek Sculpture PDF

Author: Nigel Spivey

Publisher: Cambridge University Press

Published: 2013-01-31

Total Pages: 355

ISBN-13: 0521760313

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Explains the social function and aesthetic achievement of Greek sculpture from c.750 BC to the end of antiquity.

Greek Art and Aesthetics in the Fourth Century B.C.

Greek Art and Aesthetics in the Fourth Century B.C. PDF

Author: William A. P. Childs

Publisher: Princeton University Press

Published: 2018-04-10

Total Pages: 400

ISBN-13: 0691176469

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Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.