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Gothic Glimpses in Margaret Atwood's "Cat's Eye" Or Representations of Art and Media and Mysterious Twin Ship

Author: Maria Blau

Publisher: GRIN Verlag

Published: 2007-12

Total Pages: 64

ISBN-13: 3638665550

Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 2.0, University of Constance (Institut f r Anglistik und Amerikanistik), course: Seminar: The Nature-Culture Paradigm in Canadian Literature, 17 entries in the bibliography, language: English, abstract: Margaret Atwood's Cat's Eye is a novel that certainly covers plenty of discourses and touches several genres. At the head of all it can well be considered to be a bildungs- or k nstlerroman in the guise of the fictive autobiography. Many critics have pointed out that it is one of Atwood most personal novels, a piece that undoubtedly turns "the tables on their own kind"1, that has many autobiographical features. But that will not be the concern in my following reflections which will rather deal with the gothic elements of the novel. My readers may argue that it is rather Atwood's Robber Bride, The Blind Assassin and Alias Grace that are obliged to the gothic theme.2 But it is actually Cat's Eye that offers the vast range of gothic elements that correspond to each other and to the various levels of representation the novel offers. I regard it as necessary to deliver a short definition of the gothic novel in the first place. However, I want to point out that I do not see Cat's Eye just in the dark illumination of the gothic. I rather pick up and explain different gothic gatherings and "gothic games" Atwood plays with the reader than devote my analysis to the issue completely.

The Function of Black Humor and Satire in the Dystopian Novel "Oryx & Crake" by Margaret Atwood

Author: Jule Grassmann

Publisher: GRIN Verlag

Published: 2017-03-08

Total Pages: 20

ISBN-13: 366841260X

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Seminar paper from the year 2016 in the subject Didactics for the subject English - Literature, Works, grade: 1,0, University of Rostock (Anglistik/Amerikanistik), course: Proseminar: Margaret Atwood, Oryx and Crake. Contexts and Criticism, language: English, abstract: This essay sets out to analyze Margaret Atwood’s use of black humor and satire in her novel "Oryx and Crake". Furthermore, it examines the function of such. Especially this essay looks at Atwood’s intention to provide a satiric tone and black humor and shows that they are based on social observations and concerns that are evident in the early twenty-first century. To achieve this, the paper is structured into two main chapters. In the first chapter on "Black Humor and Satire" the author gives an overview of these terms, serving as a framework for further investigations. Additionally, the paper deals with laughter, to show which kind of laughter derives from Atwood's humor. In the next chapter on "Observations on Black Humor and Satire in Oryx and Crake", the paper focuses on the satirical tone and the black humor in the novel, based on the author's own reception of the text.

Representing Wars from 1860 to the Present

Author: Claire Bowen

Publisher: Textxet: Studies in Comparativ

Published: 2018

Total Pages: 234

ISBN-13: 9789004353237

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"Representing Wars from 1860 to the Present examines representations of war in literature, film, photography, memorials, and the popular press. The volume breaks new ground in cutting across disciplinary boundaries and offering case studies on a wide variety of fields of vision and action, and types of conflict: from civil wars in the USA, Spain, Russia and the Congo to recent western interventions in Afghanistan and Iraq. In the case of World War Two, Representing Wars emphasises idiosyncratic and non-western perspectives - specifically those of Japanese writers Hayashi and Ooka. A central concern of the thirteen contributors has been to investigate the ethical and ideological implications of specific representational choices"--

Intertextuality in Margaret Atwood’s “My Last Duchess” and “The Age of Lead”

Author: Franco Mucci

Publisher: GRIN Verlag

Published: 2015-11-13

Total Pages: 30

ISBN-13: 3668086311

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Seminar paper from the year 2015 in the subject Didactics for the subject English - Literature, Works, grade: 1,7, University of Constance, language: English, abstract: This term paper introduces the reader to the world of Margaret Atwood, an internationally well-known Canadian author. She often uses myths and prominent works as a base for her own writings and concentrates on rewriting traditional or popular versions of stories, of which many undermine objectification or even refuse women (Wisker 2012: 67). It is striking how many times Atwood has used several texts within texts or intertexts throughout her career and thus it is worth having a closer look at it (Wilson 1993: 3). In order to show how well Atwood is able to use intertextuality, the following chapter begins with Robert Browning’s dramatic monologue respectively poem ‘My Last Duchess’, which is essential for a better understanding of the intertextuality used in Atwood’s ‘My Last Duchess’ and important to finally understand the Duke’s and the Duchess’ role in both writings. The next chapter has a closer look at Atwood’s short story, published in a collection of connected short stories by her called ‘Moral Disorder’ in 2006, which “grapples with the complicated ethics of obligation, particularly the conflict between selfishness and sacrifice that can arise within the praxis of care” (DeFalco 2011: 236). But many of the stories in the collection like ‘My Last Duchess’ also focus on the socialization of gender, a very central subject to Atwood, particularly the short stories set in the 1950s and 1960s, a time when gender was a principally discussed social issue (Wisker 2012: 165). In addition, as we will see in the short story ‘My Last Duchess’, Atwood regularly reverses the hero’s gender in order to alter the role of women from objects to subjects and she also doubles roles in order to make the same person look like a rescuer and a person being rescued (Wilson 1993: 32).

Representations of Women and Nature in Canadian Women's Writing

Author: Corinna Thömen

Publisher: GRIN Verlag

Published: 2009-02

Total Pages: 82

ISBN-13: 3640263693

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Thesis (M.A.) from the year 2008 in the subject American Studies - Literature, grade: 1,3, Ernst Moritz Arndt University of Greifswald (Institut f r Anglistik/Amerikanistik), 64 entries in the bibliography, language: English, abstract: Canada has always been associated with its landscape, with a vast and inviolate nature, including prairies, forests with innumerable lakes, idyllic mountain ranges and the Arctic barrens in the far north. With an area of almost 10 million square kilometers, Canada is the second largest country in the world, but with only 31 million people living there and a population density of 3,2 inhabitants per square kilometer, it is also the less populated.1 The theme of nature and wilderness has also been reflected throughout Canadian literary tradition. As Canadian author Aritha van Herk notes, " t]he impact of landscape on artist and artist on landscape is unavoidable" (1992, 139). Adopting the northern concepts of early explorers and settlers, most literature about the Canadian wilderness has been written by male authors. For a long time, the Canadian North served as background for historical romances and adventure stories. The response to the landscape was often very negative, the wilderness was described as being hostile and dangerous. Parallel to that image, the landscape was portrayed in female terms, as being innocent, inviolate and beautiful - the Canadian North appeared as a femme fatale. Especially in its beginnings, Canadian literature was strongly influenced by its American and British predecessors and the early writers reinforced the myth of the Canadian North. In the early twentieth century, the North was mainly a place of retreat for the fictive heroes of the South who went from the city to the wilderness to find themselves. One of the most famous texts of this time is Frederick Philip Grove's autobiography In Search of Myself (1946). His journey to the North became a synonym for the search of the own self.

Representation of Food: A Study of Margaret Atwood's "The Edible Woman" and Anita Desai's "Fasting, Feasting"

Author: Sathish Kumar Vellamuthu

Publisher: GRIN Verlag

Published: 2013-03-15

Total Pages: 69

ISBN-13: 3656391785

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Doctoral Thesis / Dissertation from the year 2006 in the subject Didactics for the subject English - Literature, Works, grade: NONE, , course: M.Phil in English, language: English, abstract: ABSTRACT REPRESENTATION OF FOOD: A STUDY OF MARGARET ATWOOD’S THE EDIBLE WOMAN AND ANITA DESAI’S FASTING, FEASTING The novels of Margaret Atwood and Anita Desai have a profound impact on the readers. The main aspect of their writing is to present/depict the condition of women in the patriarchal society. However Atwood’s The Edible Woman and Anita Desai’s Fasting, Feasting have innumerable images of food. In Atwood’s case food becomes the source of power politics. This project aims to highlight how these writers have represented food and how it plays a major role in the life of an individual. The purpose of this dissertation is to expose how these two writers have given different meaning in their novels- The Edible Woman and Fasting, Feasting. CHAPTER I: The first chapter, Introduction gives a general outline of the literatures of India and Canada and women’s writing in 1960s. It gives a brief idea of cultural studies, and reflects on the use of food at different levels such as biological, sociological, psychological etc. CHAPTER II: The second chapter focuses on Margaret Atwood’s novel The Edible Woman. The chapter starts with a brief summary of the novel. It goes to review how food is used in the novel. It tries to explain how the protagonist in the novel reveals herself as a consumable and a consumed entity. CHAPTER III: The third chapter begins with a brief summary of Anita Desai’s novel Fasting, Feasting. It presents the utilization of food in the novel. Then it focuses on the interconnection of food and woman in the novel. The depiction of two different cultures of India and America is presented in the later half of the chapter. CHAPTER IV: Conclusion highlights the important points of the previous chapter and sums up the analysis presented much of the novels The Edible Woman and Fasting, Feasting by Margaret Atwood and Anita Desai, respectively.

Tactical Biopolitics

Author: Beatriz Da Costa

Publisher: MIT Press

Published: 2010-08-13

Total Pages: 535

ISBN-13: 0262514915

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Scientists, scholars, and artists consider the political significance of recent advances in the biological sciences. Popular culture in this “biological century” seems to feed on proliferating fears, anxieties, and hopes around the life sciences at a time when such basic concepts as scientific truth, race and gender identity, and the human itself are destabilized in the public eye. Tactical Biopolitics suggests that the political challenges at the intersection of life, science, and art are best addressed through a combination of artistic intervention, critical theorizing, and reflective practices. Transcending disciplinary boundaries, contributions to this volume focus on the political significance of recent advances in the biological sciences and explore the possibility of public participation in scientific discourse, drawing on research and practice in art, biology, critical theory, anthropology, and cultural studies. After framing the subject in terms of both biology and art, Tactical Biopolitics discusses such topics as race and genetics (with contributions from leading biologists Richard Lewontin and Richard Levins); feminist bioscience; the politics of scientific expertise; bioart and the public sphere (with an essay by artist Claire Pentecost); activism and public health (with an essay by Treatment Action Group co-founder Mark Harrington); biosecurity after 9/11 (with essays by artists' collective Critical Art Ensemble and anthropologist Paul Rabinow); and human-animal interaction (with a framing essay by cultural theorist Donna Haraway). Contributors Gaymon Bennett, Larry Carbone, Karen Cardozo, Gary Cass, Beatriz da Costa, Oron Catts, Gabriella Coleman, Critical Art Ensemble, Gwen D'Arcangelis, Troy Duster, Donna Haraway, Mark Harrington, Jens Hauser, Kathy High, Fatimah Jackson, Gwyneth Jones, Jonathan King, Richard Levins, Richard Lewontin, Rachel Mayeri, Sherie McDonald, Claire Pentecost, Kavita Philip, Paul Rabinow, Banu Subramanian, subRosa, Abha Sur, Samir Sur, Jacqueline Stevens, Eugene Thacker, Paul Vanouse, Ionat Zurr

Post-Colonial and African American Women's Writing

Author: Gina Wisker

Publisher: Bloomsbury Publishing

Published: 2017-03-04

Total Pages: 376

ISBN-13: 0333985249

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This accessible and unusually wide-ranging book is essential reading for anyone interested in postcolonial and African American women's writing. It provides a valuable gender and culture inflected critical introduction to well established women writers: Toni Morrison, Alice Walker, Margaret Atwood, Suniti Namjoshi, Bessie Head, and others from the U.S.A., India, Africa, Britain, Australia, New Zealand and introduces emergent writers from South East Asia, Cyprus and Oceania. Engaging with and clarifying contested critical areas of feminism and the postcolonial; exploring historical background and cultural context, economic, political, and psychoanalytic influences on gendered experience, it provides a cohesive discussion of key issues such as cultural and gendered identity, motherhood, mothertongue, language, relationships, women's economic constraints and sexual politics.

Moral Disorder

Author: Margaret Atwood

Publisher: Emblem Editions

Published: 2009-03-31

Total Pages: 242

ISBN-13: 0771008678

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In these ten dazzling interrelated stories Atwood traces the course of a life and also the lives intertwined with it, while evoking the drama and the humour that colour common experiences—the birth of a baby, divorce and remarriage, old age and death. With settings ranging from Toronto, northern Quebec, and rural Ontario, the stories begin in the present, as a couple no longer young situate themselves in a larger world no longer safe. Then the narrative goes back in time to the forties and moves chronologically forward toward the present. In “The Art of Cooking and Serving,” the twelve-year-old narrator does her best to accommodate the arrival of a baby sister. After she boldly declares her independence, we follow the narrator into young adulthood and then through a complex relationship. In “The Entities,” the story of two women haunted by the past unfolds. The magnificent last two stories reveal the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood’s celebrated storytelling gifts and unmistakable style to their best advantage. This is vintage Atwood, writing at the height of her powers.

Margaret Atwood and the Female Bildungsroman

Author: Ellen McWilliams

Publisher: Ashgate Publishing, Ltd.

Published: 2009

Total Pages: 190

ISBN-13: 9780754660279

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In her study of Margaret Atwood, Ellen McWilliams explores how the Bildungsroman has been appropriated by women writers in the second half of the twentieth century. Early works by Atwood are placed in dialogue with more recent novels, thus furthering our