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Jean-Luc Godard, Cinema Historian

Author: Michael Witt

Publisher: Indiana University Press

Published: 2013-11-07

Total Pages: 290

ISBN-13: 0253007305

Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cinéma has pioneered how we think about and narrate cinema history, and in how history is taught through cinema. In this stunningly illustrated volume, Michael Witt explores Godard's landmark work as both a specimen of an artist's vision and a philosophical statement on the history of film. Witt contextualizes Godard's theories and approaches to historiography and provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard's groundbreaking ideas on the history of cinema.

French film directors

Author: Douglas Morrey

Publisher: Manchester University Press

Published: 2005-10-07

Total Pages: 294

ISBN-13: 9780719067594

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Morrey offers a new interpretation of one of the most innovative directors in the history of cinema, covering the whole of Godard's career from the French New Wave to the more recent triumphs of 'Histoire(s) du cinema' and 'Eloge de l'amour'.

Speaking about Godard

Author: Kaja Silverman

Publisher: NYU Press

Published: 1998-07-01

Total Pages: 259

ISBN-13: 0814739709

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A leading film theorist and a filmmaker discuss the lasting contributions of the most prominent living filmmaker, Jean Luc-Godard Probably the most prominent living filmmaker, and one of the foremost directors of the postwar era, Jean Luc-Godard has received astonishingly little critical attention in the United States. With Speaking about Godard, leading film theorist Kaja Silverman and filmmaker Harun Farocki have made one of the most significant contributions to film studies in recent memory: a lively set of conversations about Godard and his major films, from Contempt to Passion. Combining the insights of a feminist film theorist with those of an avant-garde filmmaker, these eight dialogues–each representing a different period of Godard's film production, and together spanning his entire career–get at the very heart of his formal and theoretical innovations, teasing out, with probity and grace, the ways in which image and text inform one another throughout Godard's oeuvre. Indeed, the dialogic format here serves as the perfect means of capturing the rhythm of Godard's ongoing conversation with his own medium, in addition to shedding light on how a critic and a director of films respectively interpret his work. As it takes us through Godard's films in real time, Speaking about Godard conveys the sense that we are at the movies with Silverman and Farocki, and that we, as both student and participant, are the ultimate beneficiaries of the performance of this critique. Accessible, informative, witty, and, most of all, entertaining, the conversations assembled here form a testament to the continuing power of Godard's work to spark intense debate, and reinvigorate the study of one of the great artists of our time.

Godard On Godard

Author: Jean-luc Godard

Publisher: Da Capo Press

Published: 1986-03-22

Total Pages: 300

ISBN-13: 9780306802591

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Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself-his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950-1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard's career. With commentary by Tom Milne and Richard Roud, and an extensive new foreword by Annette Michelson that reassesses Godard in light of his later films, here is an outrageous self-portrait by a director who, even now, continues to amaze and bedevil, and to chart new directions for cinema and for critical thought about its history.

Don't Drink & Draw

Author: Enfantino Publishing

Publisher: PDG

Published: 2006

Total Pages: 0

ISBN-13: 9781929170227

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Chronicles Godards journey from troubled childhood through his rise to the worlds best-selling artist. With a Foreword written by Ozzy Osbourne, it includes a gallery of over 136 paintings plus numerous projects for celebrities and rock stars. Depicted are many of his closest friends and fans; Chris Angel, Gloria Estafan, Arnold Schwartznegger, among others. Oversized, coffee-table. Paper and Cloth available.

Late Godard and the Possibilities of Cinema

Author: Daniel Morgan

Publisher: Univ of California Press

Published: 2013

Total Pages: 325

ISBN-13: 0520273311

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“Late Godard and the Possibilities of Cinema is an exhilarating and extremely lucid analysis of the way Godard ‘thinks’ in, of, and through cinema. Drawing on his extensive knowledge of French culture, politics and theory, Morgan skillfully illustrates the complex relations between history, aesthetics, and nature in the director’s later works. Defying criticism of Godard’s alleged retreat from politics, this book provides compelling, detailed, and erudite analyses of his later films and illuminates the auteur’s political and aesthetic response to the so-called ‘death of cinema.’”— Mary Ann Doane, author of The Emergence of Cinematic Time: Modernity, Contingency, the Archive. “Daniel Morgan charts a sensible route into the impenetrable Jean-Luc Godard. Posing clear yet insistent questions, he burrows to the center of both parts of this book’s formidable title, finding in late Godard an aesthetic fusion that generates the light and heat of a trenchant and powerful political critique. Anyone who feels drawn or licensed to write about Godard should read Morgan before setting out.”—Dudley Andrew, author of What Cinema Is! “Daniel Morgan's Late Godard and the Possibilities of Cinema signals a major breakthrough in the international study of the cinema of Jean-Luc Godard. Reconciling the filmmaker's peculiarly Romantic sense of aesthetics —to which the book pays scrupulous, material attention—with the thorny political histories that Godard's cinema has always probed, Morgan gives us new, compelling, synthetic tools with which to understand an artist who is at once the most cryptic and the most sensuous of all living filmmakers.”—Adrian Martin, Monash University, co-editor of lolajournal.com

Duras/Godard Dialogues

Author: Marguerite Duras

Publisher:

Published: 2020-10

Total Pages: 148

ISBN-13: 9780999468364

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"The two demonstrate a profound shared passion, a way of literally being one with a medium and speaking about it with a dazzling lyricism interspersed with dryly ironic remarks, fueled by a conviction that inspires them to traverse history. Their point of intersection is obvious. Duras, a writer, is also a filmmaker, and Godard, a filmmaker, has maintained a distinctive relationship with literature, writing and speech."--Cyril Béghin, back cover.

Breathless

Author: Jean-Luc Godard

Publisher: Rutgers University Press

Published: 1987

Total Pages: 256

ISBN-13: 9780813512532

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On Jean-Luc Godard's film "breathless"

Godard

Author: Colin MacCabe

Publisher: Macmillan + ORM

Published: 2014-02-18

Total Pages: 562

ISBN-13: 146686236X

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An intimate portrait of the turmoil that spawned the New Wave in French Cinema, and the story of its greatest director, Jean-Luc Godard. Godard's early films revolutionized the language of cinema. Hugely prolific in his first decade--Breathless, Contempt, Pierrot le Fou, Alphaville, and Made in USA are just a handful of the seminal works he directed--Godard introduced filmgoers to the generation of stars associated with the trumpeted sexuality of postwar movies and culture: Brigitte Bardot, Jean Seberg, Jean-Paul Belmondo, and Anna Karina. As the sixties wore on, however, Godard's life was transformed. The Hollywood he had idolized began to disgust him, and in the midst of the socialist ferment in France his second wife introduced him to the activist student left. From 1968 to 1972, Europe's greatest director worked in the service of Maoist politics, and continued thereafter to experiment on the far peripheries of the medium he had transformed. His extraordinary later works are little seen or appreciated, yet he remains one of Europe's most influential artists. Drawing on his own working experience with Godard and his coterie, Colin MacCabe, in this first biography of the director, has written a thrilling account of the French cinema's transformation in the hands of Truffaut, Rohmer, Rivette, and Chabrol--critics who toppled the old aesthetics by becoming, legendarily, directors themselves--and Godard's determination to make cinema the greatest of the arts.

Godard on Godard; Critical Writings

Author: Jean-Luc Godard

Publisher: Viking Adult

Published: 1972

Total Pages: 300

ISBN-13:

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"Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinema"