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Gloria Oyarzabal: Woman Go No'gree

Author: GLORIA. OYARZABAL

Publisher: Rm

Published: 2020-12-08

Total Pages:

ISBN-13: 9788417975289

Colonialism, feminism, gender and the human body: photographs of Yoruba and other African cultures by Gloria Oyarzabal Here, Spanish photographer Gloria Oyarzabal (born 1971) explores the permeation of colonial gender norms in Yoruba and other African cultures. Oyarzabal's project aims to decolonize feminism, questioning the Eurocentric theoretical frameworks that construct universalistic gender categories.

Imagining Everyday Life: Engagements with Vernacular Photography

Author: Tina Campt

Publisher: Steidl/The Walther Collection

Published: 2020-06-18

Total Pages: 400

ISBN-13: 9783958296275

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As a crucial extension of its ongoing investigation of vernacular photography, the Walther Collection has collaborated with key scholars and critical thinkers in the history of photography, women's studies, queer theory, Africana studies, and curatorial practice to interrogate vernacular's theoretical limits, as well as to conduct case studies of a striking array of objects and images, many from the collection's holdings.

How Many Female Type Designers Do You Know?

Author: Yulia Popova

Publisher: Onomatopee

Published: 2020-11-17

Total Pages: 320

ISBN-13: 9789493148321

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This book aims to shine light on work of women in type.00The first part of the book offers research on the gender issue in type design field. It includes statistics, data and an overview of some works that address this issue. Further it contains some biographies of female type designers that worked in the 19th and in the beginning of 20th century. These women contributed to the industry, yet they are rarely mentioned in educational material.0The second part is a series of the interviews with 14 women that are either currently working as type designers or are in any other way involved in the field of type design. These interviews intend to uncover the topic of unequal share of female and male speakers at type conference as well as the lack of women in the industry. The last part of the book is a showcase of typefaces designed by women. The purpose of this part is to show the great amount and broad variety of such typefaces.

Vivian Maier Developed

Author: Ann Marks

Publisher: Simon and Schuster

Published: 2021-12-07

Total Pages: 330

ISBN-13: 1982166746

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The “astonishing” (People) and definitive biography that unlocks the “riveting” (Vogue) story of Vivian Maier, the nanny who lived secretly as a world-class photographer, featuring nearly 400 of her images, many never seen before, placed for the first time in the context of her life. Vivian Maier, the photographer nanny whose work was famously discovered in a Chicago storage locker, captured the imagination of the world with her masterful images and mysterious life. Before posthumously skyrocketing to global fame, she had so deeply buried her past that even the families she lived with knew little about her. No one could relay where she was born or raised, if she had parents or siblings, if she enjoyed personal relationships, why she took photographs and why she didn’t share them with others. Now, in this “thorough, fascinating overview of an artist working for art’s sake” (The New York Times), Ann Marks uses her complete access to Vivian’s personal records and archive of 140,000 photographs to reveal the full story of her extraordinary life. Based on meticulous investigative research, the “compelling and richly detailed” (Kirkus Reviews, starred review) Vivian Maier Developed reveals the story of a woman who fled from a family with a hidden history of illegitimacy, bigamy, parental rejection, substance abuse, violence, and mental illness to live life on her own terms. Left with a limited ability to disclose feelings and form relationships, she expressed herself through photography, creating a secret portfolio of pictures teeming with emotion, authenticity, and humanity. With limitless resilience she knocked down every obstacle in her way, determined to improve her lot in life and that of others by tirelessly advocating for the rights of workers, women, African Americans, and Native Americans. No one knew that behind the detached veneer was a profoundly intelligent, empathetic, and inspired woman—a woman so creatively gifted that her body of work would become one of the greatest photographic discoveries of the century.

Madrid en plata

Author:

Publisher:

Published: 2021

Total Pages:

ISBN-13: 9788412020397

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Mongrelism

Author: Jono Rotman

Publisher:

Published: 2018-09

Total Pages: 380

ISBN-13: 9780993585388

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The Mongrel Mob of Aotearoa New Zealand is notorious for extreme violence, and they have long been regarded as the nations monsters. In layers of apparent contradictions, their icon is the British bulldog wearing a Nazi helmet, while their members are largely indigenous Maori. The Mongrel Mobs symbols arose as both a goading response to a history of colonial subjugation of Maori, and a proclamation of war against the (white) state. Mongrelism offers a communion with this impenetrable fraternity. Monumental portraits illustrate Mob members assertion of membership and pride in their identity. Artefact studies and brutal first person narratives are drawn from the Mob corpus, mirroring the landscapes that bare the brooding environments where Mob members live. Mongrelism examines how the gang brands itself to itself to uphold its hierarchy and history, and find core values usually lauded by society: perseverance, resilience, and loyalty. The publication takes the form of a gang handbook. The order and grouping of images is the result of consultation with members and hews to their geographic, familial and hierarchical relationships. An unedited Mob voice dominates the written section. Rotmans images have become a part of Mob history and their visual mythology. Ongoing consultation and engagement has been integral. Rotman is a fourth generation white New Zealander, his forebears were among the first to settle in the region that became the epicentre of the Mob genesis. The process of colonisation and the atomisation of indigenous communities can be argued to have resulted in the Mongrel Mob. IMongrelism, as in the history of the nation, the narratives intertwine.

An Interview with Lewis Baltz [discourse #2]

Author: DUNCAN. FORBES

Publisher:

Published: 2020-08-15

Total Pages:

ISBN-13: 9781913620028

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What They Saw: Historical Photobooks by Women, 1843-1999

Author: Russet Lederman

Publisher: 10x10 Photobooks

Published: 2021-11-01

Total Pages: 8

ISBN-13: 057893213X

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What They Saw: Historical Photobooks by Women, 1843 - 1999, 10×10 Photobooks' most recent "book-on-photobooks" anthology in its ongoing examination of photobook history, explores photobooks created by women from photography's beginnings to the dawn of the 21st century. Presenting a diverse geographic and ethnic selection, the anthology interprets the concept of the photobook in the broadest sense possible: classic bound books, portfolios, personal albums, unpublished books, zines and scrapbooks. Some of the books documented are well-known publications such as Anna Atkins' Photographs of British Algae: Cyanotype Impressions (1843-1853), Germaine Krull's Métal (1928) and Diane Arbus: An Aperture Monograph (1972), while other books may be relatively unknown, such as Alice Seeley Harris' The Camera and the Congo Crime (c. 1906), Varvara Stepanova's Groznyi smekh. Okna Rosta (1932), Eslanda Cardozo Goode Robeson's African Journey (1945), Fina Gómez Revenga's Fotografías de Fina Gómez Revenga (1954), Eiko Yamazawa's Far and Near (1962) and Gretta Alegre Sarfaty's Auto-photos: Série transformações-1976: Diário de Uma Mulher-1977 (1978). Also addressed in the publication are the glaring gaps and omissions in current photobook history-in particular, the lack of access, support and funding for photobooks by non-Western women and women of color. Paris Photo–Aperture Foundation Catalogue of the Year Award 2021 Kraszna-Krausz Photography Book Award 2022 Time Magazine 20 Best Photobooks of 2021

Gordon Parks

Author: Russell Lord

Publisher:

Published: 2013

Total Pages: 133

ISBN-13: 9783869307213

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This volume explores the making of Gordon Parks' first photographie essay for Life magazine in 1948, "Harlem Gang Leader". After gaining the trust of one particular group of gang members and their leader, Leonard "Red" Jackson, Parks produced a series of photographs that are artful, poignant, and, at times, shocking. From this large body of work (Parks made hundreds of negatives) the editors at Life selected twenty-one pictures to print in the magazine, often cropping or enhancing details in the pictures. Gordon Parks : The .Making of an Argument traces this editorial process and parses out the various voices and motives behind the production of the picture essay. This volume. together with an exhibition of the same name at the New Orleans Museum of Art (NOMA), considers Parks' photographic practice within a larger discussion about photography as a narrative device. Featuring vintage photographs, original issues of Life magazine, contact sheets, and proof prints, Gordon Parks : The Making of an Argument raises important questions about the role of photography in addressing social concerns, its use as a documentary tool, and its function in the world of publishing. The book includes contributions from Susan M Taylor, The Montine McDaniel Freeman Director of the New Orleans Museum of Art ; Péter W Kunhardt, Jr., Executive Director of The Gordon Parks Foundation ; and Irvin Mayfield, Artistic Director of the New Orleans Jazz Orchestra.

Theory of the Image

Author: Thomas Nail

Publisher: Oxford University Press, USA

Published: 2019

Total Pages: 433

ISBN-13: 0190924039

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We live in the age of the mobile image. Our world is now saturated with moving images of all kinds, both analog and digital. This sea change in image production and circulation is nothing less than the Copernican revolution of our time. The centrality of the movement and mobility of the image has never been more dramatic. And just like the Copernican revolution, the aesthetic revolution of the image has consequences not only for the way we think about the contemporary image but also the way we think about all previous images. Theory of the Image offers a new and systematic philosophy of art and aesthetics from the perspective of movement--the first of its kind. Throughout history, the image has been understood in many ways, but rarely has it been understood to be, primarily and above all, in motion. Thus, Theory of the Image offers not only the first aesthetics of motion but also the first history of the mobility of the image in the Western art tradition, from prehistory to the present.