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Getty Research Journal, Number 5

Author: Thomas W. Gaehtgens

Publisher: Getty Publications

Published: 2013-03-05

Total Pages: 224

ISBN-13: 1606061364

The Getty Research Journal publishes the original research underway at the Getty and seeks to foster an environment of collaborative scholarship among art historians, museum curators, and conservators. Articles explore the collections of the J. Paul Getty Museum and Research Institute, as well as the annual themes and ongoing research projects of the Research Institute. Shorter texts highlight new acquisitions and discoveries, and focus on the diverse tools for scholarship being developed at the Getty. This issue features essays on early modern alchemy; portraits of the Orsini family; a decorative design for a Borghese palace; the Eruditi Italiani archive; the collecting habits of Louis-Philippe, duc d'Orléans; Félix Bracquemond's sketches of the Paris Commune; the art dealer David Croal Thomson; the Russian avant-garde book Mirskontsa; Malvina Hoffman's Heads and Tales; and Yves Klein at Galerie Schmela. In a new section about tools of art historical scholarship, authors discuss the Spanish translation of the Art & Architecture Thesaurus® and the creative potential of digital architectural taxonomies. Short texts examine ancient Roman terracotta fragments, prints by Albrecht Dürer, designs for the Palacio Salvo in Montevideo, the textile collection of Ulrich Middeldorf, a New York "pottery happening," and the German writer Christa Wolf.

Getty Research Journal

Author: Thomas W. Gaehtgens

Publisher:

Published: 2013

Total Pages: 211

ISBN-13: 9781606061367

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Getty Research Journal No. 4

Author: Thomas W. Gaehtgens

Publisher: Getty Publications

Published: 2012-03-27

Total Pages: 238

ISBN-13: 1606061135

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The Getty Research Journal showcases the remarkable original research underway at the Getty. Articles explore the rich collections of the J. Paul Getty Museum and Research Institute, as well as the Research Institute's research projects and annual theme of its scholar program. Shorter texts highlight new acquisitions and discoveries in the collections, and focus on the diverse tools for scholarship being developed at the Research Institute. This issue includes essays by Scott Allan, Adriano Amendola, Valérie Bajou, Alessia Frassani, Alden R. Gordon, Natilee Harren, Sigrid Hofer, Christopher R. Lakey, Vimalin Rujivacharakul, and David Saunders; the short texts examine a Nuremberg festival book, translations of a seventeenth-century rhyming inventory, the print innovations of Maria Sibylla Merian, Karl Schneider's Sears designs, Clement Greenberg's copy of T. S. Eliot's The Waste Land, the Marcia Tucker papers, a mail art project by William Pope.L, the L.A. Art Girls' reinvention of Allan Kaprow's Fluids, and Jennifer Bornstein's investigations into the archives of women performance artists.

Copper and Bronze in Art

Author: David A. Scott

Publisher: Getty Publications

Published: 2002

Total Pages: 536

ISBN-13: 9780892366385

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This is a review of 190 years of literature on copper and its alloys. It integrates information on pigments, corrosion and minerals, and discusses environmental conditions, conservation methods, ancient and historical technologies.

Explodity

Author: Nancy Perloff

Publisher: Getty Publications

Published: 2017-01-21

Total Pages: 210

ISBN-13: 1606065084

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The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Sound recordings of zaum poems featured in the book are available at www.getty.edu.

Looking at Jewelry

Author: Susanne Gänsicke

Publisher: Getty Publications

Published: 2019-06-25

Total Pages: 134

ISBN-13: 1606065998

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What is a cabochon? What are the various types of gilding? What is vermeil? This accessible book—the first of its kind—offers concise explanations of key jewelry terms. The fascination with personal adornment is universal. It is a preoccupation that is primal, instinctive, and uniquely human. Jewelry encompasses a seemingly endless number of ornaments produced across time and in all cultures. The range of materials and techniques used in its construction is extraordinary, even revolutionary, with new substances and methods of fabrication added with every generation. In any given society, master artisans have devoted their time, energy, and talent to the fine art of jewelry making, creating some of the most spectacular objects known to humankind. This volume, geared toward jewelry makers, scholars, scientists, students, and fashionistas alike, begins with a lively introduction that offers a cultural history of jewelry and its production. The main text provides information on the most common, iconic, and culturally significant forms of jewelry and also covers materials, techniques, and manufacturing processes. Containing more than eighty color illustrations, this guide will be invaluable to all those wishing to increase their understanding and enjoyment of the art of jewelry.

Introduction to Metadata

Author:

Publisher:

Published: 2004

Total Pages:

ISBN-13:

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An overview of metadata: what it is, its types and uses, and how it can help to make Web resources more accessible and comprehensible. Contains articles, a glossary, and a list of acronyms relating to metadata.

Visualizing Empire

Author: Rebecca Peabody

Publisher: Getty Publications

Published: 2021-01-19

Total Pages: 202

ISBN-13: 1606066684

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An exploration of how an official French visual culture normalized France’s colonial project and exposed citizens and subjects to racialized ideas of life in the empire. By the end of World War I, having fortified its colonial holdings in the Caribbean, Latin America, Africa, the Indian Ocean, and Asia, France had expanded its dominion to the four corners of the earth. This volume examines how an official French visual culture normalized the country’s colonial project and exposed citizens and subjects alike to racialized ideas of life in the empire. Essays analyze aspects of colonialism through investigations into the art, popular literature, material culture, film, and exhibitions that represented, celebrated, or were created for France’s colonies across the seas. These studies draw from the rich documents and media—photographs, albums, postcards, maps, posters, advertisements, and children’s games—related to the nineteenth- and twentieth-century French empire that are held in the Getty Research Institute’s Association Connaissance de l’histoire de l’Afrique contemporaine (ACHAC) collections. ACHAC is a consortium of scholars and researchers devoted to exploring and promoting discussions of race, iconography, and the colonial and postcolonial periods of Africa and Europe.

Getty Research Journal, No. 11

Author: Gail Feigenbaum

Publisher: Getty Publications

Published: 2019-03-05

Total Pages: 240

ISBN-13: 1606066080

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The Getty Research Journal features the work of art historians, museum curators, and conservators from around the world as part of the Getty’s mission to promote the presentation, conservation, and interpretation of the world’s artistic legacy. Articles present original scholarship related to the Getty’s collections, initiatives, and research. This issue features essays on the culture of display in eighteenth-century Venetian palaces, the influence of prehistoric cave paintings on American abstract artists, the life and writings of Pauline Gibling Schindler, an unrealized project by Sam Francis and Walter Hopps for a contemporary art venue in 1960s Los Angeles, Harald Szeemann’s early plans for the documenta 5 exhibition, and the notebooks and manuscripts that led to Aldo Rossi’s Scientific Autobiography. Shorter texts include notices on Felipe Guaman Poma de Ayala’s illustrations accompanying a tale in Martín de Murúa’s Historia general del Piru, copperplate prints depicting the Qing army’s invasion of Nepal in 1792, the Nazi-era business records of the Gustav Cramer gallery in The Hague, Netherlands, and a proposal for the integration of provenance research into all aspects of museum activities, including a call for cross-institutional databases and international collaborations.

The Catholic Rubens

Author: Willibald Sauerlander

Publisher: Getty Publications

Published: 2014-04-15

Total Pages: 316

ISBN-13: 1606062689

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The art of Rubens is rooted in an era darkened by the long shadow of devastating wars between Protestants and Catholics. In the wake of this profound schism, the Catholic Church decided to cease using force to propagate the faith. Like Gian Lorenzo Bernini, Peter Paul Rubens (1577–1640) sought to persuade his spectators to return to the true faith through the beauty of his art. While Rubens is praised for the “baroque passion” in his depictions of cruelty and sensuous abandon, nowhere did he kindle such emotional fire as in his religious subjects. Their color, warmth, and majesty—but also their turmoil and lamentation—were calculated to arouse devout and ethical emotions. This fresh consideration of the images of saints and martyrs Rubens created for the churches of Flanders and the Holy Roman Empire offers a masterly demonstration of Rubens’s achievements, liberating their message from the secular misunderstandings of the postreligious age and showing them in their intended light.