Gérard Fromanger

Gérard Fromanger PDF

Author: Gilles Deleuze

Publisher:

Published: 1999

Total Pages: 126

ISBN-13:

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This study considers the relationship between the painter and his model as eroticized merchandise within consumer society. The text examines the painting versus photography debate, from Ingres to the era of hyperrealism.

Gerard Fromanger

Gerard Fromanger PDF

Author: Bernard Ceysson

Publisher: Somogy Art Publishing

Published: 2005

Total Pages: 172

ISBN-13:

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In the early 1960s, Gerard Fromanger began painting black and white figures in reaction to the dominance of abstract art in Paris at the time. In 1965, he became involved with Figuration Narrative, or Nouvelle Figuration, and was soon one of its leading figures. Each of his works is a lesson in painting, skilled and rich in reference as well as joyous and sensuous in form. Collectors and critics as diverse as Jacques Prevert, Gerard Depardieu, Gilles Deleuze and Michel Foucault speak of Fromanger's originality and capacity to inspire.

Foucault's Philosophy of Art

Foucault's Philosophy of Art PDF

Author: Joseph J. Tanke

Publisher: A&C Black

Published: 2009-08-30

Total Pages: 240

ISBN-13: 184706485X

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Offers the first complete examination of Foucault's reflections on visual art, leading to new readings of his major texts.

Gilles Deleuze and FŽlix Guattari

Gilles Deleuze and FŽlix Guattari PDF

Author: François Dosse

Publisher: Columbia University Press

Published: 2011

Total Pages: 688

ISBN-13: 0231145616

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In May 1968, Gilles Deleuze was an established philosopher teaching at the innovative Vincennes University, just outside of Paris. Felix Guattari was a political militant and director of an unusual psychiatric clinic at La Borde. Their meeting was unlikely, and the two were introduced in an arranged encounter of epic consequence. From that moment on, Deleuze and Guattari engaged in a surprising, productive partnership, collaborating on several groundbreaking works, including Anti-Oedipus, What Is Philosophy? and A Thousand Plateaus. Francois Dosse, a prominent French intellectual, examines the prolific, if improbable, relationship between two men of distinct and differing sensibilities. Drawing on unpublished archives and hundreds of personal interviews, Dosse elucidates a collaboration that lasted more than two decades, underscoring the role that family and history--particularly the turbulence of May 1968--played in their monumental work. He also takes the measure of Deleuze and Guattari's posthumous fortunes and weighs the impact of their thought within intellectual, academic, and professional circles.

Art as Abstract Machine

Art as Abstract Machine PDF

Author: Stephen Zepke

Publisher: Routledge

Published: 2014-02-04

Total Pages: 318

ISBN-13: 1135465762

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First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Archaeologies of Vision

Archaeologies of Vision PDF

Author: Gary Shapiro

Publisher: University of Chicago Press

Published: 2003-04-15

Total Pages: 460

ISBN-13: 0226750477

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While many acknowledge that Friedrich Nietzsche and Michel Foucault have redefined our notions of time and history, few recognize the crucial role that 'the infinite relation' between seeing and saying plays in their work. Shapiro reveals the full extent of Nietzsche and Foucault's concern with the visual.

The Chinese Chameleon Revisited

The Chinese Chameleon Revisited PDF

Author: Zheng Yangwen 鄭揚文

Publisher: Cambridge Scholars Publishing

Published: 2014-09-01

Total Pages: 350

ISBN-13: 1443866725

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By examining how the Middle Kingdom has been portrayed by foreigners and the Chinese themselves, this volume advances a new perspective in our reading and interpretation of the Chinese past by placing these “producers” and “presenters” of China in the spotlight. The chapters probe how these figures produced or presented the country, cross-examining their backgrounds and circumstances. Their gaze upon the Middle Kingdom was dictated by religious and political conviction, but also particularly by the consumers of that gaze. Like invisible hands, “producers” and “consumers” of China continue to constrain representations of the country, looming larger than the literary, artistic or journalistic works they produce. This volume also addresses scholars of Europe and America who have overlooked what Western writers on China reveal about their own contexts – which is indeed often more than they reveal about their ostensible subject. As such, the Middle Kingdom serves as a convenient mirror to reflect European and American anxieties and ambitions.

Lyotard and the 'figural' in Performance, Art and Writing

Lyotard and the 'figural' in Performance, Art and Writing PDF

Author: Kiff Bamford

Publisher: Bloomsbury Publishing

Published: 2012-06-14

Total Pages: 367

ISBN-13: 1441181903

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This original study offers a timely reconsideration of the work of French philosopher Jean-François Lyotard in relation to art, performance and writing. How can we write about art, whilst acknowledging the transformation that inevitably accompanies translations of both media and temporality? That is the question that persistently dogs Lyotard's own writings on art, and to which this book responds through reference to artists from the recently-formed canon of performance art history, including the myths of seminal figures Marina Abramovic and Vito Acconci, and the controlled documentation of Gina Pane's actions. Through the unstable, untranslatable element that Lyotard calls the figural, his thought is brought to bear on attempts to write a history of performance art and to question the paradoxically prescriptive demand for rules to govern 're-performance'. Kiff Bamford contextualises Lyotard's writings and approach with reference to both his contemporaries, including Deleuze and Kristeva, and the contemporary art about which they wrote, whilst arguing for the pertinence of Lyotard's provocations today.