Georgian Poetry, 1913-1915

Georgian Poetry, 1913-1915 PDF

Author: Edward Howard Marsh, Sir

Publisher: Hardpress Publishing

Published: 2013-01

Total Pages: 276

ISBN-13: 9781313134088

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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Georgian Poetry 1911-1912

Georgian Poetry 1911-1912 PDF

Author: Edward Howard Marsh

Publisher: Alpha Edition

Published: 2021-12-29

Total Pages: 66

ISBN-13: 9789355752512

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The book "" Georgian Poetry 1911-1912 "", has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

Georgian Poetry, 1920-1922 (Classic Reprint)

Georgian Poetry, 1920-1922 (Classic Reprint) PDF

Author: Edward Howard Marsh

Publisher: Forgotten Books

Published: 2018-01-24

Total Pages: 224

ISBN-13: 9780483840171

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Excerpt from Georgian Poetry, 1920-1922 This, in the words of Pirate Smee, was a kind of a compliment, but it was also, to quote the same hero, galling; and I have wished for an opportunity of disowning the pretension which I found attributed to me of setting up as a pundit, or a pontifi, or a Petronius Arbiter; for I have neither the sure taste, nor the exhaustive reading, nor the ample leisure which would be necessary in any such role. The origin of these books, which is set forth in the memoir of Rupert Brooke, was simple and humble. I found, ten years ago, that there were a number of writers doing work which appeared to me extremely good, but which was narrowly known and I thought that anyone, however unprofessional and meagrely gifted, who presented a conspectus of it in a challenging and manageable form might be doing a good turn both to the poets and to the reading public. So, I think I may claim, it proved to be. The first volume seemed to supply a want. It was eagerly bought the con tinuation of the affair was at once taken so much for granted as to be almost unavoidable; and there hasbeen no break in the demand for the successive books. If they have won for themselves any position, there is no possible reason except the pleasure they have given. Having entered upon a course of disclamation, I should like to make a mild protest against a further charge that Georgian Poetry has merely encouraged a small clique of mutually indistinguishable poetasters to abound in their own and each other's sense or nonsense. It is natural that the poets of a generation should have points in common but to my fond eye those who have graced these collections look as diverse as sheep to their shepherd, or the members of a Chinese family to their uncle; and if there is an allegation which I would deny wit/j both bandr, it is this: that an insipid sameness is the chief characteristic of an anthology which offers - to name almost at random seven only out of forty (oh ominous academic number - the work of Messrs. Abercrombie, Davies, de la Mare, Graves, Lawrence, Nichols and Squire. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.