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Author: Beth Irwin Lewis
Publisher: Madison : University of Wisconsin Press
Published: 1971
Total Pages: 356
ISBN-13:
DOWNLOAD EBOOK →Examines the ideological motivations of Grosz's political cartoons in an effort to define further the relationship between art and his political involvements in Berlin of the 1920s. Provides a clearer understanding of the artist and an unusual insight into the Weimar Republic.
Author: John Willett
Publisher: Pantheon
Published: 1978
Total Pages: 280
ISBN-13:
DOWNLOAD EBOOK →"The period between the end of World War I and Hitler's accession to power witnessed an unprecedented cultural explosion that embraced the whole of Europe but was, above all, centered in Germany. John Willett here provides a brilliant explanation of the aesthetic and political currents which made Germany the focal point of a new, down-to-earth, socially committed cultural movement that drew a significant measure of inspiration from revolutionary Russia and left-wing social thought, American technology, and the devastating experience of war."--Back cover.
Author: Beth Irwin Lewis
Publisher:
Published: 2003
Total Pages: 447
ISBN-13: 9780691102641
DOWNLOAD EBOOK →This book tells the story of Germany's rich, flourishing, and diversified world of art in the last decades of the nineteenth century--a world that has until recently been eclipsed by the events of the twentieth century. Basing her narrative on a close reading of contemporary periodicals, and lavishly complementing it with cartoons and other illustrations from these publications, Beth Irwin Lewis provides the first systematic, comprehensive study of that German art world. She focuses on how critics and the public responded to new forms of painting that emerged in the 1880s, when the explosive growth of art exhibitions supported by local governments across a recently united Germany was accompanied by skyrocketing attendance of a new mass public. Describing the rapid critical acceptance and dominance of the new modern art in the 1890s, Lewis analyzes these developments within a complex interweaving of social, cultural, and economic factors. Although critics had hoped for a unified new art for the new nation, the success of modern art fragmented the art world, as modern artists and their supporters turned away from the often unreceptive mass public of the great exhibitions. Lewis's approach through the popular journals reveals the public's growing alienation from modern artists and an increasing contempt for the public on the part of these artists and their supporters--all of which prefigured tensions in the contemporary art world. Her wide-ranging text examines not only the various ways art was promoted to and received by the public, but also anti-Semitism, the role of women artists, and changes in style of both art and criticism. Well documented, engagingly written, and vividly illustrated, this book will interest not only scholars and students but all readers interested in German cultural history and art history.
Author: Stephanie Barron
Publisher: Prestel
Published: 2015
Total Pages: 0
ISBN-13: 9783791354316
DOWNLOAD EBOOK →Between the end of World War I and the Nazi assumption of power, Germany's Weimar Republic (1919-1933) functioned as a thriving laboratory of art and culture. As the country experienced unprecedented and often tumultuous social, economic and political upheaval, many artists rejected Expressionism in favour of a new realism to capture this emerging society. Dubbed Neue Sachlichkeit - New Objectivity - its adherents turned a cold eye on the new Germany: its desperate prostitutes and crippled war veterans, its alienated urban landscapes, its decadent underworld where anything was available for a price. Showcasing 150 works by more than 50 artists, this book reflects the full diversity and strategies of this art form. Organised around five thematic sections, it mixes photography, works on paper and painting to bring them into a visual dialogue. Artists such as Otto Dix, George Grosz and Max Beckmann are included alongside figures such as Christian Schad, Alexander Kanoldt, Georg Schrimpf, August Sander, Lotte Jacobi and Aenne Biermann. Also included are numerous essays that examine the politics of New Objectivity and its legacy, the relation of this new realism to international art movements of the time; the context of gender roles and sexuality; and the influence of new technology and consumer goods. Published in association with the Los Angeles County Museum of Art. AUTHOR: Stephanie Barron is a Senior Curator and heads the Modern Art department at the Los Angeles Contemporary Museum of Art. Sabine Eckmann is the William T. Kemper Director and Chief Curator of the Mildred Lane Kemper Art Museum in St. Louis, Missouri. 300 colour illustrations
Author: John I H Baur
Publisher: Hassell Street Press
Published: 2023-07-22
Total Pages: 0
ISBN-13: 9781022892613
DOWNLOAD EBOOK →George Grosz was a leading figure of the German Expressionist movement and a pioneer of political satire. This book provides a comprehensive overview of the artist's life and work, featuring over 100 illustrations of his paintings, drawings, and prints. The text explores the themes and techniques that defined Grosz's art, including his scathing critiques of the Weimar Republic and his powerful depictions of social injustice and corruption. This is an essential resource for anyone interested in modern art and political satire. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Deborah Ascher Barnstone
Publisher: Bloomsbury Publishing USA
Published: 2018-11-01
Total Pages: 288
ISBN-13: 1501344889
DOWNLOAD EBOOK →In light of the recent rise of right-wing populism in numerous political contexts and in the face of resurgent nationalism, racism, misogyny, homophobia, and demagoguery, this book investigates how historical and contemporary cultural producers have sought to resist, confront, confound, mock, or call out situations of political oppression in Germany, a country which has seen a dramatic range of political extremes during the past century. While the current turn to nationalist populism is global, it is perhaps most disturbing in Germany, given its history with its stormy first democracy in the interwar Weimar Republic; its infamous National Socialist (Nazi) period of the 1930s and 1940s; and its split Cold-War existence, with Marxist-Leninist Totalitarianism in the German Democratic Republic and the Federal Republic of Germany's barely-hidden ties to the Nazi past. Equally important, Germans have long considered art and culture critical to constructions of national identity, which meant that they were frequently implicated in political action. This book therefore examines a range of work by artists from the early twentieth century to the present, work created in an array of contexts and media that demonstrates a wide range of possible resistance.
Author: Sabine Rewald
Publisher: Metropolitan Museum of Art
Published: 2022-06-06
Total Pages: 183
ISBN-13: 1588397548
DOWNLOAD EBOOK →This overdue investigation of George Grosz’s (1893–1959) most compelling paintings, drawings, prints, and collages offers a reassessment of the celebrated German Expressionist during his years in Berlin—from his earliest artistic endeavors to the trenchant satirical images and searing depictions of moral decay between the World Wars for which he is known today. Menacing street scenes, rowdy cabarets, corrupt politicians, wounded soldiers, greedy war profiteers, and other symbols of Berlin’s interwar decline all met with the artist’s relentless gaze, which exposed the core social issues that eventually led to Germany’s extreme nationalist politics. Featuring masterpieces as well as rarely published works, this book provides further insight into the artist’s creative pinnacle, reached during this critical and ominous period in German history.
Author: George Grosz
Publisher: Yale University Press
Published: 1997-01-01
Total Pages: 240
ISBN-13: 0300072066
DOWNLOAD EBOOK →Including 150 work on paper as well as several of the artist's key theoretical essays and letters, this text is the catalogue for a 1997 Royal Academy exhibition of the drawings, watercolours and prints of George Grosz.
