Lanterna Rally

Author: Marion Grau

Publisher: Oxford University Press

Published: 2021

Total Pages: 265

ISBN-13: 0197598633

"The book explores the ritual geography of a pilgrimage system woven around medieval local saints in Norway, and the renaissance of pilgrimage in contemporary majority Protestant Norway, facing challenges of migration, xenophobia, and climate crisis. The study is concerned with historical narratives and communal contemporary reinterpretations of the figure of St. Olav, the first Christian king who was a major impulse towards conversion to Christianity and the unification of regions of Norway in a nation unified by a Christian law and faith. This initially medieval pilgrimage network, originated after the death of Olav Haraldsson and his proclamation as saint in 1030, became repressed after the Reformation which had a great influence on Scandinavia and shaped Norwegian Christianity overwhelmingly. Since the late 1990s, the Church of Norway participated in a renaissance that has grown into a remarkable infrastructure supported by national and local authorities. The contemporary pilgrimage by land and by sea to Nidaros cathedral in Trondheim is one site where this negotiation is paramount. The study maps how both pilgrims, hosts, church officials and government officials are renegotiating and reshaping narratives of landscape, sacrality, pilgrimage as a symbol of life journey, nation, identity, Christianity, and Protestant reflections on the durability of medieval Catholic saints. The redevelopment of this instance of pilgrimage in a majority Protestant context negotiates various societal concerns, all of which are addressed by various groups of pilgrims or other actors in the network. One part of the network is the annual festival Olavsfest, a culture and music festival that actively and critically engages the contested heritage of St. Olav and the Church of Norway through theater, music, lectures, and discussions, and features theological and interreligious conversations. This festival is a platform for creative and critical engagement with the contested, violent heritage of St. Olav, the colonial history of Norway in relation to the Sami indigenous population, and many other contemporary social and religious issues. The study highlights facets of critical, constructive engagement of these majority Protestant actors engaging legacy through forms of theological and ritual creativity rather than mere repetition"--