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Gauguins Challenge

Author: Norma Broude

Publisher: Bloomsbury Publishing USA

Published: 2018-03-08

Total Pages: 328

ISBN-13: 1501325175

Several decades have now passed since postcolonial and feminist critiques presented the art-historical world with a demythologized Paul Gauguin (1848-1903), a much-diminished image of the artist/hero who had once been universally admired as "the father of modernist primitivism.†? In this volume, both long-established and more recent Gauguin scholars offer a provocative picture of the evolution of Gauguin scholarship in the recent postmodern era, as they confront and consider how the dismantling of the longstanding Gauguin myth positions us now in the 21st century to deal with and assess the life, work, and legacy of this still perennially popular artist. To reassess the challenges that Gauguin faced in his own day as well as those that he continues to present to current and future scholarship, they explore the multiple contexts that influenced Gauguin's thought and behavior as well as his art and incorporate a variety of interdisciplinary approaches, from anthropology, philosophy, and the history of science to gender studies and the study of Pacific cultural history. Dealing with a wide range of Gauguin's production, they challenge conventional art-historical thinking, highlight transnational perspectives, and offer clues to the direction of future scholarship, as audiences worldwide seek to make multicultural peace with Gauguin and his art. Broude has raised the bar of Gauguin scholarship ever higher in this groundbreaking volume, which will be necessary reading for students and scholars of art history, late 19th-century French and Pacific culture, gender studies, and beyond.

Gauguins Challenge

Author: Norma Broude

Publisher: Bloomsbury Publishing USA

Published: 2018-03-08

Total Pages: 328

ISBN-13: 1501325167

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Gauguin's Challenge

Author: Norma Broude

Publisher:

Published: 2018

Total Pages: 307

ISBN-13: 9781501325182

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"Several decades have now passed since postcolonial and feminist critiques presented the art-historical world with a demythologized Paul Gauguin (1848-1903), a much-diminished image of the artist/hero who had once been universally admired as 'the father of modernist primitivism.' In this volume, both long-established and more recent Gauguin scholars offer a provocative picture of the evolution of Gauguin scholarship in the recent postmodern era, as they confront and consider how the dismantling of the longstanding Gauguin myth positions us now in the 21st century to deal with and assess the life, work, and legacy of this still perennially popular artist. To reassess the challenges that Gauguin faced in his own day as well as those that he continues to present to current and future scholarship, they explore the multiple contexts that influenced Gauguin's thought and behavior as well as his art and incorporate a variety of interdisciplinary approaches, from anthropology, philosophy, and the history of science to gender studies and the study of Pacific cultural history. Dealing with a wide range of Gauguin's production, they challenge conventional art-historical thinking, highlight transnational perspectives, and offer clues to the direction of future scholarship, as audiences worldwide seek to make multicultural peace with Gauguin and his art. Broude has raised the bar of Gauguin scholarship ever higher in this groundbreaking volume, which will be necessary reading for students and scholars of art history, late 19th-century French and Pacific culture, gender studies, and beyond."--Bloomsbury Publishing.

Gauguin (Second) (World of Art)

Author: Belinda Thomson

Publisher: Thames & Hudson

Published: 2020-09-08

Total Pages: 345

ISBN-13: 0500775125

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This authoritative account of the life and work of Paul Gauguin, one of the most original artists of the late nineteenth century, is revised and updated with color illustrations throughout. Artist Paul Gauguin achieved a high public profile during his lifetime and was one of the first artists of his generation to achieve international recognition. But his prominence has always been tangled up with the dramatic and problematic events of his life—his self-imposed exile on a remote South Sea island and his turbulent relationships with his peers—as with the appeal of his art. In this revised and updated edition, art historian Belinda Thomson gives a comprehensive and accessible account of the life and work of one of the most complicated artists of the late nineteenth century. Gauguin’s painting, sculpture, prints, and ceramics are discussed in the light of his public persona, his relations with his contemporaries, his exhibitions, and their critical reception. His private world, beliefs, and aspirations emerge through his extensive cache of journals, letters, and other writings. Fully illustrated in color, and drawing on the new, more global conversation surrounding the artist, Gauguin is the definitive volume on this controversial and often contradictory figure.

Gauguin's Vision

Author: Belinda Thomson

Publisher:

Published: 2005

Total Pages: 148

ISBN-13:

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When Paul Gauguin (1848-1903) painted Vision After the Sermon in the summer of 1888 he was a mature artist who had travelled, exhibited and worked in a variety of media. Today the painting is considered a masterpiece, helping to assure Gauguin's fame the world over. Few paintings have given rise to more art historical analysis and critique, more speculation, admiration or recrimination. Accompanying the innovative painting-in-focus exhibition, 'Gauguin's Vision', this book illuminates one of the most intriguing and famous images in the history of western art. This re-examination of the painting, Vision After the Sermon: Jacob Wrestling with the Angel brings together works by Gauguin, his mentors such as Paul C, zanne and Edgar Degas, and younger contemporaries including Emile Bernard, Paul S, rusier, Maurice Denis and Henri van de Velde. It explores the biographical, pictorial and cultural circumstances that enabled Gauguin to make such a radical statement in paint in 1888. This beautifully illu

Noa Noa

Author: Paul Gauguin

Publisher: Chronicle Books

Published: 2005-03-10

Total Pages: 186

ISBN-13: 9780811848411

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"In 1894, Paul Gauguin came to the conclusion that European culture in general, and French culture in particular, was spiritually and morally bankrupt. So he left. On the eighth of June that same year, he arrived in Tahiti, an island of tropical warmth, impenetrable jungles, and - most importantly for Gauguin - unspoiled, undecadent, un-European, and extremely beautiful people." "He luxuriated in this paradise for two years, producing some of his most skillful and best-known paintings, as well as a more personal masterpiece: his journal and the woodblocks he made to accompany it. In his Tahiti diary, Gauguin wrote affectionately about the majestic and earthy people he met." "In 1896, he abruptly returned to France, where his journal was declared too racy for publication. Ultimately, he published it himself but was unable to include his powerful woodblock illustrations. In Noa Noa they appear together for the first time, accompanied by the whimsical, brightly colored sketches that Gauguin included in the margins of his journal. This collection of sensuous and intriguing illustrations is a testament to Gauguin's reverence for nature and his respect for the nobility of Tahitian society."--BOOK JACKET.

Savage Tales

Author: Linda Goddard

Publisher: Yale University Press

Published: 2019-09-03

Total Pages: 210

ISBN-13: 0300240597

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"An original study of Gauguin's writings, unfolding their central role in his artistic practice and negotiation of colonial identity. As a French artist who lived in Polynesia, Paul Gauguin (1848-1903) occupies a crucial position in histories of European primitivism. This is the first book devoted to his wide-ranging literary output, which included journalism, travel writing, art criticism, and essays on aesthetics, religion, and politics. It analyzes his original manuscripts, some of which are richly illustrated, reinstating them as an integral component of his art. The seemingly haphazard, collage-like structure of Gauguin's manuscripts enabled him to evoke the "primitive" culture that he celebrated, while rejecting the style of establishment critics. Gauguin's writing was also a strategy for articulating a position on the margins of both the colonial and the indigenous communities in Polynesia; he sought to protect Polynesian society from "civilization" but remained implicated in the imperialist culture that he denounced. This critical analysis of his writings significantly enriches our understanding of the complexities of artistic encounters in the French colonial context."--Publisher's description.