Gale Researcher Guide for: Horror Codes: Frankenstein by Mary Shelley (1818) and James Whale (1931)

Gale Researcher Guide for: Horror Codes: Frankenstein by Mary Shelley (1818) and James Whale (1931) PDF

Author: Jerod Ra'Del Hollyfield

Publisher: Gale, Cengage Learning

Published:

Total Pages: 10

ISBN-13: 1535853395

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Gale Researcher Guide for: Horror Codes: Frankenstein by Mary Shelley (1818) and James Whale (1931) is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.

The Bedside, Bathtub & Armchair Companion to Frankenstein

The Bedside, Bathtub & Armchair Companion to Frankenstein PDF

Author: Carol J. Adams

Publisher: Burns & Oates

Published: 2007-05

Total Pages: 212

ISBN-13:

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A bolt-necked monster opens his eyes, lifts himself from his laboratory table, then lurches and stumbles toward his creator. Do we know this image because we are movie-watchers? When we imagine Frankenstein's monster, do we draw upon Mary Shelley's description? Or Boris Karloff's iconic look from the 1931 film by James Whale? Whether as cliche or icon, the monster clearly not only escaped from Victor Frankenstein's laboratory, but also from the pages of Shelley's book to roam unimpeded through our cultural psyche. New in the acclaimed Bedside, Bathtub & Armchair series, this guide provides the interested and curious, the serious and the ghoulish, with a new and unimaginable understanding of the Frankenstein legend. Written by an acclaimed social critic, The Bedside, Bathtub & Armchair Companion to Frankenstein takes us from Mary Shelley's creation to the latest film adaptations and comic-book re-creations. The book includes 200 images, many seldom seen, along with maps, puzzles, and brain-teashers--whether your brain was misplaced in a scientist's lab or not!

Valperga

Valperga PDF

Author: Mary Wollstonecraft Shelley

Publisher: Simon and Schuster

Published: 2014-04-25

Total Pages: 457

ISBN-13: 1609778804

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The adventures of the early fourteenth-century despot Castruccio Castracani, a real historical figure who became the lord of Lucca and conquered Florence. In the novel, his armies threaten the fictional fortress of Valperga, governed by Countess Euthanasia, the woman he loves. He forces her to choose between her feelings for him and political liberty.

Attack of the Leading Ladies

Attack of the Leading Ladies PDF

Author: John Belton

Publisher:

Published: 1996

Total Pages: 274

ISBN-13: 9780231084635

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Looking at such films as "Frankenstein, Svengali, King Kong" and "The Mark of the Vampire," Berenstein argues that classical horror cinema is marked by malleable gender roles, not by entrenched conventional personas.

The Criminal Brain, Second Edition

The Criminal Brain, Second Edition PDF

Author: Nicole Rafter

Publisher: NYU Press

Published: 2016-08-30

Total Pages: 395

ISBN-13: 1479894699

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A lively, up-to-date overview of the newest research in biosocial criminology What is the relationship between criminality and biology? Nineteenth-century phrenologists insisted that criminality was innate, inherent in the offender’s brain matter. While they were eventually repudiated as pseudo-scientists, today the pendulum has swung back. Both criminologists and biologists have begun to speak of a tantalizing but disturbing possibility: that criminality may be inherited as a set of genetic deficits that place one at risk to commit theft, violence, or acts of sexual deviance. But what do these new theories really assert? Are they as dangerous as their forerunners, which the Nazis and other eugenicists used to sterilize, incarcerate, and even execute thousands of supposed “born” criminals? How can we prepare for a future in which leaders may propose crime-control programs based on biology? In this second edition of The Criminal Brain, Nicole Rafter, Chad Posick, and Michael Rocque describe early biological theories of crime and provide a lively, up-to-date overview of the newest research in biosocial criminology. New chapters introduce the theories of the latter part of the 20th century; apply and critically assess current biosocial and evolutionary theories, the developments in neuro-imaging, and recent progressions in fields such as epigenetics; and finally, provide a vision for the future of criminology and crime policy from a biosocial perspective. The book is a careful, critical examination of each research approach and conclusion. Both compiling and analyzing the body of scholarship devoted to understanding the criminal brain, this volume serves as a condensed, accessible, and contemporary exploration of biological theories of crime and their everyday relevance.

Frankenstein (Original Unabridged Version)

Frankenstein (Original Unabridged Version) PDF

Author: Mary Shelley

Publisher: Golden Valley Press

Published: 2019-12-23

Total Pages: 132

ISBN-13: 9781947215146

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"The novel 'Frankenstein' by Marry Shelley is a very famous gothic novel and has sold many copies till date. It is a compelling book that has managed to grab the attention of audiences since day-one. According to some, the monster of Frankenstein is symbolic of the industrialization that created havoc and destruction in Europe in the nineteenth century. However, according to others, it stands for the fears in the writer's mind to changing times and new events. The novel is often classified as gothic since it dwells on mystery and the supernatural world. The setting is that of dark, sublime and exotic, making the reader uneasy. And, the 'double' feature only adds to the mystery and the sensation for the reader. According to some critics in the past and present, this is the first extant scientific novel written in English language. The writing style of the author is truly remarkable and is the main highlight of this book. The plot of the book has been well thought of and it has all the essentials that make a book a classic. It has the right dose of love, suspense, friendship and, quintessential to this book, human psychology. The book provides the reader with an understanding on life in a totally new and refreshing manner."

The Philosophy of Science Fiction Film

The Philosophy of Science Fiction Film PDF

Author: Steven Sanders

Publisher: University Press of Kentucky

Published: 2007-12-14

Total Pages: 241

ISBN-13: 0813172810

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The science fiction genre maintains a remarkable hold on the imagination and enthusiasm of the filmgoing public, captivating large audiences worldwide and garnering ever-larger profits. Science fiction films entertain the possibility of time travel and extraterrestrial visitation and imaginatively transport us to worlds transformed by modern science and technology. They also provide a medium through which questions about personal identity, moral agency, artificial consciousness, and other categories of experience can be addressed. In The Philosophy of Science Fiction Film, distinguished authors explore the storylines, conflicts, and themes of fifteen science fiction film classics, from Metropolis to The Matrix. Editor Steven M. Sanders and a group of outstanding scholars in philosophy, film studies, and other fields raise science fiction film criticism to a new level by penetrating the surface of the films to expose the underlying philosophical arguments, ethical perspectives, and metaphysical views. Sanders's introduction presents an overview and evaluation of each essay and poses questions for readers to consider as they think about the films under discussion.The first section, "Enigmas of Identity and Agency," deals with the nature of humanity as it is portrayed in Blade Runner, Dark City, Frankenstein, Invasion of the Body Snatchers, and Total Recall. In the second section, "Extraterrestrial Visitation, Time Travel, and Artificial Intelligence," contributors discuss 2001: A Space Odyssey, The Terminator, 12 Monkeys, and The Day the Earth Stood Still and analyze the challenges of artificial intelligence, the paradoxes of time travel, and the ethics of war. The final section, "Brave Newer World: Science Fiction Futurism," looks at visions of the future in Metropolis, The Matrix, Alphaville, and screen adaptations of George Orwell's 1984.

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