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From The Underground Busking in London CHAPTER1 Buskers' Holy Land

Author: Hideaki Domon

Publisher: 豊作パブリッシング

Published: 2012-11-18

Total Pages: 66

ISBN-13:

How many people in Japan know what “busking” means? In Britain, busking is “to earn money by singing or playing a musical instrument in public places,” and singers or players are called “buskers.” Busking has thrived in the London Underground for many years, and has become an established part of the music culture. It gives the travelling public a brief and transient moment to unwind and enjoy music; it is also a tourist attraction at the same time. However, with the modernisation of stations and the increasing number of passengers, busking caused some problems, such as noise, jeopardising passengers’ safety, disputes between buskers, etc. So in 2003 the London Underground Authority introduced a licensing system which requires that anyone wanting to be a busker must pass an audition. Luckily, I was the first Japanese to acquire an official busking licence. This book is a record of my busking between April and November 2005, but other occurrences and anecdotes that took place before those eight months are also included. I hope you will enjoy the book - just like you enjoy listening to your favourite music time and time again! The diary of laughter with the tear of Mr. Domon who was basking in the same time at London Underground as the author "James Bowen" of the books "street cat named a bob". Hideaki Domon

From The Underground Busking in London CHAPTER4 Busking of the Soul

Author: Hideaki Domon

Publisher: 豊作パブリッシング

Published: 2012-11-18

Total Pages: 45

ISBN-13:

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From The Underground Buskingin London CHAPTER4 Busking of the Soul How many people in Japan know what “busking” means? In Britain, busking is “to earn money by singing or playing a musical instrument in public places,” and singers or players are called “buskers.” Busking has thrived in the London Underground for many years, and has become an established part of the music culture. It gives the travelling public a brief and transient moment to unwind and enjoy music; it is also a tourist attraction at the same time. However, with the modernisation of stations and the increasing number of passengers, busking caused some problems, such as noise, jeopardising passengers’ safety, disputes between buskers, etc. So in 2003 the London Underground Authority introduced a licensing system which requires that anyone wanting to be a busker must pass an audition. Luckily, I was the first Japanese to acquire an official busking licence. This book is a record of my busking between April and November 2005, but other occurrences and anecdotes that took place before those eight months are also included. I hope you will enjoy the book - just like you enjoy listening to your favourite music time and time again! The diary of laughter with the tear of Mr. Domon who was basking in the same time at London Underground as the author "James Bowen" of the books "street cat named a bob".

From The Underground Busking in London CHAPTER3 We Are The Champions!

Author: Hideaki Domon

Publisher: 豊作パブリッシング

Published: 2012-11-18

Total Pages: 73

ISBN-13:

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From The Underground Buskingin London CHAPTER3 We Are The Champions! How many people in Japan know what “busking” means? In Britain, busking is “to earn money by singing or playing a musical instrument in public places,” and singers or players are called “buskers.” Busking has thrived in the London Underground for many years, and has become an established part of the music culture. It gives the travelling public a brief and transient moment to unwind and enjoy music; it is also a tourist attraction at the same time. However, with the modernisation of stations and the increasing number of passengers, busking caused some problems, such as noise, jeopardising passengers’ safety, disputes between buskers, etc. So in 2003 the London Underground Authority introduced a licensing system which requires that anyone wanting to be a busker must pass an audition. Luckily, I was the first Japanese to acquire an official busking licence. This book is a record of my busking between April and November 2005, but other occurrences and anecdotes that took place before those eight months are also included. I hope you will enjoy the book - just like you enjoy listening to your favourite music time and time again! The diary of laughter with the tear of Mr. Domon who was basking in the same time at London Underground as the author "James Bowen" of the books "street cat named a bob".

From The Underground Busking in London CHAPTER2 7 July 2005 London bombings

Author: Hideaki Domon

Publisher: 豊作パブリッシング

Published: 2012-11-18

Total Pages: 59

ISBN-13:

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From The Underground Buskingin London CHAPTER2 7 July 2005 London bombings How many people in Japan know what “busking” means? In Britain, busking is “to earn money by singing or playing a musical instrument in public places,” and singers or players are called “buskers.” Busking has thrived in the London Underground for many years, and has become an established part of the music culture. It gives the travelling public a brief and transient moment to unwind and enjoy music; it is also a tourist attraction at the same time. However, with the modernisation of stations and the increasing number of passengers, busking caused some problems, such as noise, jeopardising passengers’ safety, disputes between buskers, etc. So in 2003 the London Underground Authority introduced a licensing system which requires that anyone wanting to be a busker must pass an audition. Luckily, I was the first Japanese to acquire an official busking licence. This book is a record of my busking between April and November 2005, but other occurrences and anecdotes that took place before those eight months are also included. I hope you will enjoy the book - just like you enjoy listening to your favourite music time and time again! The diary of laughter with the tear of Mr. Domon who was basking in the same time at London Underground as the author "James Bowen" of the books "street cat named a bob".

Integrated Practice

Author: Pedro de Alcantara

Publisher: Oxford University Press on Demand

Published: 2011

Total Pages: 307

ISBN-13: 0195317076

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INTEGRATED PRACTICE: COORDINATION, RHYTHM & SOUND proposes a new approach to musicianship, health, and wellbeing. Containing dozens of exercises and supported by an extensive online library of video and audio clips, INTEGRATED PRACTICE offers tools for instrumentalists, singers, and conductors to use music itself as their guide toward unity and freedom of mind and body.

Édith Piaf

Author: David Looseley

Publisher: Liverpool University Press

Published: 2015-10-28

Total Pages: 322

ISBN-13: 1781388598

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The world-famous French singer Édith Piaf (1915-63) was never just a singer. This book suggests new ways of understanding her, her myth and her meanings over time at home and abroad, by proposing the notion of an ‘imagined’ Piaf.

The Culture of Homelessness

Author: Megan Ravenhill

Publisher: Routledge

Published: 2016-03-16

Total Pages: 304

ISBN-13: 1317036611

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Despite an extensive literature on homelessness there is surprisingly little work that investigates the roots of homelessness by tracking homeless people over time. In this fascinating and much-needed ethnographic study, Megan Ravenhill presents the results of ten years' research on the streets and in the hostels and day-centres of the UK, incorporating intensive interviews with 150 homeless and formerly homeless people as well as policy makers and professionals working with homeless people. Ravenhill discusses the biographical, structural and behavioural factors that lead to homelessness. Amongst the important and unique features of the study are: the use of life-route maps showing the circumstances and decisions that lead to homelessness, a systematic study of the timescales involved, and a survey of people's exit routes from homelessness. Ravenhill also identifies factors that predict those most vulnerable to homelessness and factors that prevent or considerably delay the onset of homelessness.

Developing a Sense of Place

Author: Tamara Ashley

Publisher:

Published: 2020-10-07

Total Pages: 300

ISBN-13: 9781787357761

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The Bone Season

Author: Samantha Shannon

Publisher: Bloomsbury Publishing USA

Published: 2023-08-22

Total Pages: 412

ISBN-13: 1639734058

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The New York Times bestselling first novel in the sensational Bone Season series, a heart-pounding epic fantasy by the author of The Priory of the Orange Tree. “Intelligent, inventive, dark, and engrossing.” NPR Welcome to Scion. No safer place. The year is 2059. For two centuries, the Republic of Scion has led an oppressive campaign against unnaturalness in Europe. In London, Paige Mahoney holds a high rank in the criminal underworld. The right hand of the ruthless White Binder, Paige is a dreamwalker, a rare and formidable kind of clairvoyant. Under Scion law, she commits treason simply by breathing. When Paige is arrested for murder, she meets the mysterious founders of Scion, who have designs on her uncommon abilities. If she is to survive and escape, Paige must use every skill at her disposal – and put her trust in someone who ought to be her enemy. With its intricate worldbuilding, slow burn romance, and “complex, ever evolving, scrappy yet touching” (NPR) heroine, the Bone Season series shows Samantha Shannon at the height of her considerable powers.

Acoustic Territories, Second Edition

Author: Brandon LaBelle

Publisher: Bloomsbury Publishing USA

Published: 2019-10-17

Total Pages: 249

ISBN-13: 1501336185

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The revised edition of Acoustic Territories: Sound Culture and Everyday Life offers an expansive reading of auditory life. It provides a careful consideration of the performative dynamics inherent to sounding and listening, and discusses how sound studies may illuminate understandings of contemporary society. Combining research on urbanism, popular culture, street life and sonic technologies, Acoustic Territories opens up a range of critical perspectives--it challenges debates surrounding noise pollution and charts an "acoustic politics of space" by engaging auditory experience as found within particular cultural histories and related ideologies. Brandon LaBelle traces sound culture through a topographic structure: from underground territories to the home, and further, into the rhythms and vibrations of streets and neighborhoods, and finally to the sky itself as an arena of transmitted imaginaries. The new edition includes an additional "global territory" of the relational, positioning acoustics as a range of everyday practices that rework dominant tonalities. Questions of orientation and emplacement are critically raised, reframing listening as multi-modal and intrinsic to resistant socialities and what the author terms "acts of compositioning." The book is fully updated to include new relevant research and references surfacing since 2010, as well as a new preface to the second edition. Acoustic Territories continues to uncover the embedded tensions and potentialities inherent to sound as it exists in the everyday spaces around us.