From Grassroots to Comercialization: Hip Hop and Rap Music in the USA

From Grassroots to Comercialization: Hip Hop and Rap Music in the USA PDF

Author: Karl Kovacs

Publisher: diplom.de

Published: 2014-04-01

Total Pages: 86

ISBN-13: 3954897512

DOWNLOAD EBOOK →

In the past three decades hip hop has developed from an underground movement in one of New York City’s poorest boroughs, the Bronx, to a worldwide multi-billion-dollar industry. Nowadays one could not imagine chart shows, discos or house-parties without rap music. According to Guthrie P. Ramsey, Jr., rap music, which belongs under the cultural umbrella called hip hop, ‘is virtually everywhere: television, radio, film, magazines, art galleries, and in ‘underground’ culture’. In this work Karl Kovacs will examine the reasons for hip hop’s international success, the dangers of it, and the motivations rappers had and still have to pursue their art. It is yet to be answered if the success of this form of art has been a blessing or a curse for its performers and their audience, the so-called hip hop generation.

"Making a change?!" - Between Grassroots and Commercialisation in Contemporary American Rap Music

Author: Karl Kovacs

Publisher: GRIN Verlag

Published: 2008-09-09

Total Pages: 21

ISBN-13: 3640158954

DOWNLOAD EBOOK →

Seminar paper from the year 2007 in the subject American Studies - Culture and Applied Geography, grade: 1,3, University of Freiburg, course: The Rise of the Entertainment Industry, language: English, abstract: The Hip Hop culture between grassroots and commercialzation. Can rap music bring about social and political change for African Americans or is it merely entertainment?

Hip Hop and Rap Music in the USA. From Grassroots to Commercialization

Hip Hop and Rap Music in the USA. From Grassroots to Commercialization PDF

Author: Karl Kovacs

Publisher:

Published: 2014-03

Total Pages: 88

ISBN-13: 9783656608202

DOWNLOAD EBOOK →

Thesis (M.A.) from the year 2009 in the subject English - History of Literature, Eras, grade: 2,3, University of Freiburg (Englisches Seminar), language: English, abstract: In the past three decades hip hop has developed from an underground movement in one of New York City's poorest boroughs, the Bronx, to a worldwide multi-billion-dollar industry. Nowadays one could not imagine chart shows, discos or house-parties without rap music. According to Guthrie P. Ramsey, Jr., rap music, which belongs under the cultural umbrella called hip hop, "is virtually everywhere: television, radio, film, magazines, art galleries, and in 'underground' culture" This work aims to examine the reasons for hip hop's international success, the dangers of it, and the motivations rappers had and still have to pursue their art. It is yet to be answered if the success of this form of art has been a blessing or a curse for its performers and their audience, the so-called hip hop generation.

A History of Hip-Hop

A History of Hip-Hop PDF

Author: Thomas Hatch

Publisher: Capstone

Published: 2005-08

Total Pages: 54

ISBN-13: 9780736857406

DOWNLOAD EBOOK →

Profiles several musicians who introduced hip-hop to the world.

Women Rapping Revolution

Women Rapping Revolution PDF

Author: Kellie D. Hay

Publisher: University of California Press

Published: 2020-06-09

Total Pages: 247

ISBN-13: 0520305329

DOWNLOAD EBOOK →

Detroit, MIchigan, has long been recognized as a center of musical innovation and social change. Rebekah Farrugia and Kellie D. Hay draw on seven years of fieldwork to illuminate the important role that women have played in mobilizing a grassroots response to political and social pressures at the heart of Detroit’s ongoing renewal and development project. Focusing on the Foundation, a women-centered hip hop collective, Women Rapping Revolution argues that the hip hop underground is a crucial site where Black women shape subjectivity and claim self-care as a principle of community organizing. Through interviews and sustained critical engagement with artists and activists, this study also articulates the substantial role of cultural production in social, racial, and economic justice efforts.

Rap Music and Culture

Rap Music and Culture PDF

Author: Kate Burns

Publisher: Greenhaven Publishing

Published: 2008

Total Pages: 202

ISBN-13:

DOWNLOAD EBOOK →

Contains over twenty essays that offer varying perspectives on controversial issues related to rap music, such as if it is a significant American cultural music and if it harms women.

Hip-Hop Revolution

Hip-Hop Revolution PDF

Author: Jeffrey O. G. Ogbar

Publisher: University Press of Kansas

Published: 2007-11-19

Total Pages: 248

ISBN-13: 0700616519

DOWNLOAD EBOOK →

In the world of hip-hop, "keeping it real" has always been a primary goal-and realness takes on special meaning as rappers mold their images for street cred and increasingly measure authenticity by ghetto-centric notions of "Who's badder?" In this groundbreaking book, Jeffrey O. G. Ogbar celebrates hip-hop and confronts the cult of authenticity that defines its essential character-that dictates how performers walk, talk, and express themselves artistically and also influences the consumer market. Hip-Hop Revolution is a balanced cultural history that looks past negative stereotypes of hip-hop as a monolith of hedonistic, unthinking noise to reveal its evolving positive role within American society. A writer who's personally encountered many of hip-hop's icons, Ogbar traces hip-hop's rise as a cultural juggernaut, focusing on how it negotiates its own sense of identity. He especially explores the lyrical world of rap as artists struggle to define what realness means in an art where class, race, and gender are central to expressions of authenticity-and how this realness is articulated in a society dominated by gendered and racialized stereotypes. Ogbar also explores problematic black images, including minstrelsy, hip-hop's social milieu, and the artists' own historical and political awareness. Ranging across the rap spectrum from the conscious hip-hop of Mos Def to the gangsta rap of 50 Cent to the "underground" sounds of Jurassic 5 and the Roots, he tracks the ongoing quest for a unique and credible voice to show how complex, contested, and malleable these codes of authenticity are. Most important, Ogbar persuasively challenges widely held notions that hip-hop is socially dangerous-to black youths in particular-by addressing the ways in which rappers critically view the popularity of crime-focused lyrics, the antisocial messages of their peers, and the volatile politics of the word "nigga." Hip-Hop Revolution deftly balances an insider's love of the culture with a scholar's detached critique, exploring popular myths about black educational attainment, civic engagement, crime, and sexuality. By cutting to the bone of a lifestyle that many outsiders find threatening, Ogbar makes hip-hop realer than it's ever been before.

Gangster Rap and Its Social Cost

Gangster Rap and Its Social Cost PDF

Author: Benjamin P. Bowser

Publisher:

Published: 2012

Total Pages: 316

ISBN-13: 9781604978001

DOWNLOAD EBOOK →

Rap music and its gangster rap variant are now far too important and influential in American life to be ignored by the general public and research communities alike. Artists and promoters alike have made a number of questionable claims about the authenticity and impact of their music that have been taken for granted and not been critically assessed. Those who have written about from communications, music and cultural studies have provided an important but relatively fixed narrative that leaves the central claims and impacts of this entrepreneur unaddressed. It is in this context that the author Benjamin Bowser began studying hip hop and gangster rap precisely because the influence of this movement and music on African American adolescents HIV infection risk takers. At the same time, the frequent use of the N-word by gangster rappers has become a major unaddressed issue in civil rights that has also not been studied. Furthermore, an important reason to study these unaddressed issues is to not only better understand them, but to offer solutions to the problems they pose and to improve the quality of life of all involved. Within the rapidly growing literature on hip hop and gangster rap, Gangster Rap and Its Social Cost stands out from the rest because it provides a number of unique contributions. First, based upon a community case study, the author asserts that gangster rap has empowered white racists and, as a consequence, has reduced the quality of life and civil rights of listeners and non-listeners alike. Second, this book goes to great length to make a serious distinction between gangster rap and hip hop. Disentangling one from the other opens the door to a more focused and critical analysis of gangster rap and provides an outline of the unmet potential of rap in hip hop. Third, national surveys are used as evidence in the debate about the size and characteristics of the rap and hip hop listener audiences. There are some surprises here that should reframe the controversy on who listens to and buys rap music. Fourth, there is a first generation of psychological and social scientific research on rap music that is summarized through 2011. Finally, the problems in gangster rap are not inevitable and we do not have to live with them. They can be effectively addressed without attacking the civil liberties of gangster rappers or their corporate sponsors. Gangster Rap and Its Social Cost is must reading for young adults, parents, those who both enjoy and dislike rap music, and students in sociology, psychology, ethnic studies, communication, music, community studies and public health.

A Historical Analysis

A Historical Analysis PDF

Author: Maurice L. Johnson

Publisher:

Published: 2011

Total Pages: 158

ISBN-13:

DOWNLOAD EBOOK →

ABSTRACT: Detractors of the current lyrical content of Hip Hop music claim it has devolved to the proliferation of the gangsta image as the defacto voice of contemporary Hip Hop culture. However, the factors that influenced the evolution of rap music have gone unexamined. The current research is a historical analysis that attempts to document the origins of commercial rap music and the factors and events that drastically affected its development as an art form. These factors include but are not limited to the discovery of white suburban males as the primary consumers of gangsta rap, which led to the genre garnering the most mainstream and commercial appeal, and the research examines how the deregulatory statutes of the Telecommunications Act of 1996 created an unnatural progression of the music that has resulted in the stifling of socially conscious artists and the promotion of hardcore rap music into a commercially lucrative global commodity.