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Frida by Ishiuchi

Author: Miyako Ishiuchi

Publisher: Bright Sparks

Published: 2013

Total Pages: 0

ISBN-13: 9788415118695

Frida by Ishiuchi is the first photographic documentation ever published of Mexican artist Frida Kahlo's personal attire and belongings, as portrayed by Japanese artist Miyako Ishiuchi. The victim of a nearly fatal bus accident as a young woman, Kahlo used fashion to channel her resulting physical difficulties into courageous statements of heritage, strength and beauty. Also focusing on the ways in which Kahlo used her iconic style to project her feminist and socialist beliefs, Ishiuchi's color photographs transform Kahlo's dresses, corsets, shoes, gloves, jewelry and other accessories into objects freighted with personal struggle, cultural awareness and sartorial inventiveness. Following Ishiuchi's acclaimed series Mothers and Hiroshima, this collection provides a special look at a very intimate dimension of Frida Kahlo's universe.

Ishiuchi Miyako

Author: Amanda Maddox

Publisher: Getty Publications

Published: 2015-10-05

Total Pages: 194

ISBN-13: 160606455X

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A maverick in the history of photography, Ishiuchi Miyako (b. 1947) burst onto the scene in Tokyo during the mid-1970s, at a time when men dominated the field in Japan. Working prodigiously over the last forty years, she has created an impressive oeuvre and quietly influenced generations of photographers born in the postwar era. Recipient of the prestigious Hasselblad Award in 2014, Ishiuchi ranks as one of the most significant photographers working in Japan today. Spurred by her contentious relationship with her hometown, Yokosuka — site of an important American naval base since 1945 — Ishiuchi chose that city as her first serious photographic subject. Grainy, moody, and deeply personal, these early projects established her career. This choice of subject also defined the beginning of Ishiuchi’s extended exploration of the American occupation and the shadows it cast over postwar Japan. Ishiuchi has since addressed the theme of occupation both indirectly — through her photographs of scars, skin, and other markers of time on the human body — and more explicitly, with her images of garments and accessories once owned by victims of the atomic blast in Hiroshima. Essays featured in this volume reveal the past as the wellspring of Ishiuchi’s work and the present moment as her principal subject. Ishiuchi Miyako: Postwar Shadows — which includes a selection of more than 100 works — is published on the occasion of an exhibition by the same name, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from October 5, 2015, to February 21, 2016.

Ishiuchi Miyako

Author: Miyako Ishiuchi

Publisher: Kehrer Verlag

Published: 2014

Total Pages: 0

ISBN-13: 9783868285185

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Japanese photographer Miyako Ishiuchi, one of the most respected and compelling photographers of her generation, is the 34rd recipient of the prestigious Hasselblad Foundation International Award in Photography. This publication celebrates her artistic achievements with a thorough presentation of the main themes in her work: remembrance, fabric, and the body. A significant feature in her work is the meaning and treatment of surface, whether the human skin, the materiality of an object, or personal clothing.

La Cucaracha

Author: Lalo Alcaraz

Publisher: Andrews McMeel Publishing

Published: 2004-10

Total Pages: 132

ISBN-13: 9780740746598

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Icons of Style

Author: Paul Martineau

Publisher: Getty Publications

Published: 2018-07-10

Total Pages: 370

ISBN-13: 1606065580

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In 1911 the French publisher Lucien Vogel challenged Edward Steichen to create the first artistic, rather than merely documentary, fashion photographs, a moment that is now considered to be a turning point in the history of fashion photography. As fashion changed over the next century, so did the photography of fashion. Steichen’s modernist approach was forthright and visually arresting. In the 1930s the photographer Martin Munkácsi pioneered a gritty, photojournalistic style. In the 1960s Richard Avedon encouraged his models to express their personalities by smiling and laughing, which had often been discouraged previously. Helmut Newton brought an explosion of sexuality into fashion images and turned the tables on traditional gender stereotypes in the 1970s, and in the 1980s Bruce Weber and Herb Ritts made male sexuality an important part of fashion photography. Today, following the integration of digital technology, teams like Inez & Vinoodh and Mert & Marcus are reshaping our notion of what is acceptable—not just aesthetically but also technically and conceptually—in a fashion photograph. This lavishly illustrated survey of one hundred years of fashion photography updates and reevaluates this history in five chronological chapters by experts in photography and fashion history. It includes more than three hundred photographs by the genre’s most famous practitioners as well as important but lesser-known figures, alongside a selection of costumes, fashion illustrations, magazine covers, and advertisements.

Contemporary Art and Memory

Author: Joan Gibbons

Publisher: Bloomsbury Publishing

Published: 2007-12-19

Total Pages: 240

ISBN-13: 0857731688

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Whether exploring the intimate recollections which make up the artist's own life history or questioning the way the gallery and museum present public memory, contemporary art, it would seem, is haunted by the past. "Contemporary Art and Memory" is the first accessible survey book to explore the subject of memory as it appears in its many guises in contemporary art. Looking at both personal and public memory, Gibbons explores art as autobiography, the memory as trace, the role of the archive, revisionist memory and postmemory, as well as the absence of memory in oblivion. Grounding her discussion in historical precedents, Gibbons explores the work of a wide range of international artists including Yinka Shonibare MBE, Doris Salcedo, Keith Piper, Jeremy Deller, Judy Chicago, Louise Bourgeois, Tracey Emin, Felix Gonzalez-Torres, Christian Boltanski, Janet Cardiff, Bill Fontana, Pierre Huyghe, Susan Hiller, Japanese photographer Miyako Ishiuchi and new media artist George Legrady."Contemporary Art and Memory" will be indispensable to all those concerned with the ways in which artists represent and remember the past.?????

Frida Kahlo's Garden

Author: Adriana Zavala

Publisher: Prestel

Published: 2015

Total Pages: 0

ISBN-13: 9783791354569

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Accompanying the groundbreaking exhibition "Frida Kahlo: Art, Garden, Life" at The New York Botanical Garden, this vibrant book provides a thrilling new perspective from which to appreciate Frida Kahlo's paintings against the backdrop of her home and garden. Fans of botanical art, garden enthusiasts, and Kahlo's many devotees will find new and exciting imagesand information in this elegant, unique presentation of one of modern art's most revered figures.

Robert Mapplethorpe

Author: Paul Martineau

Publisher: Getty Publications

Published: 2016-03-15

Total Pages: 344

ISBN-13: 160606469X

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The legacy of Robert Mapplethorpe (1946 –1989) is rich and complicated, triggering controversy, polarizing critics, and providing inspiration for many artists who followed him. Mapplethorpe, one of the most influential figures of his time, today stands as an example to emerging photographers who continue to experiment with the boundaries and concepts of the beautiful. Robert Mapplethorpe: The Photographs offers a timely and rewarding examination of his oeuvre and influence. Drawing from the extraordinary collection jointly acquired in 2011 by the J. Paul Getty Museum and the Los Angeles County Museum of Art from The Robert Mapplethorpe Foundation, as well as the Mapplethorpe Archive housed at the Getty Research Institute, the authors were given the unique opportunity to explore new resources and present fresh perspectives. The result is a fascinating introduction to Mapplethorpe’s career and legacy, accompanied by a rich selection of illustrations covering the remarkable range of his photographic work. All of these beautifully integrated elements contribute to what promises to become an essential point of access to Mapplethorpe’s work and practice. This publication is issued on the occasion of the exhibition Robert Mapplethorpe: The Perfect Mediumon view at both the J. Paul Getty Museum and at the Los Angeles County Museum of Art from March 15 and March 20, respectively, through July 31, 2016; at the Musée des Beaux-Arts de Montréal from September 10, 2016, through January 15, 2017; and at the Art Gallery of New South Wales, Sydney, from October 28, 2017, through February 4, 2018.

John Wolseley

Author: Sasha Grishin

Publisher:

Published: 2015-04

Total Pages: 0

ISBN-13: 9780500500507

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For more than half a century John Wolseley has been widely acclaimed for the way his art practice engages with the environment and broader ecology. Working across several art mediums, but mostly known for his experimental techniques in printmaking and watercolour, Wolseley's work crosses over a number of disciplines including the natural sciences and philosophy. Although he draws on empirical investigation frequently immersing himself in the Australian environment, his deeply moving and profoundly beautiful works are full of great passion and consummate skill. Land Marks III is a collaboration between artist and art historian, John Wolseley and Sasha Grishin, which has developed over more than twenty years. It builds on two earlier editions to advance a timely and well-informed assessment of an artist who has been increasingly seen amongst artists as the environmental conscience of our time.

Home Truths

Author: Susan Bright

Publisher: Art / Books

Published: 2013

Total Pages: 0

ISBN-13: 9781908970107

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Published to coincide with an exhibition held at the Photographers' Gallery and Foundling Museum in London and touring to Chicago's Museum of Contemporary Photography, this beautiful and striking book examines contemporary interpretations of one of the most enduring subjects in the history of picture-making: the image of the mother. Focusing on the work of twelve international photographic artists, the publication challenges the stereotypical or sentimental views of motherhood handed down by traditional depictions, and explores how photography can be used to address changing conditions of power, gender, domesticity, the maternal body, and female identity. The work featured here is highly personal, often documentary in approach and with the individual subject at its centre, reflecting photography itself in the twenty-first century. The featured artists offer very different views of contemporary motherhood, from the devoted to the dysfunctional, representing the myriad ways that becoming - or even trying to become - a mother can radically alter a woman's sense of self and how others perceive her. The book's essays, illustrated with dozens of comparative images from antiquity to the present day, present the historical and contemporary context of the mother figure. Curator of the exhibitions and volume editor Susan Bright traces the history of photographs of motherhood from the nineteenth century to our 'postfeminist' age. Simon Watney weaves a fascinating narrative of the Madonna figure through the centuries. Nick Johnstone looks at the presentation of the mother from the perspective of the father, and considers how images of fatherhood compare, while Stephanie Chapman lays out the moving history of London's Foundling Museum through photographs and repositions the mother in a story of loss where she is strangely absent. Presenting contemporary thinking on motherhood through an exploration of its changing representation in photography, Home Truths provides a fresh and unique insight into one of the most universal and well documented of experiences.