French Tragic Drama in the Sixteenth and Seventeenth Centuries

French Tragic Drama in the Sixteenth and Seventeenth Centuries PDF

Author: Geoffrey Brereton

Publisher: Routledge

Published: 2022-04-24

Total Pages: 286

ISBN-13: 1000579018

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Originally published in 1973, the history of French tragedy and tragicomedy from their origins in the sixteenth century to the last years of Louis XIV’s reign is here surveyed in a single volume. Beginning with a brief account of the development of drama from the Middle Ages to the Renaissance, Dr Brereton examines the plays as types of drama, the circumstances in which they were produced and their reception by contemporaries. The traditionally great figures of Corneille and Racine are treated at some length, but their work is seen in perspective against the plays of their predecessors and of their own time. Garnier and Montchrestien are discussed, among others, as notable writers of Renaissance humanist tragedy. Sections are devoted to secondary but still important dramatists such as Mairet, Rotrou, Du Ryer, Tristan L’Hermite, Thomas Corneille and Quinault. A long chapter on Alexandre Hardy reviews the work of this neglected author and stresses his interest as a transitional link between the two centuries and as a vigorous pioneer of a type of drama which flourished for several decades after him concurrently with French ‘classical’ tragedy. The main currents of critical theory, social attitudes and stage history are described in their relation to the development of the drama. Well over a hundred plays are discussed or summarized; and the author has constantly referred back to the original material and has avoided an over-simplification of a vast subject which contains more exceptions and anomalies than has generally been recognized in the past. Chronological tables of the works of major dramatists, summaries of numerous plays and a bibliography containing modern editions of plays are included.

French Renaissance Tragedy

French Renaissance Tragedy PDF

Author: Gillian Jondorf

Publisher: Cambridge University Press

Published: 1990-10-25

Total Pages: 188

ISBN-13: 9780521360142

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Gillian Jondorf challenges the traditional critical approaches to French Renaissance theater, reevaluating its literary merit and originality. She shows how playwrights of the sixteenth century actually achieved an originality by introducing classical themes, breaking with the medieval tradition of religious and morality plays. Whereas many critics have considered writers of French Renaissance drama as mere forerunners of the more famous seventeenth-century writers such as Molière or Racine, Jondorf argues that these plays should be seen as competent and skillfully-composed in their own right. This book will appeal to students of Renaissance literature and European drama, as well as those interested in questions of originality and literary influence.

French Comic Drama from the Sixteenth to the Eighteenth Century

French Comic Drama from the Sixteenth to the Eighteenth Century PDF

Author: Geoffrey Brereton

Publisher: Routledge

Published: 2022-04-24

Total Pages: 270

ISBN-13: 100057900X

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In tracing the course of French comedy from the Renaissance, through the age of Louis XIV and the eighteenth century, to the eve of the Revolution, originally published in 1977, Geoffrey Brereton shows how it evolved from the crude farces and experimental plays of the sixteenth century to become a rich and highly sophisticated dramatic genre. The main emphasis is on the work of the principal dramatists, notably Molière (whose plays and career are given a detailed and enlightening treatment), Corneille, Scarron, Marivaux and Beaumarchais, with some space devoted to the more neglected writers, such as the ‘cynical generation’ of Dancourt, Regnard, Lesage and others; and all the plays are seen in the context of the theatrical conventions that helped to shape them. Different types of comedy are analysed, including comedy of character and of manners, as well as the romantic, burlesque and bourgeois forms and the development of the opéra-comique. At the same time Dr Brereton examines the influences on French comedy – influences as varied as those of the farce, the Italian commedia dell’arte, the Spanish comedia and the eighteenth century drame – and the way in which these were absorbed and exploited by French comic dramatists. Since comedy, more than any other kind of drama, reflects the contemporary social scene, attention is drawn to social conditions and attitudes, and some of the more striking parallels with modern social preoccupations are pointed out. Written in a very lively and readable style, and containing much stimulating and original comment, as well as providing the basic facts, it gives a considerable insight into the nature of French comedy during its most formative and fruitful period. A substantial bibliography and other reference material increase the usefulness of this book to the student of French drama.

Onstage Violence in Sixteenth-Century French Tragedy

Onstage Violence in Sixteenth-Century French Tragedy PDF

Author: Michael Meere

Publisher: Oxford University Press

Published: 2022-01-13

Total Pages: 250

ISBN-13: 019284413X

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Studies the representation of violence in tragedies written for the French stage during the sixteenth century, and explores its connection with issues such as politics, religion, gender, and militantism to place the plays within their historical, cultural, and theatrical contexts.

The Classical Heritage in France

The Classical Heritage in France PDF

Author: Gerald N. Sandy

Publisher: BRILL

Published: 2002

Total Pages: 610

ISBN-13: 9789004119161

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A study of the reception of Greek and Latin culture in France in the 16th and 17th centuries. There are surveys on topics as diverse as the role of French travellers to classical lands in transforming perceptible reality into narrative textuality, and the influence of ancient law in France.

Philippe Quinault, Dramatist

Philippe Quinault, Dramatist PDF

Author: William Brooks

Publisher: Peter Lang

Published: 2009

Total Pages: 518

ISBN-13: 9783039115334

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Much work has been done in recent years on Quinault's librettos, but no major study of his spoken plays has appeared since the monumental thesis by Etienne Gros, published in 1926. Moreover, he has never been the subject of a monograph in English. There is a need to re-assess the influence of his life on his plays, and to re-evaluate Gros's findings in the light of eighty years' research into seventeenth-century French theatre in general. This book rejects the deterministic approach that sees his plays as apprentice pieces for the greater achievement that is his corpus of librettos, as well as the implicit comparative approach that pigeon-holes his work, in passing, by borrowing from the pithy judgements of Boileau. To what extent does Quinault's steady move away from comedy and light tragi-comedy to tragedies that combine love and menace go hand in hand with his search for greater integrity, better characterisation, and ever more credible plotting? How did he come to create and retain a tremendously faithful audience that even the withering mockery of Boileau failed to discourage? And is there any purpose in retaining the time-worn comparison between the author of Andromaque and the author of Astrate?

Racine: Phèdre

Racine: Phèdre PDF

Author: Edward D. James

Publisher: Cambridge University Press

Published: 1994-10-06

Total Pages: 136

ISBN-13: 9780521397216

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This introductory study presents Phèdre as an example of the culmination of French classical tragedy--taking into consideration the play's historical, literary and theatrical context, its relationship to other tragedies of Racine, and its influence on later European literature.

The Cambridge History of French Literature

The Cambridge History of French Literature PDF

Author: William Burgwinkle

Publisher: Cambridge University Press

Published: 2011-02-24

Total Pages: 823

ISBN-13: 1316175987

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From Occitan poetry to Francophone writing produced in the Caribbean and North Africa, from intellectual history to current films, and from medieval manuscripts to bandes dessinées, this History covers French literature from its beginnings to the present day. With equal attention to all genres, historical periods and registers, this is the most comprehensive guide to literature written in French ever produced in English, and the first in decades to offer such an array of topics and perspectives. Contributors attend to issues of orality, history, peripheries, visual culture, alterity, sexuality, religion, politics, autobiography and testimony. The result is a collection that, despite the wide variety of topics and perspectives, presents a unified view of the richness of French-speaking cultures. This History gives support to the idea that French writing will continue to prosper in the twenty-first century as it adapts, adds to, and refocuses the rich legacy of its past.