French Renaissance Tragedy

French Renaissance Tragedy PDF

Author: Gillian Jondorf

Publisher: Cambridge University Press

Published: 1990-10-25

Total Pages: 190

ISBN-13: 0521360145

DOWNLOAD EBOOK →

The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies.

The Mirror of Confusion

The Mirror of Confusion PDF

Author: Andrew M. Kirk

Publisher: Routledge

Published: 2015-12-22

Total Pages: 242

ISBN-13: 131794562X

DOWNLOAD EBOOK →

How did English dramatists portray the neighboring domain of France and its history in their plays? The study examines a selection of Shakespearean and other history plays, the French tragedies of George Chapman, Christopher Marlowe's revealing historical tragedy The Massacre at Paris, and several literary and nonliterary historical texts. The result is a unique and timely contribution to our understanding of how cultural differences influenced the historical perspectives of English dramatists as well as how Renaissance plays shaped, and were shaped by, their historical material. Drawing on the insights of cultural studies, historiography, and ethnography, this study re-examines the historical representation of a neglected yet influential part of early modern Europe and the paradoxical relationship between English writers and their French subject matter. Although information about France and French history was becoming increasingly available in England at the end of the sixteenth century, for English writers France remained a distant land, its history and people misunderstood and misrepresented.

French Renaissance and Baroque Drama

French Renaissance and Baroque Drama PDF

Author: Michael Meere

Publisher: Rowman & Littlefield

Published: 2015-02-26

Total Pages: 369

ISBN-13: 1611495490

DOWNLOAD EBOOK →

The fifteen articles in this volume highlight the richness, diversity, and experimental nature of French and Francophone drama before the advent of what would become known as neoclassical French theater of the seventeenth century. In essays ranging from conventional stage plays (tragedies, comedies, pastoral, and mystery plays) to court ballets, royal entrances, and meta- and para-theatrical writings of the period from 1485 to 1640, French Renaissance and Baroque Drama: Text, Performance, Theory seeks to deepen and problematize our knowledge of texts, co-texts, and performances of drama from literary-historical, artistic, political, social, and religious perspectives. Moreover, many of the articles engage with contemporary theory and other disciplines to study this drama, including but not limited to psychoanalysis, gender studies, anthropology, and performance theory. The diversity of the essays in their methodologies and objects of study, none of which is privileged over any other, bespeaks the various types of drama and the numerous ways we can study them.

French Tragic Drama in the Sixteenth and Seventeenth Centuries

French Tragic Drama in the Sixteenth and Seventeenth Centuries PDF

Author: Geoffrey Brereton

Publisher: Routledge

Published: 2022-04-24

Total Pages: 286

ISBN-13: 1000579018

DOWNLOAD EBOOK →

Originally published in 1973, the history of French tragedy and tragicomedy from their origins in the sixteenth century to the last years of Louis XIV’s reign is here surveyed in a single volume. Beginning with a brief account of the development of drama from the Middle Ages to the Renaissance, Dr Brereton examines the plays as types of drama, the circumstances in which they were produced and their reception by contemporaries. The traditionally great figures of Corneille and Racine are treated at some length, but their work is seen in perspective against the plays of their predecessors and of their own time. Garnier and Montchrestien are discussed, among others, as notable writers of Renaissance humanist tragedy. Sections are devoted to secondary but still important dramatists such as Mairet, Rotrou, Du Ryer, Tristan L’Hermite, Thomas Corneille and Quinault. A long chapter on Alexandre Hardy reviews the work of this neglected author and stresses his interest as a transitional link between the two centuries and as a vigorous pioneer of a type of drama which flourished for several decades after him concurrently with French ‘classical’ tragedy. The main currents of critical theory, social attitudes and stage history are described in their relation to the development of the drama. Well over a hundred plays are discussed or summarized; and the author has constantly referred back to the original material and has avoided an over-simplification of a vast subject which contains more exceptions and anomalies than has generally been recognized in the past. Chronological tables of the works of major dramatists, summaries of numerous plays and a bibliography containing modern editions of plays are included.

Two Tragedies

Two Tragedies PDF

Author: Antoine de Montchrestien

Publisher: Bloomsbury Publishing

Published: 2015-12-17

Total Pages: 176

ISBN-13: 1474247474

DOWNLOAD EBOOK →

Antoine de Montchrestien's tragedies have been the object of increased critical attention over the years. This annotated edition makes two of his most interesting plays available – Hector, often recognised as one of the masterpieces of French regular rhetorical tragedy, and La Reine d'Escosse, a showcase of Montchrestien's concept of tragedy.

Shipwreck in French Renaissance Writing

Shipwreck in French Renaissance Writing PDF

Author: Jennifer H. Oliver

Publisher: Oxford Modern Languages & Lite

Published: 2019-06-17

Total Pages: 240

ISBN-13: 0198831706

DOWNLOAD EBOOK →

In the sixteenth century, a period of proliferating transatlantic travel and exploration, and, latterly, religious civil wars in France, the ship is freighted with political and religious, as well as poetic, significance; symbolism that reaches its height when ships--both real and symbolic--are threatened with disaster. The Direful Spectacle argues that, in the French Renaissance, shipwreck functions not only as an emblem or motif within writing, but as a part, or the whole, of a narrative, in which the dynamics of spectatorship and of co-operation are of constant concern. The possibility of ethical distance from shipwreck--imagined through the Lucretian suave mari magno commonplace--is constantly undermined, not least through a sustained focus on the corporeal. This book examines the ways in which the ship and the body are made analogous in Renaissance shipwreck writing; bodies are described and allegorized in nautical terms, and, conversely, ships themselves become animalized and humanized. Secondly, many texts anticipate that the description of shipwreck will have an affect not only on its victims, but on those too of spectators, listeners, and readers. This insistence on the physicality of shipwreck is also reflected in the dynamic of bricolage that informs the production of shipwreck texts in the Renaissance. The dramatic potential of both the disaster and the process of rebuilding is exploited throughout the century, culminating in a shipwreck tragedy. By the late Renaissance, shipwreck is not only the end, but often forms the beginning of a story.