Free Expression, Public Support, and Censorship

Free Expression, Public Support, and Censorship PDF

Author: Michael Margolis

Publisher: University Press of America

Published: 1994

Total Pages: 164

ISBN-13: 9780819192905

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In this work, Canadian and American scholars, critics, government officials, and arts presenters discuss varied aspects of the role of government in the arts. The first section addresses general questions of government involvement in the arts in Canada and the U.S., and also presents a comparison of North American arts policy with governmental policy toward the arts in Western Europe. The second section examines government policies toward arts education and cultural exchange in Canada and the U.S. The final section examines the tensions that arise concerning free expression and censorship when the governments of Canada and the U.S. allocate funds to support particular artists, programs, or projects.

Before I Die

Before I Die PDF

Author: Candy Chang

Publisher: St. Martin's Griffin

Published: 2013-11-05

Total Pages: 304

ISBN-13: 1466857315

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After losing someone she loved, artist Candy Chang painted the side of an abandoned house in her New Orleans neighborhood with chalkboard paint and stenciled the sentence, "Before I die I want to _____." Within a day of the wall's completion, it was covered in colorful chalk dreams as neighbors stopped and reflected on their lives. Since then, more than four hundred Before I Die walls have been created by people all over the world. This beautiful hardcover book is an inspiring celebration of these walls and the stories behind them. Filled with hope, fear, humor, and heartbreak, Before I Die presents an intimate portrait of the dreams within our communities and a chance to ponder life's ultimate question.

Free to create: artistic freedom in Europe

Free to create: artistic freedom in Europe PDF

Author: Sara Whyatt

Publisher: Council of Europe

Published: 2023-04-01

Total Pages: 53

ISBN-13: 9287193150

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“With democracy under great pressure, the key role of arts and culture as powerful means for maintaining constructive dialogue in democratic, diverse and open societies becomes ever more evident. The right to freedom of artistic expression is a key to this and ensures the pluralism and vitality of the democratic process.” (Secretary General Marija Pejčinović Burić) This report gives a comprehensive overview of the challenges that European artists and cultural workers face in the practice of their right to freedom of artistic expression. These range from laws that curtail creative freedom, attacks from nongovernmental groups and online threats to the “under-the-radar” pressures that contribute to self-censorship. It reflects the work carried out by the Council of Europe, other international intergovernmental organisations promoting freedom of expression and human rights, and non-governmental, civil society and cultural organisations concerned with both the rights of artists and cultural rights in general, as well as the experiences and perspectives of artists. It concludes with recommendations on what can be done to protect artistic freedom, by international institutions such as the Council of Europe and by the cultural sector and artists themselves.

Cover Up the Dirty Parts!

Cover Up the Dirty Parts! PDF

Author: Dena Shottenkirk

Publisher: Cambridge Scholars Publishing

Published: 2009

Total Pages: 332

ISBN-13:

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Cover Up the Dirty Parts! takes on directly not only questions regarding the relationship between government funding for the arts and political censorship, but also deeper philosophical questions regarding liberty, the definition of art, the role of vague terms in language and law, and the epistemological role of both free expression and art itself. The issue of arts funding sits in the terrain of overlap between aesthetics and political philosophy and thus elicits aesthetic questions regarding the purpose of art and how art is defined, political questions regarding the nature of freedom and the role of government, and epistemological questions regarding the sources of knowledge and how it is we acquire it. As both an analytic philosopher and a practicing artist, Shottenkirk has incorporated the insights and sensitivities of both worlds in this analysis of why art is important and why freedom of expression within cultural development must be respected if we are to embrace a society able to provide the maximum degree of stimulation and safety for all its members. In this context, art is viewed as valuable both as a tool for knowledge acquisition for the individual and as a source of consensus building for the culture. As a device for consensus building, art has the role of practicing respect for differing opinions and balancing competing points of view as well as serving as self-expression for the individual. Interviews with two artists, the first of whom is an American central to the funding debates of the last few decades and the second of whom is a contemporary Iranian writer imprisoned for her writing, combine with both narrative and philosophical analysis to give a complete picture of the issues and what is at stake for all of us who care not only about art but about freedom as well. While the distinction between censorship and non-funding is explored, also analyzed is the need for tolerance in the face of offense as well as respect for othersâ (TM) rights and cultural differences.

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