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Franz Liszt's Music Manuscripts in the National Széchényi Library, Budapest

Author: Mária Eckhardt (musicologue)

Publisher: Pendragon Press

Published: 1986

Total Pages: 264

ISBN-13: 9789630541770

The Music Division of the National Széchényi Library (Budapest) houses 78 music manuscripts and scores, with all or part of each penned in the hand of Franz Liszt, one of Hungary's most prominent native sons. The library is the primary Hungarian public collection of Liszt's works and is among the world's most comprehensive. This book details the collection, classifying the works as (i) Liszt's compositions-autograph manuscripts, manuscript copies, proof-sheets or printed copies with additions and corrections in Liszt's hand (62 items); (ii) Liszt's compositions-printed or manuscript copies with autograph dedications (10 items); and (iii) Liszt's corrections and manuscript notes in and to works by other composers (6 items). Seventy-three music examples and 20 facsimile illustrations are also included. While other catalogues have been devoted to these Liszt compositions, this is the first to take full and accurate account of the collection to date. Thorough philological data of the documents, and descriptions and evaluations among the sources of the given composition are supplied. Maria Eckhardt's insightful additions concerning performance history and Liszt's relationships with dedicatees and fellow composers, based upon her previously published research, provide an enriched understanding of the compositions and their creator.

Franz Liszt

Author: Michael Saffle

Publisher: Routledge

Published: 2009

Total Pages: 538

ISBN-13: 0415998395

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First published in 2009. Routledge is an imprint of Taylor & Francis, an informa company.

Franz Liszt’s Songs for Voice and Piano

Author: Małgorzata Gamrat

Publisher: BRILL

Published: 2023-11-27

Total Pages: 404

ISBN-13: 9004548866

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How does a Romantic composer approach the poetry he sets: as raw material to be remade, a pretext for self-expression, a sanctified artefact, or a message to be illustrated with music? In my book, I examine Franz Liszt’s songs for voice and piano, which remain little known to scholars, artists, and music lovers alike. The objective is to present Liszt’s songs in all their complexity and diversity as well as identifying the key elements of the composer’s broadly understood song-writing technique – both those that make him unique and those that relate him to the European tradition. This approach also makes it possible to shed light on a major though previously neglected aspect of the composer’s workshop, namely, his work with the poetic text, which to Liszt was just as important as the musical setting.

Liszt and His World

Author: Michael Saffle

Publisher: Pendragon Press

Published: 1998

Total Pages: 412

ISBN-13: 9780945193340

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The first volume of proceedings from the International Liszt Conference.

Liszt Letters in the Library of Congress

Author: Franz Liszt

Publisher: Pendragon Press

Published: 2003

Total Pages: 408

ISBN-13: 9781576470206

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Yet he did and, thankfully, considerable insight may be gained from this as to his relationships, compositional methods - especially with regard to publication of his works - philosophical thoughts, attitudes to literature, to other composers, other artists in different spheres, even, though more rarely, his approach to politics and, equally important, his religious leanings.".

The Liszt Companion

Author: Ben Arnold

Publisher: Bloomsbury Publishing USA

Published: 2002-06-30

Total Pages: 496

ISBN-13: 0313092141

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Franz Liszt is most well-known for his compositions for piano and orchestra, but his influence is also strong in chamber music, choral music, and orchestral transcriptions. This new collection of essays presents a scholarly overview of all of the composer's work, providing the most comprehensive and current treatment of both his oeuvre and the immense amount of secondary literature written about it. Highly regarded critics and scholars write for both a general and academic audience, covering all of Liszt's major compositions as well as the neglected gems found among his choral and chamber works. Following an outline of the subject's life, The Liszt Companion goes on to detail Liszt's critical reception in the German press, his writings and letters, his piano and orchestral works, his neglected secular choral works, and his major organ compositions. Also explored here are his little-known chamber pieces and his songs. An exhaustive bibliography and index of works conclude the volume. This work will both elucidate aspects of Liszt's most famous work and revive interest in those pieces that deserve and require greater attention.

Franz Liszt, His Circle, and His Elusive Oratorio

Author: Xavier Jon Puslowski

Publisher: Rowman & Littlefield

Published: 2014-09-09

Total Pages: 205

ISBN-13: 1442238038

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Many scholars, concert pianists, and classical music fans deem Franz Liszt the preeminent pianist of the nineteenth century. In Franz Liszt, His Circle, and His Elusive Oratorio, Xavier Puslowski engages in a detailed study of the links between Liszt, his contemporaries, and his milieu. Drawing on Liszt’s famous Saint Stanislas Oratorio as a focal point, Puslowski brings together the history of the Romantic period in classical music and the intersection of key figures and historical events in his story of Liszt’s achievements told from a distinctly historicist perspective. Readers get a new view of Liszt as Puslowski brings together a remarkable cast of characters. Friend and rival, Frederic Chopin, stands tall as a symbol of Poland’s fight for independence; the remarkable French “people’s poet” Pierre Beranger makes his entrance; virtuoso violinist Niccolo Paganini takes center stage later in Liszt’s life; the indefatigable French composer Hector Berlioz and the domineering Richard Wagner assume their roles in this musical drama; and finally two of Poland’s premier violinists, Karol Lipinski and Henryk Wieniawski, stand side by side with Russian pianist Anton Rubinstein, as the story of Liszt’s influence reaches across national boundaries and time itself to make its presence felt.

The Symphonic Poems of Franz Liszt

Author: Keith T. Johns

Publisher: Pendragon Press

Published: 1997

Total Pages: 190

ISBN-13: 9780945193401

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"Each symphonic poem is discussed in terms of its melodic and harmonic organization, origins in surviving sketches and manuscript drafts, and reception by critics in major German cities, as well as in Paris, London, and New York. The volume is illustrated with ... facsimiles and full-page musical examples"--Publisher.

The Cambridge Companion to Liszt

Author: Kenneth Hamilton

Publisher: Cambridge University Press

Published: 2005-09-22

Total Pages: 367

ISBN-13: 1139825755

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This Companion provides an up-to-date view of the music of Franz Liszt, its contemporary context and performance practice, written by some of the leading specialists in the field of nineteenth-century music studies. Although a core of Liszt's piano music has always maintained a firm hold on the repertoire, his output was so vast, influential and multi-faceted that scholarship too has taken some time to assimilate his achievement. This book offers students and music lovers some of the latest views in an accessible form. Katharine Ellis, Alexander Rehding and James Deaville present the biographical and intellectual aspects of Liszt's legacy, Kenneth Hamilton, James Baker and Anna Celenza give a detailed account of Liszt's piano music - including approaches to performance - Monika Hennemann discusses Liszt's Lieder, and Reeves Shulstad and Dolores Pesce survey his orchestral and choral music.

Liszt and the Symphonic Poem

Author: Joanne Cormac

Publisher: Cambridge University Press

Published: 2017-10-26

Total Pages: 381

ISBN-13: 1316857859

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Franz Liszt was preoccupied with a fundamental but difficult question: what is the content of music? His answer lay in his symphonic poems, a group of orchestral pieces intended to depict a variety of subjects drawn from literature, visual art and drama. Today, the symphonic poems are usually seen as alternatives to the symphony post-Beethoven. Analysts stress their symphonic logic, thereby neglecting their 'extramusical' subject matter. This book takes a different approach: it returns these influential pieces to their original performance context in the theatre, arguing that the symphonic poem is as much a dramatic as a symphonic genre. This is evidenced in new analyses of the music that examines the theatricality of these pieces and their depiction of voices, mise-en-scène, gesture and action. Simultaneously, the book repositions Liszt's legacy within theatre history, arguing that his contributions should be placed alongside those of Mendelssohn, Berlioz and Wagner.