Futurist Depero

Futurist Depero PDF

Author: Fundación Juan March

Publisher: Fundacion Juan March

Published: 2014

Total Pages: 0

ISBN-13: 9788470756252

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Y focusing on the life and work of Fortunato Depero (Fondo, Trento, 1892 – Rovereto, 1960) it will aim to offer a new assessment of what has been termed "the Avant-garde of avant-gardes": Italian Futurism.0This visual and literary movement, which was launched with the Manifesto published by Filippo Tommaso Marinetti on 20 February 1909 in the French newspaper Le Figaro, has found its place in history due to the radical nature of its ideas: abolishing all references to the art of the past (considered to be pure "passatismo"), exalting dynamism, the machine, speed and war, freeing words from grammatical structure and multiplying viewpoints in order to express the dynamic interaction of the material with the surrounding space. 0During its most active years, between 1909 and 1915, Futurism made an innovative and dynamic contribution to European visual art and literature. The outbreak of World War I resulted in a break in its activities with many of the Futurists participating in the combat and the death of Boccioni. Prior to this, in 1913, Fortunato Depero went to Rome where he met Marinetti and visited the exhibition on Boccioni at the Galleria Sprovieri. His encounter there with the work of Boccioni and Balla led to a transformation in his artistic output as he assimilated Boccioni’s visual dynamism and Balla’s sense of tension deriving from the abstraction of forms. In the spring of 1915 Depero joined the Futurist movement.0Exhibition: Fundación Juan March, Madrid, Spain (10.10.2014-18.01.2015).

Italian Futurism 1909-1944

Italian Futurism 1909-1944 PDF

Author: Solomon R. Guggenheim Museum

Publisher: Guggenheim Museum

Published: 2014

Total Pages: 0

ISBN-13: 9780892074990

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February 21-September 1, 2014 The first comprehensive overview of Italian Futurism to be presented in the United States, this multidisciplinary exhibition examines the historical sweep of the movement from its inception with F.T. Marinetti's Futurist manifesto in 1909 through its demise at the end of World War II. Presenting over 300 works executed between 1909 and 1944, the chronological exhibition encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater, and performance. To convey the myriad artistic languages employed by the Futurists as they evolved over a 35-year period, the exhibition integrates multiple disciplines in each section. Italian Futurism is organized by Vivien Greene, Curator, 19th- and Early 20th-Century Art, Solomon R. Guggenheim Museum. In addition, a distinguished international advisory committee has been assembled to provide expertise and guidance.

DeperoFuturista

DeperoFuturista PDF

Author: Fortunato Depero

Publisher: Abbeville Press

Published: 1999

Total Pages: 200

ISBN-13:

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During the post-war years Fortunato Depero was one of the key figures of the second Futurist movement, not only in the field of painting but also in graphics, stage sets, the applied arts and experimental writing. This catalogue of the American exhibition, one of the most thorough and up-to-date monographs of the eclectic Italian Futurist artist, is arranged in four sections: The Avant-garde Period 1914-1917 (Plastic Complexes, We Abstract Futurists, Synthetic Architectural Forms), The Aesthetics of Magic 1917-1927 (The Automaton and the Picto-plastic Drama, The New Fantastic), The Magician's House 1919-1927 (The House of Futurist Art. International Exhibitions, Graphic Design), America, America 1928-1932 and more (Metropolitan Visions, Advertising, America Again). A definitive picture of Depero's long career, raging from the early days, to the important Futurist period of the "Casa del Mago"/The Wizard's House (the studio-laboratory created by the artist at Roverero during the time of his enthusiastic participation in the Futurist movement), until the New York period in the thirties, when he was active in costumes, sets and important drawings on urban-industrial themes.

Graphic Design

Graphic Design PDF

Author: Richard Hollis

Publisher: Thames & Hudson

Published: 1994

Total Pages: 224

ISBN-13: 9780500202708

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Covers a wide range of graphic design including film, magazines and posters. Also cover techniques used such as airbrushing and computer generated images

The Visible Word

The Visible Word PDF

Author: Johanna Drucker

Publisher: University of Chicago Press

Published: 1994

Total Pages: 306

ISBN-13: 0226165027

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Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.

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