Folksongs from the Mountains of Iran

Folksongs from the Mountains of Iran PDF

Author: Erika Friedl

Publisher: Bloomsbury Publishing

Published: 2017-12-11

Total Pages: 240

ISBN-13: 1786732785

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In Iran, folksongs are part of folklore and offer an intimate portrait of a vanishing era. They are also 'the voice' of ordinary people, providing a medium to express emotions, opinions and concerns. This book is based on folksongs collected over a 50-year period among the Boir Ahmad tribal people in the Zagros Mountains of West Iran. Erika Friedl has recorded, transcribed and translated more than 600 lyrics from a Lur community, and her analysis of the folksongs provides an intimate portrait of local people's attitudes, attachments, fears and desires. From songs of love, sex and mourning, to lyrics discussing beauty, infatuation and the community's violent tribal history, Friedl's solid understanding of the cultural background, lifestyle and worldview of these people lets her add ethnographic details that illuminate the deep meaning of the texts. In this way, Friedl goes far beyond a translation of words: she sheds light on a culture where beliefs, critical evaluation of circumstances and philosophical tenets are shown to be integral to each song's message. Based on fieldwork that began in 1965, Erika Friedl's research on the folklore in Boir Ahmad represents the best-documented modern folklore compendium on an Iranian tribe. This new book will be important for future generations of scholars, including ethnographers, Iranists, linguists, ethnomusicologists and those researching Persian literature and cultures of the Middle East.

Religion and Daily Life in the Mountains of Iran

Religion and Daily Life in the Mountains of Iran PDF

Author: Erika Friedl

Publisher: Bloomsbury Publishing

Published: 2020-12-10

Total Pages: 201

ISBN-13: 075561674X

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Until the 1960s, little was known inside or outside Iran about the tribes living in the country. The anthropological research of Erika Friedl is now renowned for presenting comprehensive data collected over a 50-year period from her time among the Boir Ahmad tribal people living in the Zagros Mountains of Iran. In this new book, Friedl turns her attention to the subject of religion, which she had only touched upon in her previous work. About ninety percent of people in Iran and nearly everybody in Boir Ahmad are Muslims of the Twelver Shia group. However, studies of tribal people's religiosity, beliefs and rituals are scarce, and many researchers have discounted their views and experience, regarding the tribes as only “nominally religious” because their practices do not fit in with the mainstream practices and ideas in Iran. Religion and Daily Life in the Mountains of Iran corrects this view and provides a hallmark study of tribal people's religiosity. Demonstrating the great diversity of their philosophical and religious ideas, the book reveals the ways in which the tribes choose and express their religion, define their communities and understand their world. From conversations about God and his relationships with people, to observations on ageing and death, and research into the tribe's use of spells, amulets and sacrifices, to their beliefs about saints, health and well-being, the book is an original ethnographic exploration of religion and daily life.

Iranian Music and Popular Entertainment

Iranian Music and Popular Entertainment PDF

Author: GJ Breyley

Publisher: Routledge

Published: 2015-11-19

Total Pages: 230

ISBN-13: 1317336801

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The word motreb finds its roots in the Arabic verb taraba, meaning ‘to make happy.’ Originally denoting all musicians in Iran, motrebi came to be associated, pejoratively, with the cheerful vulgarity of the lowbrow entertainer. In Iranian Music and Popular Entertainment, GJ Breyley and Sasan Fatemi examine the historically overlooked motrebi milieu, with its marginalized characters, from luti to gardan koloft and mashti, as well as the tenacity of motreb who continued their careers against all odds. They then turn to losanjelesi, the most pervasive form of Iranian popular music that developed as motrebi declined, and related musical forms in Iran and its diasporic popular cultural centre, Los Angeles. For the first time in English, the book makes available musical transcriptions, analysis and lyrics that illustrate the complexities of this history. As it presents the findings of the authors’ years of ethnographic work with the history’s protagonists, from senior motreb to pop-rock stars, the book reveals parallels between the decline of motrebi and the rise of ‘modernity.’ In the twentieth century, the fate of Tehran’s motrebi music was shaped by the social and urban polarization that ensued from the modern market economy, and losanjelesi would be similarly affected by transnational relations, revolution, war and migration. Through its detailed and informed examination of Iranian popular music, this study reveals much about the values and anxieties of Iranian society, and is a valuable resource for students and scholars of Iranian society and history.

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