Folklore in the English & Scottish Ballads

Folklore in the English & Scottish Ballads PDF

Author: Lowry Charles Wimberly

Publisher:

Published: 1928

Total Pages: 492

ISBN-13:

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"This volume presents an exhaustive survey of those customs and beliefs that in the English and Scottish popular ballads center about religion and magic." -- Preface.

The Anglo-Scottish Ballad and its Imaginary Contexts

The Anglo-Scottish Ballad and its Imaginary Contexts PDF

Author: David Atkinson

Publisher: Open Book Publishers

Published: 2014-03-12

Total Pages: 228

ISBN-13: 1783740272

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This is the first book to combine contemporary debates in ballad studies with the insights of modern textual scholarship. Just like canonical literature and music, the ballad should not be seen as a uniquely authentic item inextricably tied to a documented source, but rather as an unstable structure subject to the vagaries of production, reception, and editing. Among the matters addressed are topics central to the subject, including ballad origins, oral and printed transmission, sound and writing, agency and editing, and textual and melodic indeterminacy and instability. While drawing on the time-honoured materials of ballad studies, the book offers a theoretical framework for the discipline to complement the largely ethnographic approach that has dominated in recent decades. Primarily directed at the community of ballad and folk song scholars, the book will be of interest to researchers in several adjacent fields, including folklore, oral literature, ethnomusicology, and textual scholarship.

A Scottish Ballad Book (RLE Folklore)

A Scottish Ballad Book (RLE Folklore) PDF

Author: David Buchan

Publisher: Routledge

Published: 2015-02-20

Total Pages: 321

ISBN-13: 1317550161

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The popular appeal of the ballad is perennial, and few literary genres give so much pleasure to so many kinds of people. This anthology, first published in 1973, is drawn from the richest ballad tradition in Britain, that of the Northeast of Scotland. It provides a fresh and original choice of songs that ranges from the old ballads like ‘Gil Brenton’ and ‘Willie’s Lady’ to the bothy ballads like ‘The Tarves Rant’. The collection illustrates the development of a tradition over the centuries from the oral stage down to the modern, and exemplifies the methods of composition and transmission, the kinds of ballad-story, and the types of ballad-text found in the various stages of a ballad tradition. It illustrates the variety of subject matter, and indicates lines of relationship with other genres of Folklore Studies. A substantial section, containing what are widely acknowledged as the best of all British ballads, the oral ballads of Anna Brown, demonstrates clearly that the ballads are not merely simple or crude poems; in their oral form, they are narrative songs of some complexity and sophistication. This anthology is complementary to Dr Buchan’s The Ballad and the Folk.