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Author: Simon Walton
Publisher: Black Rabbit Books
Published: 2004-05-01
Total Pages: 32
ISBN-13: 9781932799583
DOWNLOAD EBOOK →Explores the origin and development of flutes, recorders, and other woodwinds, discussing how they work and guiding students from the first steps of playing to more advanced techniques.
Author: Simon Walton
Publisher: Franklin Watts
Published: 1993
Total Pages: 32
ISBN-13: 9780749607692
DOWNLOAD EBOOK →Author: Simon Walton
Publisher: Franklin Watts
Published: 1993
Total Pages: 32
ISBN-13: 9780531174210
DOWNLOAD EBOOK →Introduces the flute, demonstrates proper playing techniques, and describes famous flutists and important works written for the flute
Author: Steve Giddings
Publisher: Oxford University Press
Published: 2022
Total Pages: 225
ISBN-13: 0197570739
DOWNLOAD EBOOK →Introduction. Modern Music Education -- Creativity in Music Education -- Technology in Music Education -- The Informal Learning Approach -- Digital Audio Workstations -- Notation Software -- Other Online Tools for Fostering Creativity -- Makey Makey and Coding for Creativity -- Electronic, Digital, and Virtual Instruments -- Tech for Facilitating Creativity with Small Ensembles -- Other Considerations.
Author: Sebastian Virdung
Publisher: Cambridge University Press
Published: 1993-07-30
Total Pages: 292
ISBN-13: 0521308305
DOWNLOAD EBOOK →This early German 'do-it-yourself' manual tells us about music-making in the years just before the Reformation.
Author: Paul Carroll
Publisher: Routledge
Published: 2017-07-05
Total Pages: 269
ISBN-13: 1351574655
DOWNLOAD EBOOK →The late 17th century through to the end of the 18th century saw rapid progress in the development of woodwind instruments and the composition of a vast body of music for those instruments. During this period a large amount of music for domestic consumption was written for a growing amateur market, a market which has regrown in the latter part of the 20th century. The last 30 years has also seen the standard of performance by professionals on these instruments rise enormously. This book provides a guide to the history of the four main woodwind instruments of the Baroque, the flute, oboe, recorder and bassoon, and this is complemented by a repertoire list for each instrument. It also guides those interested towards a basic technique for playing these instruments - a certain level of musical literacy is assumed - and it can be used by students, professionals and amateurs. Advice is also given on buying a suitable reproduction instrument from a market where now virtually any Baroque instrument can be obtained as a faithful copy. This is the first book of its kind and has its origins in the wind tutors of the 18th century.
Author: David Lasocki
Publisher: French Baroque Flûte
Published: 2019-02-02
Total Pages: 276
ISBN-13: 9781795341523
DOWNLOAD EBOOK →Jean-Baptiste Lully (1632-1687) looms large in any study of woodwind repertoire in the seventeenth century. Nevertheless, his music for flûtes is still little known today, despite comprehensive studies over the last fifty years. One of the purposes of David Lasocki's book is to bring the music to wider attention, so it includes a large number of full-length musical examples. The book begins by taking a detailed look at the woodwind musicians who played Lully's music and also considers the music of his predecessors. Drawing on this evidence, the book then discusses his flûtes to determine as far as possible whether they were recorders (and of what sizes) and/or traversos. The book also ties in Lasocki's new theory about the voice flute (alto recorder in d1), the origins of which have been mysterious until now. The flûte music of Lully's student Pascal Collasse is also considered, for good measure. A must-read for all lovers of the recorder and traverso as well as anyone interested in Baroque woodwind instruments and their music.
Author: Walter van Hauwe
Publisher:
Published: 1992
Total Pages: 96
ISBN-13:
DOWNLOAD EBOOK →(Schott). Contents: About Breathing * 1. Inhalation * 2. Exhalation * 3. How to Hold the Air * About Articulation * 1. The consonants * 2. The Position of the Tongue with Single T and D * 3. double Tonguing with T and D * 4. Double Tonguing with More than Two Syllables * 5. Legato-Portato-Staccato * 6. The Consonants K and G
Author: David Lasocki
Publisher: Createspace Independent Publishing Platform
Published: 2018-03-21
Total Pages: 146
ISBN-13: 9781986741507
DOWNLOAD EBOOK →Surprisingly little systematic research has been done until now on the recorder and other members of the flute family in the writings of the Middle Ages and Early Renaissance (approximately 1100 to 1500). This new study, by an internationally renowned scholar of woodwind instruments, surveys the surviving writings (literature, dictionaries, treatises, inventories, and purchases) in twelve languages: Latin, Greek, French, Occitan (Provençal), German, Dutch, Catalan, Spanish, Old English, Anglo-French, and Middle English. In contrast with earlier studies, which extrapolated backwards from much later usage, the study begins with the earliest names linked to a description or depiction and traces them forwards from their first occurrences in history. The resulting evidence shows to what extent the panpipes, recorder, tabor pipe, other duct flutes, and transverse flute had clearly differentiated names in the various languages. It also suggests the musical and social contexts in which the instruments were used. Finally, the study supplies an answer to the commonly asked question: Why does the recorder have a special name in English that does not include the word "flute," as in other European languages?
Author: Michael Talbot
Publisher: Routledge
Published: 2017-07-05
Total Pages: 376
ISBN-13: 1351537288
DOWNLOAD EBOOK →Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.
