Lanterna Rally

Author: Stanley Houghton

Publisher:

Published: 2015-06-30

Total Pages: 116

ISBN-13: 9781330511206

Excerpt from Five One Act Plays (Note. - The terms "Left" and "Right" in the stage directions refer to the spectator's left and right, not the actor's.) The scene is the sitting-room of a small house in a lower middle-class district of a provincial town. On the spectator's left is the window, with the blinds down. A sofa is in front of it. On his right is a fireplace with an armchair by it. In the middle of the wall facing the spectator is the door into the passage. To the left of the door a cheap, shabby chest of drawers, to the right a sideboard. In the middle of the room is the table, with chairs round it. Ornaments and a cheap American clock are on the mantelpiece, in the hearth a kettle. By the sideboard a pair of gaudy new carpet slippers. The table is partly laid for tea, and the necessaries for the meal are on the sideboard, as also are copies of an evening paper and of "Tit-Bils" and "Pearson's Weekly." Turning to the left through the door takes you to the front door; to the right, upstairs. In the passage a hat-stand is visible. When the curtain rises Mrs. Slater is seen laying the table. She is a vigorous, plump, red-faced vulgar woman, prepared to do any amount of straight talking to get her own way. She is in black, but not in complete mourning. She listens a moment and then goes to the window, opens it and calls into the street. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.