The Book of Horror

The Book of Horror PDF

Author: Matt Glasby

Publisher: Quarto Publishing Group USA

Published: 2020-09-22

Total Pages: 179

ISBN-13: 0711251797

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“Glasby anatomizes horror’s scare tactics with keen, lucid clarity across 34 carefully selected main films—classic and pleasingly obscure. 4 Stars.” —Total Film? Horror movies have never been more critically or commercially successful, but there’s only one metric that matters: are they scary? The Book of Horror focuses on the most frightening films of the post-war era—from Psycho (1960) to It Chapter Two (2019)—examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than one hundred classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. “This is the definitive guide to what properly messes us up.” —SFX Magazine The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don’t Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019)

Horror and the Horror Film

Horror and the Horror Film PDF

Author: Bruce F. Kawin

Publisher: Anthem Press

Published: 2012-06-25

Total Pages: 269

ISBN-13: 0857282417

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Horror films can be profound fables of human nature and important works of art, yet many people dismiss them out of hand. ‘Horror and the Horror Film’ conveys a mature appreciation for horror films along with a comprehensive view of their narrative strategies, their relations to reality and fantasy and their cinematic power. The volume covers the horror film and its subgenres – such as the vampire movie – from 1896 to the present. It covers the entire genre by considering every kind of monster in it, including the human.

Women Make Horror

Women Make Horror PDF

Author: Alison Peirse

Publisher: Rutgers University Press

Published: 2020-09-17

Total Pages: 270

ISBN-13: 1978805136

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Winner of the the 2021 Best Edited Collection Award from BAFTSS Winner of the 2021 British Fantasy Award in Best Non-Fiction​ ​Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards​ “But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist.” “Women are just not that interested in making horror films.” This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. These assumptions are based on decades of flawed scholarly, critical, and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always made horror. They have always been an audience for the genre, and today, as this book reveals, women academics, critics, and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality, and the body. Women Make Horror explores narrative and experimental cinema; short, anthology, and feature filmmaking; and offers case studies of North American, Latin American, European, East Asian, and Australian filmmakers, films, and festivals. With this book we can transform how we think about women filmmakers and genre.

Introduction to Scream (2022 film)

Introduction to Scream (2022 film) PDF

Author: Gilad James, PhD

Publisher: Gilad James Mystery School

Published:

Total Pages: 72

ISBN-13: 1147970149

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Introduction to Scream is an upcoming horror movie directed by Matt Bettinelli-Olpin and Tyler Gillett. This movie is planned to be the fifth installment in the Scream franchise, which began in 1996. Neve Campbell, Courteney Cox, and David Arquette will reprise their roles as Sidney Prescott, Gale Weathers, and Dewey Riley, respectively. Along with the original cast members, the movie will also feature new characters played by Jack Quaid, Melissa Barrera, and Jenna Ortega, among others. The plot of Introduction to Scream revolves around a series of murders in a small town, which bear a striking resemblance to the killings depicted in the original Scream movies. Sidney, Gale, and Dewey return to their hometown to investigate the murders, and they are soon joined by a new group of teenagers who become targets of the killers. The movie promises to be a modern take on the classic slasher genre, with meta-humor, suspense, and some scares. Fans of the franchise are eagerly anticipating the release of Introduction to Scream, which is set to hit theaters in January 2022.

Horror Film

Horror Film PDF

Author: Murray Leeder

Publisher: Bloomsbury Publishing USA

Published: 2018-01-25

Total Pages: 289

ISBN-13: 1501314424

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An introduction to the horror film genre.

The Horror Film

The Horror Film PDF

Author: Stephen Prince

Publisher: Rutgers University Press

Published: 2004

Total Pages: 284

ISBN-13: 9780813533636

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Focusing on recent postmodern examples, this is a collection of essays reviewing the history of the horror film and the psychological reasons for its persistent appeal.

Theatricality in the Horror Film

Theatricality in the Horror Film PDF

Author: André Loiselle

Publisher: Anthem Press

Published: 2019-10-28

Total Pages: 132

ISBN-13: 1785271296

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The horror film generally presents a situation where normality is threatened by a monster. From this premise, Theatricality in the Horror Film argues that scary movies often create their terrifying effects stylistically and structurally through a radical break with the realism of normality in the form of monstrous theatricality. Theatricality in the horror fi lm expresses itself in many ways. For example, it comes across in the physical performance of monstrosity: the overthe-top performance of a chainsaw-wielding serial killer whose nefarious gestures terrify both his victims within the film and the audience in the cinema. Theatrical artifice can also appear as a stagy cemetery with broken-down tombstones and twisted, gnarly trees, or through the use of violently aberrant filmic techniques, or in the oppressive claustrophobia of a single-room setting reminiscent of classical drama. Any performative element of a film that flaunts its difference from what is deemed realistic or normal on screen might qualify as an instance of theatrical artifice, creating an intense affect in the audience. This book argues that the artificiality of the frightening spectacle is at the heart of the dark pleasures of horror.

Horror Film

Horror Film PDF

Author: Steffen Hantke

Publisher: Univ. Press of Mississippi

Published: 2004

Total Pages: 290

ISBN-13: 9781578066926

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Essays on the rise of the horror film and on how moviemakers package and promote fright

Italian Horror Film Directors

Italian Horror Film Directors PDF

Author: Louis Paul

Publisher: McFarland

Published: 2015-06-08

Total Pages: 376

ISBN-13: 0786487496

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There is no cinema with such effect as that of the hallucinatory Italian horror film. From Riccardo Freda’s I Vampiri in 1956 to Il Cartaio in 2004, this work recounts the origins of the genre, celebrates at length ten of its auteurs, and discusses the noteworthy films of many others associated with the genre. The directors discussed in detail are Dario Argento, Lamberto Bava, Mario Bava, Ruggero Deodato, Lucio Fulci, Umberto Lenzi, Antonio Margheriti, Aristide Massaccesi, Bruno Mattei, and Michele Soavi. Each chapter includes a biography, a detailed career account, discussion of influences both literary and cinematic, commentary on the films, with plots and production details, and an exhaustive filmography. A second section contains short discussions and selected filmographies of other important horror directors. The work concludes with a chapter on the future of Italian horror and an appendix of important horror films by directors other than the 50 profiled. Stills, posters, and behind-the-scenes shots illustrate the book.

Comedy-Horror Films

Comedy-Horror Films PDF

Author: Bruce G. Hallenbeck

Publisher: McFarland

Published: 2009-08-11

Total Pages: 256

ISBN-13: 0786453788

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Fun and fright have long been partners in the cinema, dating back to the silent film era and progressing to the Scary Movie franchise and other recent releases. This guide takes a comprehensive look at the comedy-horror movie genre, from the earliest stabs at melding horror and hilarity during the nascent days of silent film, to its full-fledged development with The Bat in 1926, to the Abbott and Costello films pitting the comedy duo against Frankenstein's Monster, the Mummy and other Universal Studio monsters, continuing to such recent cult hits as Shaun of the Dead and Black Sheep. Selected short films such as Tim Burton's Frankenweenie are also covered. Photos and promotional posters, interviews with actors and a filmography are included.