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Beyond the Beyond

Author: J. C. Gabel

Publisher: Hat & Beard Press/David Lynch Foundation

Published: 2016

Total Pages: 0

ISBN-13: 9780996744706

Beyond the Beyond: Music from the Films of David Lynch explores the use of music and sound in Lynch's films, as well as his own original music, and draws on the director's personal archives of photographs and ephemera from Eraserhead onward. From his early short films made in Philadelphia in the 1960s up through more recent feature films like Inland Empire (2006), legendary artist and director David Lynch (born 1946) has used sound to build mood, subvert audience expectations and create new layers of affective meaning.

Beyond the Soundtrack

Author: Daniel Ira Goldmark

Publisher: Univ of California Press

Published: 2007-06-08

Total Pages: 333

ISBN-13: 0520940555

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This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Even where films do give it a supporting role—and many do much more—music makes an independent contribution. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic representation of music with unprecedented richness. The authors cover a broad range of narrative films, from the "silent" era (not so silent) to the present. Once we think beyond the soundtrack, this volume shows, there is no unheard music in cinema.

Film Music and Beyond

Author: Hans Keller

Publisher: Plumbago Books and Arts

Published: 2006

Total Pages: 138

ISBN-13: 0954012364

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Between 1946 and 1959, the most outspoken voice in British film music was that of the Austrian emigre Hans Keller. This work is a collection of writings on film music by the celebrated critic.

Film Music and Everything Else!

Author: Charles Bernstein

Publisher:

Published: 2000

Total Pages: 144

ISBN-13:

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Music and Mythmaking in Film

Author: Timothy E. Scheurer

Publisher: McFarland

Published: 2007-12-05

Total Pages: 275

ISBN-13: 0786431903

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This work studies the conventions of music scoring in major film genres (e.g., science fiction, hardboiled detective, horror, historical romance, western), focusing on the artistic and technical methods that modern composers employ to underscore and accompany the visual events. Each chapter begins with an analysis of the major narrative and scoring conventions of a particular genre and concludes with an in-depth analysis of two film examples from different time periods. Several photographic stills and sheet music excerpts are included throughout the work, along with a select bibliography and discography.

Identity Mediations in Latin American Cinema and Beyond

Author: Cecilia Nuria Gil Mariño

Publisher: Cambridge Scholars Publishing

Published: 2019-09-12

Total Pages: 405

ISBN-13: 1527539857

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The appearance of sound film boosted entertainment circuits around the world, drawing cultural cartographies that forged images of spaces, nations and regions. By the late 1920s and early ‘30s, film played a key role in the configuration of national and regional cultural identities in incipient mass markets. Over the course of the twentieth and early twenty-first centuries, this transmedia logic not only went unthreatened, but also intensified with the arrival of new media and the development of new technologies. In this respect, this book strikes a dialogue between analyses that reflect the flows and transits of music, films and artists, mainly in the Ibero-American space, although it also features essays on Soviet and Asian cinema, with a view to exploring the processes of configuration of cultural identities. As such, this work views national borders as flexible spaces that permit an exploration of the appearance of transversal relations that are part of broader networks of circulation, as well as economic, social and political models beyond the domestic sphere.

Body, Sound and Space in Music and Beyond: Multimodal Explorations

Author: Clemens Wöllner

Publisher: Taylor & Francis

Published: 2017-04-07

Total Pages: 308

ISBN-13: 1317173473

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Body and space refer to vital and interrelated dimensions in the experience of sounds and music. Sounds have an overwhelming impact on feelings of bodily presence and inform us about the space we experience. Even in situations where visual information is artificial or blurred, such as in virtual environments or certain genres of film and computer games, sounds may shape our perceptions and lead to surprising new experiences. This book discusses recent developments in a range of interdisciplinary fields, taking into account the rapidly changing ways of experiencing sounds and music, the consequences for how we engage with sonic events in daily life and the technological advancements that offer insights into state-of-the-art methods and future perspectives. Topics range from the pleasures of being locked into the beat of the music, perception–action coupling and bodily resonance, and affordances of musical instruments, to neural processing and cross-modal experiences of space and pitch. Applications of these findings are discussed for movement sonification, room acoustics, networked performance, and for the spatial coordination of movements in dance, computer gaming and interactive artistic installations.

Listening to Movies

Author: Fred Karlin

Publisher: Schirmer Books

Published: 1994

Total Pages: 429

ISBN-13: 9780534263690

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Outlines the importance of music in movies, giving examples of the relationship's history, some of the greatest triumphs of music and film, and some of the people that have created the songs and scores

Popular Music and Film

Author: Ian Inglis

Publisher: Wallflower Press

Published: 2003

Total Pages: 224

ISBN-13: 9781903364710

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The growing presence of popular music in film is one of the most exciting areas of contemporary Film Studies. Written by a range of international specialists, this collection includes case studies on Sliding Doors, Topless Women Talk About Their Lives, The Big Chill and Moulin Rouge, considering the work of populist musicians such as the Beatles, Jimi Hendrix and Sting. Contributors to the volume include Robb Wright, Lesley Vize, Phil Powrie, Anno Mungen, Anaheid Kassabian, Lauren Anderson, Antti-Ville Karja, K. J. Donnelly, Lee Barron, Melissa Carey Michael Hannan and Jaap Kooijman.

Hearing the Movies

Author: James Buhler

Publisher: Oxford University Press

Published: 2015-04-01

Total Pages: 592

ISBN-13: 9780199987719

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Hearing the Movies, Second Edition, combines a historical and chronological approach to the study of film music and sound with an emphasis on building listening skills. Through engaging, accessible analyses and exercises, the book covers all aspects of the subject, including how a soundtrack is assembled to accompany the visual content, how music enhances the form and style of key film genres, and how technology has influenced the changing landscape of film music.