Tragedy on the Comic Stage

Tragedy on the Comic Stage PDF

Author: Matthew C. Farmer

Publisher: Oxford University Press

Published: 2016-11-01

Total Pages: 224

ISBN-13: 019063071X

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Aristophanes' engagement with tragedy is one of the most striking features of his comedies: Euripides appears repeatedly as a character in these plays, jokes about tragedy and tragic poets abound, and parodies of tragedy frequently underlie whole scenes and even the plots of these plays. Tragedy on the Comic Stage contextualizes this engagement with tragedy within Greek comedy as a genre by examining paratragedy in the fragments of Aristophanes' contemporaries and successors in the fifth and fourth centuries. Farmer organizes these fragments under two rubrics. First, he discusses fragments that show characters discussing tragedy, use tragic poets as characters, or make reference to the dramatic festivals; these fragments, Farmer argues, develop a "culture of tragedy" within Greek comedy, a consistent set of tropes and devices that depict tragedy as part of the world inhabited by the characters of these plays. Second, he assembles fragments that show tragic parody, imitations of tragedy that render tragic language humorous or ironic by juxtaposing it with the base characters and quotidian circumstances that make up Greek comedy. Tragedy on the Comic Stage then illustrates these features of fragmentary paratragedy within three intact Aristophanic comedies: Wasps, Women at the Thesmophoria, and Wealth. These new readings of Aristophanes' plays show the value of reading Aristophanes in conjunction with the comic fragments, and insist on the subtlety and complexity of Aristophanic paratragedy.

The Oxford Handbook of Greek and Roman Comedy

The Oxford Handbook of Greek and Roman Comedy PDF

Author: Michael Fontaine

Publisher: Oxford University Press

Published: 2014-04

Total Pages: 913

ISBN-13: 0199743541

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The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain.

Reconstructing Satyr Drama

Reconstructing Satyr Drama PDF

Author: Andreas P. Antonopoulos

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2021-07-05

Total Pages: 967

ISBN-13: 311072524X

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The origins of satyr drama, and particularly the reliability of the account in Aristotle, remains contested, and several of this volume’s contributions try to make sense of the early relationship of satyr drama to dithyramb and attempt to place satyr drama in the pre-Classical performance space and traditions. What is not contested is the relationship of satyr drama to tragedy as a required cap to the Attic trilogy. Here, however, how Aeschylus, Sophocles, and Euripides (to whom one complete play and the preponderance of the surviving fragments belong) envisioned the relationship of satyr drama to tragedy in plot, structure, setting, stage action and language is a complex subject tackled by several contributors. The playful satyr chorus and the drunken senility of Silenos have always suggested some links to comedy and later to Atellan farce and phlyax. Those links are best examined through language, passages in later Greek and Roman writers, and in art. The purpose of this volume is probe as many themes and connections of satyr drama with other literary genres, as well as other art forms, putting satyr drama on stage from the sixth century BC through the second century AD. The editors and contributors suggest solutions to some of the controversies, but the volume shows as much that the field of study is vibrant and deserves fuller attention.

Greek Tragedy

Greek Tragedy PDF

Author: Aeschylus

Publisher: Penguin UK

Published: 2004-08-26

Total Pages: 271

ISBN-13: 0141961716

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Agememnon is the first part of the Aeschylus's Orestian trilogy in which the leader of the Greek army returns from the Trojan war to be murdered by his treacherous wife Clytemnestra. In Sophocles' Oedipus Rex the king sets out to uncover the cause of the plague that has struck his city, only to disover the devastating truth about his relationship with his mother and his father. Medea is the terrible story of a woman's bloody revenge on her adulterous husband through the murder of her own children.

Aristophanes' Old-and-New Comedy

Aristophanes' Old-and-New Comedy PDF

Author: Kenneth J. Reckford

Publisher: UNC Press Books

Published: 2017-10-06

Total Pages: 582

ISBN-13: 1469639858

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This startling and original study emerged from Kenneth Rockford's wish to vindicate Aristophanes' Clouds against detractors. As a result of years of rereading and teaching Aristophanes, he realized that the Clouds could not be defended in an analysis of that play in isolation. A better approach, he decided, would be to define a comic perspective within which Aristophanes' comedies in general as well as the Clouds in particular could be appreciated. This first volume of Reckford's defense examines the comedies as a whole in a series of defining essays, each with its own dominant concern and method of approach. The author begins by exploring not the usual questions of Aristophanes' political attitudes and his place in the development of comedy, but rather the festive, celebratory, and Dionysian nature of Old Comedy. Here and throughout the book Reckford illustrates Aristophanes' form of comedy with analogies to Rabelais, Shakespeare, Charlie Chaplin, Alice in Wonderland, and The Wonderful Wizard of Oz. In the remaining essays Reckford goes beyond the usual Freudian approaches, reinterpreting the comic catharsis as a clarification of wishing and hoping. He also explores the growth of plays from comic idea to comic performance, in ways reflected in Tom Stoppard's plays today. Only then are Aristophanes' basic political loyalties described, as well as the place of his old- and-new comedy within the history of the genre. In a book that is as much about comedy generally as it is about Aristophanes specifically, some plays are treated more fully than others. Reckford discusses the Wasps at length, comparing the symbolic transformations and comic recognitions in the play with dream experience and dream interpretation. He also analyzes the Peace, the Acharians, the Birds, and the Frogs. Reckford's vindication of the Clouds will appear in the second volume of his defense, Clouds of Glory. Reckford's playful translations preserve the puns and anachronisms of Aristophanes, maintaining the playwright's comic feeling and tone. Combining traditional classical scholarship with a variety of literary, psychological, and anthropological approaches, he has written a study that will appeal to both the academic audience and the general reader who cares about comedy. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Menander in Antiquity

Menander in Antiquity PDF

Author: Sebastiana Nervegna

Publisher: Cambridge University Press

Published: 2013-04-25

Total Pages: 335

ISBN-13: 110732825X

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The comic playwright Menander was one of the most popular writers throughout antiquity. This book reconstructs his life and the legacy of his work until the end of antiquity employing a broad range of sources such as portraits, illustrations of his plays, papyri preserving their texts and inscriptions recording their public performances. These are placed within the context of the three social and cultural institutions which appropriated his comedy, thereby ensuring its survival: public theatres, dinner parties and schools. Dr Nervegna carefully reconstructs how each context approached Menander's drama and how it contributed to its popularity over the centuries. The resultant, highly illustrated, book will be essential for all scholars and students not just of Menander's comedy but, more broadly, of the history and iconography of the ancient theatre, ancient social history and reception studies.