African Cinema

African Cinema PDF

Author: Kenneth W. Harrow

Publisher: Africa World Press

Published: 1999

Total Pages: 384

ISBN-13: 9780865436978

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This collection of essays deals directly and compellingly with contemporary issues in African cinema. In particular, they address key aspects of post-colonialism and feminism - the two major topics of interest in current criticism of African films - but coverage is also given to spectatorship, national identity, ethnography, patriarchy, and the creation of key film industries in developing countries.

Historical Dictionary of Burkina Faso

Historical Dictionary of Burkina Faso PDF

Author: Lawrence Rupley

Publisher: Scarecrow Press

Published: 2013-02-07

Total Pages: 395

ISBN-13: 0810880105

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Burkina Faso, known as Upper Volta until its independence from France in 1960, and locally called the “land of the upright people,” is a medium-sized land-locked country with no less than six neighbors, some of which periodically get into trouble… which makes it reasonably strategic in some ways. While it has not done as poorly as some other African states, its economic has certainly not prospered and many Burkinabe go abroad to earn a living. As for politics, it is another case of stability without democracy, even if there are periodic elections. Still, this is better than not even having stability. This third edition of Historical Dictionary of Burkina Faso covers its history through a chronology, an introductory essay, maps, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Burkina Faso.

African Cinema: Manifesto and Practice for Cultural Decolonization

African Cinema: Manifesto and Practice for Cultural Decolonization PDF

Author: Michael T. Martin

Publisher: Indiana University Press

Published: 2023-08-08

Total Pages: 555

ISBN-13: 0253066271

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Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Two of this landmark series on African cinema is devoted to the decolonizing mediation of the Pan African Film & Television Festival of Ouagadougou (FESPACO), the most important, inclusive, and consequential cinematic convocation of its kind in the world. Since its creation in 1969, FESPACO's mission is, in principle, remarkably unchanged: to unapologetically recover, chronicle, affirm, and reconstitute the representation of the African continent and its global diasporas of people, thereby enunciating in the cinematic, all manner of Pan-African identity, experience, and the futurity of the Black World. This volume features historically significant and commissioned essays, commentaries, conversations, dossiers, and programmatic statements and manifestos that mark and elaborate the key moments in the evolution of FESPACO over the span of the past five decades.

Black African Literature in English, 1997-1999

Black African Literature in English, 1997-1999 PDF

Author: Bernth Lindfors

Publisher: James Currey Publishers

Published: 2003

Total Pages: 500

ISBN-13: 9780852555750

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This volume lists the work produced on anglophone black African literature between 1997 and 1999. This bibliographic work is a continuation of the highly acclaimed earlier volumes compiled by Bernth Lindfors. Containing about 10,000 entries, some of which are annotated to identify the authors discussed, it covers books, periodical articles, papers in edited collections and selective coverage of other relevant sources.

Creative Industries and Developing Countries

Creative Industries and Developing Countries PDF

Author: Diana Barrowclough

Publisher: Routledge

Published: 2012-11-12

Total Pages: 343

ISBN-13: 1136793178

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Pushing the frontiers of the new development paradigm, this book guides debates, clarifies new themes and illustrates how the cultural resources of the developing world can become a new way of integrating into the global economy - helping to raise the voices of developing countries, widening the range of creative choices and promoting cultural diversity and economic and human development. Mixing theory, country case-studies and policy analysis this volume argues that developing countries can use their creative assets and energies as a source of economic growth - if they can better position themselves in the global economy, turning on its head the polarized debate about commerce and culture to take a fresh look at some traditional activities whose intrinsic cultural value has for too long hidden their economic worth. It includes essays from economists, lawyers and industry experts on global trade trends; digital-technology; film in West Africa; audio visuals in India; the music industry in Brazil and the Caribbean; the copyright industry in Arab countries, and policy lessons from developed countries - including sources of finance, subsidies and the role of incubators and intermediaries. Fresh and incisive, this policy lead book on one of the world’s fastest growing sectors is an invaluable resource for to economists and policy-makers alike, as well as those with an interest in industrial organization, development policy, evolutionary economics and the creative industries.