Female Playwrights and Eighteenth-Century Comedy

Female Playwrights and Eighteenth-Century Comedy PDF

Author: M. Anderson

Publisher: Springer

Published: 2002-02-22

Total Pages: 262

ISBN-13: 0312292759

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Aphra Behn, Susannah Centlivre, Hannah Cowley, and Elizabeth Inchbald were the only four female playwrights in England with multiple comic successes from 1670-1800. Behn's interest in the body, Centlivre's fascination with written contracts, Cowley's nationalism, and Inchbald's discussion of divorce emerge in the comic events that are animated by the psychological mechanisms of humor. Attending to the dialogue between these comic events and the plays' more predictable comic endings illuminates the philosophical, political, and legal arguments about women and marriage that fascinated both female playwrights and the theatergoing public.

Popular Plays by Women in the Restoration and Eighteenth Century

Popular Plays by Women in the Restoration and Eighteenth Century PDF

Author: Tanya M. Caldwell

Publisher: Broadview Press

Published: 2011-06-30

Total Pages: 300

ISBN-13: 1770482830

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This anthology offers a selection of popular dramatic works by female playwrights from Aphra Behn in the 1670s through Hannah Cowley in the later eighteenth century. These plays were successful as plays of their time, not just as plays by women, together providing evidence that women dramatists often managed better than their male counterparts to please diverse audiences, who were notoriously fickle as well as predisposed to oppose them. Accessible to both graduates and undergraduates, Popular Plays by Women shows how these playwrights captured audiences through wit, social awareness, and dramatic dexterity. As well as including the prologues and epilogues of the four plays presented, this anthology provides additional materials in which female playwrights discuss the prejudices and special difficulties they face.

Female Playwrights and Eighteenth-Century Comedy

Female Playwrights and Eighteenth-Century Comedy PDF

Author: M. Anderson

Publisher: Palgrave Macmillan

Published: 2002-03-28

Total Pages: 262

ISBN-13: 9780312239381

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Aphra Behn, Susannah Centlivre, Hannah Cowley, and Elizabeth Inchbald were the only four female playwrights in England with multiple comic successes from 1670-1800. Behn's interest in the body, Centlivre's fascination with written contracts, Cowley's nationalism, and Inchbald's discussion of divorce emerge in the comic events that are animated by the psychological mechanisms of humor. Attending to the dialogue between these comic events and the plays' more predictable comic endings illuminates the philosophical, political, and legal arguments about women and marriage that fascinated both female playwrights and the theatergoing public.

Early Women Dramatists 1550–1801

Early Women Dramatists 1550–1801 PDF

Author: Margarete Rubik

Publisher: Bloomsbury Publishing

Published: 2016-01-14

Total Pages: 232

ISBN-13: 1349262757

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A comprehensive survey of women's drama between the Renaissance and the end of the eighteenth century, assessing the plays' characteristic features and the ruptures in the text indicating the writers' precarious social and artistic position and ambiguous stances to their own creativity and sex. Chapters are devoted to individual writers as well as to general developments in specific periods. The most significant plays are analysed in detail and related to the male literary canon of the time in order to stress both their originality and the existence of an, albeit tentative, female literary tradition.

Staging Gender in Behn and Centlivre

Staging Gender in Behn and Centlivre PDF

Author: Nancy Copeland

Publisher: Routledge

Published: 2019-09-26

Total Pages: 223

ISBN-13: 1351898248

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Staging Gender in Behn and Centlivre studies the representation of gender in four of the most important plays by the leading professional women playwrights of the late Stuart period. Behn's The Rover (1677) and The Luckey Chance (1686) and Centlivre's The Busie Body (1709) and The Wonder: A Woman Keeps a Secret (1714) are first placed in their original theatrical and cultural contexts and then studied through subsequent productions and adaptations extending from the eighteenth century to the twentieth. The detailed analysis of these plays is framed by a discussion of the cultural position of the playwrights and the kind of comedy they wrote. The survival of these plays in the repertoire offers an unusual opportunity to examine the theatrical 'double life' of works by early women playwrights. The lengthy production histories of these comedies placed them in dialogue with radically different ideas of appropriate and permissible behavior for both women and men. The resulting productions, alterations, and adaptations included both feminist reinterpretations and recuperations of the plays' challenges to dominant meanings of gender. This book will be of interest to scholars and students of dramatic literature, theatre, and women's studies.

Early Women Dramatists, 1550-1800

Early Women Dramatists, 1550-1800 PDF

Author: Margarete Rubik

Publisher:

Published: 1998

Total Pages: 242

ISBN-13:

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This is a comprehensive survey of women's drama between the Renaissance and the end of the 18th century, assessing the plays' characteristic features and the ruptures in the text that indicate the writers' precarious social and artistic position and the ambiguous stances to their own creativity and sex. Chapters are devoted to individual writers as well as to general developments in specific periods. The most significant plays are analysed in detail and related to the male literary canon of the time in order to stress both their originality and the existence of an, albeit tentative, female literary canon.

Broken Boundaries

Broken Boundaries PDF

Author: Katherine M. Quinsey

Publisher: University Press of Kentucky

Published: 2021-03-17

Total Pages: 357

ISBN-13: 0813159997

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This volume of twelve original essays is the first comprehensive study of feminist issues in Restoration drama. The late seventeenth century marks a pivotal era in the history of feminism, when Renaissance assumptions about gender and patriarchy were being directly challenged. For the first time, women appeared onstage as actresses, made their presence felt as spectators and patrons, and wrote a number of the plays produced in theaters. In an unusually direct and probing way, drama of the Restoration period raised radical questions about the place of women in the family and in society, and about the essential nature of men and women. The essays examine feminist issues from a variety of historical and theoretical approaches across a spectrum of plays—comedies, tragedies, tragicomedies, and heroic drama. By addressing the acute questions of gender raised in the drama, Broken Boundaries presents a vivid portrait of the uncertainties and changing perceptions in all areas of intellectual, political, and social life during the last decades of the seventeenth century.

Eighteenth-century Women Playwrights

Eighteenth-century Women Playwrights PDF

Author: Derek Hughes

Publisher: Routledge

Published: 2001

Total Pages: 302

ISBN-13:

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This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn. It includes the work of Catherine Trotter, Mary Pix, Eliza Haywood and Elizabeth Griffith.

Getting Into the Act

Getting Into the Act PDF

Author: Ellen Donkin

Publisher: Taylor & Francis US

Published: 1995

Total Pages: 260

ISBN-13: 9780415082501

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During the last quarter of the eighteenth century in London there was a remarkable surge in the number of produced plays written by women.

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