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Author: Anne Lacoste
Publisher: Getty Publications
Published: 2010
Total Pages: 216
ISBN-13: 160606035X
DOWNLOAD EBOOK →The fascinating life and work of an artist who captured some of the first photographs of the Far East are presented in this gorgeous volume.
Author: David Harris
Publisher: California Academy of Sciences
Published: 1999
Total Pages: 185
ISBN-13: 0899511007
DOWNLOAD EBOOK →This catalogue establishes the background and historical context of the 1860 second Opium War, and outlines the central role that photographer Felice Beato played in the photographic history of 19th century imperial China.
Author: David Odo
Publisher: Harvard University Press
Published: 2015
Total Pages: 148
ISBN-13: 0873654080
DOWNLOAD EBOOK →When Japan opened its doors to the West in the 1860s, delicately hand-tinted photographic prints of Japanese people and landscapes were among its earliest and most popular exports. David Odo studies the collection of Japanese photographs at Harvard’s Peabody Museum and the ways they were produced, acquired, and circulated in the nineteenth century.
Author: Christine Guth
Publisher: University of Washington Press
Published: 2004
Total Pages: 268
ISBN-13: 9780295984018
DOWNLOAD EBOOK →Charles Longfellow, son of Henry Wadsworth Longfellow, arrived in Yokohama in 1871, intending a brief visit, and stayed for two years. He returned to Boston laden with photographs, curios, and art objects, as well as the elaborate tattoos he had "collected" on his body. His journals, correspondence, and art collection dramatically demonstrate America’s early impressions of Japanese culture, and his personal odyssey illustrates the impact on both countries of globetrotting tourism. Interweaving Longfellow’s experiences with broader issues of tourism and cultural authenticity, Christine Guth discusses the ideology of tourism and the place of Japan within nineteenth-century round-the-world travel. This study goes beyond simplistic models of reciprocal influence and authenticity to a more synergistic account of cross-cultural dynamics.
Author: John Hannavy
Publisher: Routledge
Published: 2013-12-16
Total Pages: 1630
ISBN-13: 1135873267
DOWNLOAD EBOOK →The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Author: Luke Gartlan
Publisher: BRILL
Published: 2019-08-26
Total Pages: 383
ISBN-13: 9004300805
DOWNLOAD EBOOK →A Career of Japan is the first study of one of the major photographers and personalities of nineteenth-century Japan. Baron Raimund von Stillfried was the most important foreign-born photographer of the Meiji era and one of the first globally active photographers of his generation. Based on extensive new primary sources and unpublished documents from archives around the world, this book examines von Stillfried’s significance as a cultural mediator between Japan and Central Europe. Awarded the 2nd Professor Josef Kreiner Hosei University Award for International Japanese Studies.
Author: Wu Hung
Publisher: Reaktion Books
Published: 2016-06-15
Total Pages: 326
ISBN-13: 1780236301
DOWNLOAD EBOOK →From the first sets of photographic records made by Western travelers to doctored portraits of Chairman Mao and the avant-garde photographic performances of the post–Cultural Revolution era, photography in China has followed divergent paths. In this book, Wu Hung explores the multiple histories of photographic production in China, using them to tell a larger story about China’s shifting sociopolitical contexts and the different agendas, technologies, and aesthetics that have helped define its arts. At the center of the book is a large question: how has photography represented China and its people, its collective history and memory as well as the diversity of Chinese artists who have striven for creative expression? To address this question, the author offers an in-depth study of selected photographers, themes, and movements in Chinese photography from 1860 to the present, covering a wide range of genres, including portraiture, photojournalism, architectural and landscape photography, and conceptual photography. Beautifully illustrated, this book offers a multifaceted and in-depth analysis of an important photographic history.
Author: Zahid R. Chaudhary
Publisher: U of Minnesota Press
Published: 2012
Total Pages: 283
ISBN-13: 0816677484
DOWNLOAD EBOOK →How the colonial photograph revolutionized the very nature of perception
Author: Elizabeth Chang
Publisher: Stanford University Press
Published: 2010-04-20
Total Pages: 256
ISBN-13: 0804775877
DOWNLOAD EBOOK →This book traces the intimate connections between Britain and China throughout the nineteenth century and argues for China's central impact on the British visual imagination. Chang brings together an unusual group of primary sources to investigate how nineteenth-century Britons looked at and represented Chinese people, places, and things, and how, in the process, ethnographic, geographic, and aesthetic representations of China shaped British writers' and artists' vision of their own lives and experiences. For many Britons, China was much more than a geographical location; it was also a way of seeing and being seen that could be either embraced as creative inspiration or rejected as contagious influence. In both cases, the idea of China's visual difference stood in negative contrast to Britain's evolving sense of the visual and literary real. To better grasp what Romantic and Victorian writers, artists, and architects were doing at home, we must also understand the foreign "objects" found in their midst and what they were looking at abroad.
Author: Richard Pare
Publisher: Mit Press
Published: 1985-06
Total Pages: 282
ISBN-13: 9780262161015
DOWNLOAD EBOOK →Exhibits: Galerie Lemperz Contempora, Cologne, September-October 1982; The Art Institute of Chicago, May-June 1983; Cooper-Hewitt Museum, New York, July-October 1983; Centre Georges Pompidou, Paris, February-May 1984; National Gallery of Canada, Ottawa, September-November 1984.
