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Fear City Cinema

Author: Roger A. Salerno

Publisher: McFarland

Published: 2022-04-06

Total Pages: 236

ISBN-13: 1476680906

This book studies a grouping of films set in New York City between 1965 and 1995, reflecting a town besieged by rampant criminality, social distress and physical decay. "Fear City" is a term the NYPD used to label New York as a frightening environment, incapable of securing the safety of its residents. This book not only deals with the social problems evident in New York during this period, but also provides a study of how independent filmmakers were able to capture unsettling urban imagery, capitalizing on feelings of paranoia and dread. The author explores how the tone of these films reflects upon the anti-urbanism that led to the War on Crime, the mass exodus of working-class people from the city and mass incarceration of young Black men.

Fear City Cinema

Author: Roger A. Salerno

Publisher: McFarland

Published: 2022-04-12

Total Pages: 236

ISBN-13: 1476645914

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Welcome to Fear City

Author: Nathan Holmes

Publisher: SUNY Press

Published: 2018-09-26

Total Pages: 246

ISBN-13: 1438471211

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Analyzes how location-shot crime films of the 1970s reflected and influenced understandings of urban crisis. The early 1970s were a moment of transformation for both the American city and its cinema. As intensified suburbanization, racial division, deindustrialization, and decaying infrastructure cast the future of the city in doubt, detective films, blaxploitation, police procedurals, and heist films confronted spectators with contemporary scenes from urban streets. Welcome to Fear City argues that the location-shot crime films of the 1970s were part of a larger cultural ambivalence felt toward urban life, evident in popular magazines, architectural discourse, urban sociology, and visual culture. Yet they also helped to reinvigorate the city as a site of variegated experience and a positively disordered public lifein stark contrast to the socially homogenous and spatially ordered suburbs. Discussing the design of parking garages and street lighting, the dynamics of mugging, panoramas of ruin, and the optics of undercover police operations in such films as Klute, The French Connection, Detroit 9000, Death Wish, and The Taking of Pelham One Two Three, Nathan Holmes demonstrates that crime genres did not simply mirror urban settings and social realities, but actively produced and circulated new ideas about the shifting surfaces of public culture. Rejecting the easy abstractions and postmodern playfulness of noir and neo-noir criticism, Holmes places 1970s crime films, as he says, in relation to the urban context that was their location, setting, and subject. He does this brilliantly, convincingly, and uniquely. David Desser, former editor, Cinema Journal

Fun City Cinema

Author: Jason Bailey

Publisher: Abrams

Published: 2021-10-26

Total Pages: 1206

ISBN-13: 1647004691

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A visual history of 100 years of filmmaking in New York City, featuring exclusive interviews with NYC filmmakers Fun City Cinema gives readers an in-depth look at how the rise, fall, and resurrection of New York City was captured and chronicled in ten iconic Gotham films across ten decades: The Jazz Singer (1927), King Kong (1933), The Naked City (1948), Sweet Smell of Success (1957), Midnight Cowboy (1969), Taxi Driver (1976), Wall Street (1987), Kids (1995), 25th Hour (2002), and Frances Ha (2012). A visual history of a great American city in flux, Fun City Cinema reveals how these classic films and legendary filmmakers took their inspiration from New York City’s grittiness and splendor, creating what we can now view as “accidental documentaries” of the city’s modes and moods. In addition to the extensively researched and reported text, the book includes both historical photographs and production materials, as well as still-frames, behind-the-scenes photos, posters, and original interviews with Noah Baumbach, Larry Clark, Greta Gerwig, Walter Hill, Jerry Schatzberg, Martin Scorsese, Susan Seidelman, Oliver Stone, and Jennifer Westfeldt. Extensive "Now Playing" sidebars spotlight a handful of each decade’s additional films of note.

New York Magazine

Author:

Publisher:

Published: 1985-02-25

Total Pages: 116

ISBN-13:

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New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Welcome to Fear City: Crime Film and the Urban Imagination, 1970--1975

Author: Nathan Holmes

Publisher:

Published: 2012

Total Pages: 305

ISBN-13: 9781267603883

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This dissertation considers the construction of space and place in a cycle of contemporary-set urban crime films of the early 1970s, exploring how cinema and the city interacted with each other in the context of ongoing urban crisis and decline. Moving between formal analysis and cultural history, this study places location-shot American crime films of this era in the context of a national consciousness that questioned the suitability of the city as both an architectural and social form. Focusing on motifs of investigation and pursuit, I show how the generic production of movement, encounter, and observation on streets, through abandoned buildings and lots, and on roadways is inflected by popular discourses of urban anxiety. In applying emerging visual techniques and cinematographic styles to urban places, however, crime films also connected the city to new energies, producing new ways of understanding the changing urban form. As the declining centrality of American cities led to the promulgation of urbanity as a lifestyle choice, crime films introduced ways of seeing that both sustained fears and limned urban horizons.

New York

Author:

Publisher:

Published: 2001-07

Total Pages: 986

ISBN-13:

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Fear City

Author: Kim Phillips-Fein

Publisher: Macmillan + ORM

Published: 2017-04-18

Total Pages: 302

ISBN-13: 0805095268

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PULITZER PRIZE FINALIST An epic, riveting history of New York City on the edge of disaster—and an anatomy of the austerity politics that continue to shape the world today When the news broke in 1975 that New York City was on the brink of fiscal collapse, few believed it was possible. How could the country’s largest metropolis fail? How could the capital of the financial world go bankrupt? Yet the city was indeed billions of dollars in the red, with no way to pay back its debts. Bankers and politicians alike seized upon the situation as evidence that social liberalism, which New York famously exemplified, was unworkable. The city had to slash services, freeze wages, and fire thousands of workers, they insisted, or financial apocalypse would ensue. In this vivid account, historian Kim Phillips-Fein tells the remarkable story of the crisis that engulfed the city. With unions and ordinary citizens refusing to accept retrenchment, the budget crunch became a struggle over the soul of New York, pitting fundamentally opposing visions of the city against each other. Drawing on never-before-used archival sources and interviews with key players in the crisis, Fear City shows how the brush with bankruptcy permanently transformed New York—and reshaped ideas about government across America. At once a sweeping history of some of the most tumultuous times in New York's past, a gripping narrative of last-minute machinations and backroom deals, and an origin story of the politics of austerity, Fear City is essential reading for anyone seeking to understand the resurgent fiscal conservatism of today.

The Grand Guignol

Author: Mel Gordon

Publisher: Da Capo Press

Published: 1997-08-21

Total Pages: 196

ISBN-13:

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The Theatre of the Grand Guignol, which began in turn-of-the-century Paris, celebrated horror and fear. Innocent victims, mangled beauty, insanity, mutilation, depravity and guilt were its primary themes. This text examines its history, themes and methods and summarizes its plots.

The Book of Horror

Author: Matt Glasby

Publisher: Quarto Publishing Group USA

Published: 2020-09-22

Total Pages: 179

ISBN-13: 0711251797

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“Glasby anatomizes horror’s scare tactics with keen, lucid clarity across 34 carefully selected main films—classic and pleasingly obscure. 4 Stars.” —Total Film? Horror movies have never been more critically or commercially successful, but there’s only one metric that matters: are they scary? The Book of Horror focuses on the most frightening films of the post-war era—from Psycho (1960) to It Chapter Two (2019)—examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than one hundred classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. “This is the definitive guide to what properly messes us up.” —SFX Magazine The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don’t Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019)