Fantasies from Opera for Violin and Piano

Fantasies from Opera for Violin and Piano PDF

Author: Henryk Wieniawski

Publisher: Courier Corporation

Published: 2014-01-17

Total Pages: 130

ISBN-13: 0486493741

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This single-volume compilation features four popular opera fantasies arranged for violin with piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of a separate violin part: Carmen Fantasy from the Opera by Georges Bizet,Op. 25, transcribed by Jenö Hubay Fantasia on Themes from Gounod's Faust,Op. 20, transcribed by Henri Wieniawski Fantasie from Mozart's The Magic Flute,Op. 54, transcribed by Pablo Sarasate Fantasie Brillante on the March and the Romance from Rossini's Otello, Op. 11, by Heinrich Wilhelm Ernst This collection is ideal for practice, performance, teaching, and independent study by students, professional performers, and amateur ensembles.

Brahms

Brahms PDF

Author: John Bell Young

Publisher: Courier Dover Publications

Published: 2016-11-28

Total Pages: 176

ISBN-13: 0486817776

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Engaging survey covers Brahms' major orchestral, choral, and piano music, culminating in a discussion of the German Requiem. Commentary places the composer's compelling music within the context of his era and environment.

Multi-Voice Songs: A Selection

Multi-Voice Songs: A Selection PDF

Author: Johannes Brahms

Publisher: Courier Dover Publications

Published: 2017-05-17

Total Pages: 193

ISBN-13: 0486814564

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Unaccompanied choral works composed or otherwise arranged by Brahms for mixed choruses as well as individual men's and women's choruses include songs, love songs, romances, quartetes, and duets.

Structurally Sound

Structurally Sound PDF

Author: Eric Wen

Publisher: Courier Dover Publications

Published: 2017-05-17

Total Pages: 321

ISBN-13: 0486821455

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"A well-written textbook by a learned musician practicing his craft. The analyses are clearly argued, and Wen projects a reassuring sense of authenticity in his approach to tonal music analysis. The book will be of interest to many musicians, especially those focused on Schenkerian theory and analysis. I believe the book will be a welcome addition to the range of teaching manuals on the subject." — Music Theory OnlineMusic theorist Eric Wen presents in-depth analyses of seven masterworks from the common-practice period of Western art music: Bach: Air from Orchestral Suite No. 3 in D, BWV 1068 Mendelssohn: Andante con moto tranquillo from Piano Trio No. 1 in D minor, Op. 49 Schubert: Nacht und Traüme, D. 827 Haydn: Adagio — Vivace assai from Symphony No. 94 in G, Hob. I:94 Mozart: Molto Allegro from Symphony No. 40 in G minor, K. 550 Beethoven: Marcia funebre: Adagio assai from Symphony No. 3 in E-flat, Op. 55 Brahms: Un poco presto e con sentimento from Violin Sonata No. 3 in D minor, Op. 108 Wen employs the analytic approach developed by Heinrich Schenker, a method that uses musical notation to clarify and illuminate a work's structural hierarchies. Copiously illustrated with analytic musical examples that elucidate the tonal organization of each of the seven works, this study also explores aspects of form, rhythmic organization, and programmatic meaning. This volume will be of particular interest to musicologists and professional musicians, and it will also appeal to listeners keen to probe the rich complexities of these masterpieces.

Carmen fantasy

Carmen fantasy PDF

Author: Pablo de Sarasate

Publisher: Courier Corporation

Published: 1997-01-01

Total Pages: 174

ISBN-13: 9780486299099

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Rare selection of classics by a 19th-century virtuoso. In addition to the title piece, includes Zigeunerweisen (Gypsy Airs), Habanera, Romanza andaluza, and four others.

Heinrich Wilhelm Ernst: Virtuoso Violinist

Heinrich Wilhelm Ernst: Virtuoso Violinist PDF

Author: Mark Rowe

Publisher: Routledge

Published: 2017-07-05

Total Pages: 362

ISBN-13: 1351563920

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From 1840-57, Heinrich Ernst was one of the most famous and significant European musicians, and performed on stage, often many times, with Berlioz, Mendelssohn, Chopin, Liszt, Wagner, Alkan, Clara Schumann, and Joachim. It is a sign of his importance that, in 1863, Brahms gave two public performances in Vienna of his own and Ernst's music to raise money for the now mortally ill violinist. Berlioz described Ernst as 'one of the artists whom I love the most, and with whose talent I am most sympathetique', while Joachim was in no doubt that Ernst was 'the greatest violinist I ever heard; he towered above the others'. Many felt that he surpassed the expressive and technical achievements of Paganini, but Ernst, unlike his great predecessor, was also a tireless champion of public chamber music, and did more than any other early nineteenth-century violinist to make Beethoven's late quartets widely known and appreciated. Ernst was not only a great virtuoso but also an accomplished composer. He wrote two of the most popular pieces of the nineteenth century - the Elegy and the Carnival of Venice - and he is best known today for two solo pieces which represent the ne plus ultra of technical difficulty: the transcription of Schubert's Erlking, and the sixth of his Polyphonic Studies, the variations on The Last Rose of Summer. Perhaps he made his greatest contribution to music through his influence on Liszt's outstanding masterpiece, the B minor piano sonata. In 1849, Liszt conducted Ernst playing his own Concerto Pathque, a substantial single-movement work, in altered sonata form, using thematic transformation. Soon after this performance, Liszt wrote his Grosses Konzertsolo (1849-50), his first extended single-movement work, using altered sonata form, and thematic transformation. This is now universally acknowledged to be the immediate forerunner of the sonata, which refines and develops all these techniques. Liszt made his debt clear when, three years after completi