Exploring the Scope of Public Performance Rights
Author: United States. Congress. Senate. Committee on the Judiciary
Publisher:
Published: 2008
Total Pages: 68
ISBN-13:
DOWNLOAD EBOOK →Author: United States. Congress. Senate. Committee on the Judiciary
Publisher:
Published: 2008
Total Pages: 68
ISBN-13:
DOWNLOAD EBOOK →Author: United States. Congress. Senate. Committee on the Judiciary
Publisher:
Published: 2007
Total Pages: 382
ISBN-13:
DOWNLOAD EBOOK →Author: Hugh Hansen
Publisher: Bloomsbury Publishing
Published: 2010-11-19
Total Pages: 862
ISBN-13: 1847316131
DOWNLOAD EBOOK →This is the 16th Annual volume in the series collecting the presentations and discussion from the Annual Fordham IP Conference. The contributions, by leading world experts, analyse the most pressing issues in copyright, trademark and patent law as seen from the perspectives of the USA, the EU, Asia and WIPO. This volume, in common with its predecessors makes a valuable and lasting contribution to the discourse in IP law. The contents, while always informative, are also critical and questioning of new developments and policy concerns. Praise for the series: "This must be one of the most enjoyable and thought-provoking conferences in the IP field. The high quality of the speakers is matched by the intense, audience-led debates and challenges which follow." The Honourable Mr Justice Laddie, Royal Courts of Justice, London "Faculty for this conference are always well-known 'names' _ well respected leaders in their fields, speaking with a combination of candor and timeliness that is unrivaled by any other forum of its kind." Honorable Marybeth Peters, Register of Copyrights, United States Copyright Office.
Author: United States. Congress. House. Committee on the Judiciary. Subcommittee on Courts, the Internet, and Intellectual Property
Publisher:
Published: 2008
Total Pages: 184
ISBN-13:
DOWNLOAD EBOOK →Author: World Intellectual Property Organization
Publisher: WIPO
Published: 2013-07-17
Total Pages: 229
ISBN-13: 9280520466
DOWNLOAD EBOOK →With the development of digital technology, the laws and legal disputes of copyright and related rights have known a dynamism reflecting this evolution. This publication is an informative collection of legal decisions made by the courts of countries in the Asia and the Pacific region. It provides summaries of a number of salient cases in the field of music, and offers some very interesting insights into the different ways in which copyright and related rights are being handled in various jurisdictions. It aims to be a useful reference for the many professionals who are seeking to navigate the music industry's increasingly complex legal and commercial landscape. This case book was prepared with the assistance of the Funds-in-Trust of the Republic of Korea.
Author: United States. Congress
Publisher:
Published: 2007
Total Pages: 1072
ISBN-13:
DOWNLOAD EBOOK →Author: Erin L. Ellis
Publisher: American Library Association
Published: 2020-04-15
Total Pages: 235
ISBN-13: 0838918794
DOWNLOAD EBOOK →This resource will help you become a copyright coach by showing you how to discern the most important issues in a situation, determine which questions you need to ask, and give a response that is targeted to the specific need.
Author: Lasantha Ariyarathna
Publisher: Taylor & Francis
Published: 2022-09-05
Total Pages: 180
ISBN-13: 1000642763
DOWNLOAD EBOOK →This book examines the challenges posed to Australian copyright law by streaming, from the end-user perspective. It compares the Australian position with the European Union and United States to draw lessons from them, regarding how they have dealt with streaming and copyright. By critically examining the technological functionality of streaming and the failure of copyright enforcement against the masses, it argues for strengthening end-user rights. The rising popularity of streaming has resulted in a revolutionary change to how digital content, such as sound recordings, cinematographic films, and radio and television broadcasts, is used on the internet. Superseding the conventional method of downloading, using streaming to access digital content has challenged copyright law, because it is not clear whether end-user acts of streaming constitute copyright infringement. These prevailing grey areas between copyright and streaming often make end-users feel doubtful about accessing digital content through streaming. It is uncertain whether exercising the right of reproduction is appropriately suited for streaming, given the ambiguities of “embodiment” and scope of “substantial part”. Conversely, the fair dealing defence in Australia cannot be used aptly to defend end-users’ acts of streaming digital content, because end-users who use streaming to access digital content can rarely rely on the defence of fair dealing for the purposes of criticism or review, news reporting, parody or satire, or research or study. When considering a temporary copy exception, end-users are at risk of being held liable for infringement when using streaming to access a website that contains infringing digital content, even if they lack any knowledge about the content’s infringing nature. Moreover, the grey areas in circumventing geo-blocking have made end-users hesitant to access websites through streaming because it is not clear whether technological protection measures apply to geo-blocking. End-users have a severe lack of knowledge about whether they can use circumvention methods, such as virtual private networks, to access streaming websites without being held liable for copyright infringement. Despite the intricacies between copyright and access to digital content, the recently implemented website-blocking laws have emboldened copyright owners while suppressing end-users’ access to digital content. This is because the principles of proportionality and public interest have been given less attention when determining website-blocking injunctions.