Exhibition of Contemporary German Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
Published: 1909
Total Pages: 38
ISBN-13:
DOWNLOAD EBOOK →Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
Published: 1909
Total Pages: 38
ISBN-13:
DOWNLOAD EBOOK →Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
Published: 1909
Total Pages: 206
ISBN-13:
DOWNLOAD EBOOK →Author: Art Institute of Chicago
Publisher:
Published: 1909
Total Pages: 208
ISBN-13:
DOWNLOAD EBOOK →Author: Copley society, Boston
Publisher:
Published: 1909
Total Pages: 204
ISBN-13:
DOWNLOAD EBOOK →Author: Art Institute of Chicago
Publisher:
Published: 1909
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOK →Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
Published: 1909
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOK →Author: Art Institute of Chicago
Publisher:
Published: 1909
Total Pages: 214
ISBN-13:
DOWNLOAD EBOOK →Author: Copley Society (Boston, Mass.)
Publisher:
Published: 1909
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOK →Author: Metropolitan Museum of Art (New York
Publisher: Legare Street Press
Published: 2021-09-10
Total Pages: 32
ISBN-13: 9781014941749
DOWNLOAD EBOOK →This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Stephanie Barron
Publisher: Prestel
Published: 2015
Total Pages: 0
ISBN-13: 9783791354316
DOWNLOAD EBOOK →Between the end of World War I and the Nazi assumption of power, Germany's Weimar Republic (1919-1933) functioned as a thriving laboratory of art and culture. As the country experienced unprecedented and often tumultuous social, economic and political upheaval, many artists rejected Expressionism in favour of a new realism to capture this emerging society. Dubbed Neue Sachlichkeit - New Objectivity - its adherents turned a cold eye on the new Germany: its desperate prostitutes and crippled war veterans, its alienated urban landscapes, its decadent underworld where anything was available for a price. Showcasing 150 works by more than 50 artists, this book reflects the full diversity and strategies of this art form. Organised around five thematic sections, it mixes photography, works on paper and painting to bring them into a visual dialogue. Artists such as Otto Dix, George Grosz and Max Beckmann are included alongside figures such as Christian Schad, Alexander Kanoldt, Georg Schrimpf, August Sander, Lotte Jacobi and Aenne Biermann. Also included are numerous essays that examine the politics of New Objectivity and its legacy, the relation of this new realism to international art movements of the time; the context of gender roles and sexuality; and the influence of new technology and consumer goods. Published in association with the Los Angeles County Museum of Art. AUTHOR: Stephanie Barron is a Senior Curator and heads the Modern Art department at the Los Angeles Contemporary Museum of Art. Sabine Eckmann is the William T. Kemper Director and Chief Curator of the Mildred Lane Kemper Art Museum in St. Louis, Missouri. 300 colour illustrations