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Author: Conal McCarthy
Publisher:
Published: 2007-03
Total Pages: 272
ISBN-13:
DOWNLOAD EBOOK →'Exhibiting Māori' presents an assessment of the display of Māori culture from the 19th century. In doing so, it traces the long journey from curio, to specimen, artifact, art and taonga (treasure). Also, it reveals the story of Māori resistance to, involvement in, and eventual capture of the display of their culture.
Author: Conal McCarthy
Publisher:
Published: 2007-03
Total Pages: 268
ISBN-13:
DOWNLOAD EBOOK →'Exhibiting Māori' presents an assessment of the display of Māori culture from the 19th century. In doing so, it traces the long journey from curio, to specimen, artifact, art and taonga (treasure). Also, it reveals the story of Māori resistance to, involvement in, and eventual capture of the display of their culture.
Author: Conal McCarthy
Publisher: Routledge
Published: 2016-06-16
Total Pages: 351
ISBN-13: 1315423871
DOWNLOAD EBOOK →This groundbreaking book explores the revolution in New Zealand museums that is influencing the care and exhibition of indigenous objects worldwide. Drawing on practical examples and research in all kinds of institutions, Conal McCarthy explores the history of relations between museums and indigenous peoples, innovative exhibition practices, community engagement, and curation. He lifts the lid on current practice, showing how museum professionals deal with the indigenous objects in their care, engage with tribal communities, and meet the needs of visitors. The first critical study of its kind, Museums and Maori is an indispensible resource for professionals working with indigenous objects, indigenous communities and cultural centers, and for researchers and students in museology and indigenous studies programs.
Author: Anna Crighton
Publisher: Cambridge Scholars Publishing
Published: 2014-11-24
Total Pages: 420
ISBN-13: 1443871699
DOWNLOAD EBOOK →How and why do works make their way into a public art collection? Who decides what will be hung on the walls, placed on plinths, displayed in cases? These important, but seldom discussed, questions lie at the heart of this ‘cultural biography’ of the 70 years during which the Robert McDougall Art Gallery was Christchurch’s civic art gallery. The book explains how the collection came together, how it developed, and how the public, and artists and critics, reacted to it. The book is presented in three parts, each of which has its own introduction. It provides an analytical framework in detail and in context by defining terms and explaining particular, recurrent concepts. These include, and indeed highlight, selection and presentation cultures derived from the core museological functions of collection and display. These, together with the framework’s other concepts, are related to mainstream methodology in the social sciences, particularly political science. The latter is especially relevant to the study of a public art gallery – owned and funded by the public and its elected representatives, and controlled by these representatives and their appointed agents. Furthermore, the framework explores the concept of post-colonial tensions between heritages – specifically indigenous, transplanted and autochthonous ones. The significance of this becomes more apparent when the concepts used in relevant previous studies of specific public art galleries in New Zealand are reviewed. There is also a strong emphasis on the development of a public Maori art collection. It is a story, too, of vivid and influential personalities – the directors and curators who fought for the gallery and the artists represented in it. But the book is more than just the story of a single gallery’s collection: it shines a light on concerns and patterns that will be familiar to galleries everywhere, and provides a unique perspective on New Zealand’s cultural development over much of the twentieth century.
Author: Ivan Karp
Publisher: Smithsonian Institution
Published: 1991-05-17
Total Pages: 481
ISBN-13: 1560980214
DOWNLOAD EBOOK →Debating the practices of museums, galleries, and festivals, Exhibiting Cultures probes the often politically charged relationships among aesthetics, contexts, and implicit assumptions that govern how art and artifacts are displayed and understood. The contributors—museum directors, curators, and scholars in art history, folklore, history, and anthropology—represent a variety of stances on the role of museums and their function as intermediaries between the makers of art or artifacts and the eventual viewers.
Author: Simon Knell
Publisher: Routledge
Published: 2007-09-12
Total Pages: 412
ISBN-13: 1134066260
DOWNLOAD EBOOK →Capturing the richness of the museum studies discipline, Museum Revolutions is the ideal text for museum studies courses, providing a wide range of interlinked themes and the latest thought and research from experts in the field.
Author: Roger Blackley
Publisher: Auckland University Press
Published: 2018-10-18
Total Pages: 312
ISBN-13: 1776710215
DOWNLOAD EBOOK →Galleries of Maoriland introduces us to the many ways in which European colonists to New Zealand discovered, created, propagated, and romanticised the Maori world summed up in a popular nickname describing New Zealand; Maoriland. But Blackley shows that Maori were not merely passive victims: they too had a stake in this process of romanticisation. What, this book asks, were some of the Maori purposes that were served by curio displays, portrait collections, and the wider ethnological culture? Galleries of Maoriland looks at Maori prehistory in European art; the enthusiasm of settlers and Maori for portraiture and recreations of ancient life; the trade in Maori curios; and the international exhibition of this colonial culture. By illuminating New Zealand's artistic and ethnographic economy, this book provides a new understanding of our art and our culture.
Author: Natacha Gagné
Publisher: University of Toronto Press
Published: 2013-01-21
Total Pages: 369
ISBN-13: 1442663995
DOWNLOAD EBOOK →Indigenous peoples around the world have been involved in struggles for decolonization, self-determination, and recognition of their rights, and the Māori of Aotearoa-New Zealand are no exception. Now that nearly 85% of the Māori population have their main place of residence in urban centres, cities have become important sites of affirmation and struggle. Grounded in an ethnography of everyday life in the city of Auckland, Being Maori in the City is an investigation of what being Māori means today. One of the first ethnographic studies of Māori urbanization since the 1970s, this book is based on almost two years of fieldwork, living with Māori families, and more than 250 hours of interviews. In contrast with studies that have focused on indigenous elites and official groups and organizations, Being Māori in the City shines a light on the lives of ordinary individuals and families. Using this approach, Natacha Gagné adroitly underlines how indigenous ways of being are maintained and even strengthened through change and openness to the larger society.
Author: Conal McCarthy
Publisher: Te Papa Press
Published: 2018-01-07
Total Pages: 256
ISBN-13: 099510316X
DOWNLOAD EBOOK →Published to mark 20 years since the landmark opening of Te Papa Tongarewa Museum of New Zealand in 1998, this illustrated book by well-known museum studies academic Conal McCarthy examines the vision behind the museum, how it has evolved in the last two decades, and the particular way Te Papa goes about the business of being a national museum in a nation with two treaty partners. McCarthy provides a warm and at times critical appraisal of its origins, development, innovations, and reception, including some of its key museological features which have drawn international attention, highlights of exhibitions, collections and programs over its first twenty years, and the issues that have sparked national and local debate.
Author: Janice Helland
Publisher: Routledge
Published: 2017-07-05
Total Pages: 246
ISBN-13: 1351570854
DOWNLOAD EBOOK →Craft practice has a rich history and remains vibrant, sustaining communities while negotiating cultures within local or international contexts. More than two centuries of industrialization have not extinguished handmade goods; rather, the broader force of industrialization has redefined and continues to define the context of creation, deployment and use of craft objects. With object study at the core, this book brings together a collection of essays that address the past and present of craft production, its use and meaning within a range of community settings from the Huron Wendat of colonial Quebec to the Girls? Friendly Society of twentieth-century England. The making of handcrafted objects has and continues to flourish despite the powerful juggernaut of global industrialization, whether inspired by a calculated refutation of industrial sameness, an essential means to sustain a cultural community under threat, or a rejection of the imposed definitions by a dominant culture. The broader effects of urbanizing, imperial and globalizing projects shape the multiple contexts of interaction and resistance that can define craft ventures through place and time. By attending to the political histories of craft objects and their makers, over the last few centuries, these essays reveal the creative persistence of various hand mediums and the material debates they represented.
