Chinese Painting and Its Audiences

Chinese Painting and Its Audiences PDF

Author: Craig Clunas

Publisher: Princeton University Press

Published: 2023-10-17

Total Pages: 304

ISBN-13: 0691253021

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A history of the reception of Chinese painting from the sixteenth century to the present What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.

Chinese Landscape Painting as Western Art History

Chinese Landscape Painting as Western Art History PDF

Author: James Elkins

Publisher: Hong Kong University Press

Published: 2010-06-01

Total Pages: 208

ISBN-13: 9622090001

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This is a provocative essay of reflections on traditional mainstream scholarship on Chinese art as done by towering figures in the field such as James Cahill and Wen Fong. James Elkins offers an engaging and accessible survey of his personal journey encountering and interpreting Chinese art through Western scholars' writings. He argues that the search for optimal comparisons is itself a modern, Western interest, and that art history as a discipline is inherently Western in several identifiable senses. Although he concentrates on art history in this book, and on Chinese painting in particular, these issues bear implications for Sinology in general, and for wider questions about humanistic inquiry and historical writing. Jennifer Purtle's Foreword provides a useful counterpoint from the perspective of a Chinese art specialist, anticipating and responding to other specialists’ likely reactions to Elkins's hypotheses.

A Pure and Remote View

A Pure and Remote View PDF

Author: James Cahill

Publisher:

Published: 2012

Total Pages:

ISBN-13:

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This videotaped and moving-image lecture series, conceived by U.C. Berkeley Professor Emeritus James Cahill, is a legacy of his life's work in the history of the visual arts of China. Composed of short introductions and over 2,200 detailed high-resolution images of selected Chinese paintings and works of pictorial art from the early period up to the end of the Song dynasty in the late thirteenth century, this series was written and narrated entirely by Professor Cahill.

The Landscape Painting of China

The Landscape Painting of China PDF

Author: Harrie A. Vanderstappen

Publisher:

Published: 2014

Total Pages: 0

ISBN-13: 9780813037936

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"The Landscape Painting of China: Musings of a Journeyman offers a stunning demonstration of the power of visual-based methodologies in the examination of great art. In it, Chinese landscape painting is explored from the emergence of monumental landscape painting in the ninth century through the artistic transformations of the early seventeenth century. The leading masters--everyone from Jing Hao to Dong Qichang and Chen Hongshou--and the major monuments are subjected to a searching analysis, grounded in detailed observation and a mastery of both the traditional Chinese written source material and contemporary Western, Japanese, and Chinese scholarship."--Publisher's website.