Lanterna Rally
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European Music Catalogue
Special Collections in Libraries in the United States
Author: William Dawson Johnston
Publisher:
Published: 1912
Total Pages: 150
ISBN-13:
DOWNLOAD EBOOK →Bulletin - Bureau of Education
Author: United States. Bureau of Education
Publisher:
Published: 1912
Total Pages: 998
ISBN-13:
DOWNLOAD EBOOK →European Music Catalogue
Grove's Dictionary of Music and Musicians
European Film Music
Author: Miguel Mera
Publisher: Ashgate Publishing, Ltd.
Published: 2006
Total Pages: 232
ISBN-13: 9780754636595
DOWNLOAD EBOOK →Miguel Mera and David Burnand present a volume that explores specific European filmic texts, composers and approaches to film scoring that have hitherto been neglected. Films involving British, French, German, Greek, Irish, Italian, Polish and Spanish composers are considered in detail. Important issues that permeate all the essays involve the working relationship of composer and director, the dialectic between the diegetic and non-diegetic uses of music in films, the music-image synergism and the levels of realism that are created by the audio-visual mix.
Ulrich's International Periodicals Directory
The New Music Review and Church Music Review
The Role of Music in European Integration
Author: Albrecht Riethmüller
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2017-08-07
Total Pages: 267
ISBN-13: 3110477556
DOWNLOAD EBOOK →The volume focuses on music during the process of European integration since the Second World War. Often music in Europe is defined by its relation to the concept of Occidentalism (Musik im Abendland; western music). The emphasis here turns rather to recent manifestations of its evolvement in ensembles, events, musical organisations and ideas; questions of unity and diversity from Bergen to Tel Aviv, from Lisbon to Baku; and deals with the tension between local, regional and national music within the larger confluence of European music. The status of classical and avante-garde music, and to a degree rock and pop, during Europe's development the past sixty years are also reviewed within the context of eurocentrism – the domination of European music within world music, a term propagated by anthropologists and ethnomusicologists several decades ago and based on multiculturalism. Conversely, the search for a musical European identity and the ways in which this search has in turn been influenced by multiculturalism is an ongoing, dynamic process.
