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Author: Catherine Fowler
Publisher: Psychology Press
Published: 2002
Total Pages: 296
ISBN-13: 9780415240918
DOWNLOAD EBOOK →This comprehensive introduction to national cinemas in Europe brings together classic writings by key filmmakers such as Sergei Eisenstein, Luis Buñuel and John Grierson, and critics from Andre Bazin to Peter Wollen.
Author: D. Berghahn
Publisher: Springer
Published: 2010-08-10
Total Pages: 336
ISBN-13: 023029507X
DOWNLOAD EBOOK →This collection brings together international experts on the cinema of migration and diaspora in postcolonial and postnational Europe. It offers a comprehensive theoretical and analytical discussion of a highly productive creative sector and documents the spectrum of this area of exploration in European, transnational and World Cinema studies.
Author: Elizabeth Ezra
Publisher: Oxford University Press, USA
Published: 2004
Total Pages: 344
ISBN-13: 9780199255719
DOWNLOAD EBOOK →European Cinema is the first book to provide overviews of key movements in European film history, from the inception of the medium in 1895 to the present. This text includes accessible introductions to traditions as diverse as early Soviet cinema, German Expressionism, Surrealism, Italian Neoralism, the French New Wave, Ealing Comedy, East-Central European cinema, Contemporary Spanish cinema, and much more. Top international scholars specially commissioned for this volume examine artistic developments in their industrial and more broadly historical context. The book is divided chronologically into three sections, making it ideal for use in university film courses, and includes an invaluable glossary (comprising historical and foreign-language terms as well as technical terminology).
Author: Dina Iordanova
Publisher: Wallflower Press
Published: 2003
Total Pages: 242
ISBN-13: 9781903364611
DOWNLOAD EBOOK →Cinema of the Other Europe: The Industry and Artistry of East Central European Film is a comprehensive study of the cinematic traditions of Poland, Hungary, the Czech Republic and Slovakia from 1945 to the present day, exploring the major schools of filmmaking and the main stages of development across the region during the period of state socialism up until the end of the Cold War, as well as more recent transformations post-1989. In encouraging a more inclusive and comprehensive understanding of European cinema, much needed for the new unified Europe `enlarged' towards its Eastern periphery, this book maps out the interactions, key concerns, thematic spheres and stylistic particularities that make the cinema of East Central Europe a vital part of European film tradition. Cinema of the Other Europe is thus a timely appraisal of Film Studies debates ranging from the representation of history and memory, the reassessment of political content, ethics and society, the rehabilitation of popular cinema, and the rethinking of national and regional cinemas in the context of globalisation.
Author: Thomas Elsaesser
Publisher: Amsterdam University Press
Published: 2005
Total Pages: 567
ISBN-13: 9053565949
DOWNLOAD EBOOK →'European Cinema in Crisis' examines the conflicting terminologies that have dominated the discussion of the future of European film-making. It takes a fresh look at the ideological agendas, from 'avante-garde cinema' to the high/low culture debate and the fate of popular European cinema.
Author: György Kalmár
Publisher: Springer Nature
Published: 2020-06-02
Total Pages: 283
ISBN-13: 303045035X
DOWNLOAD EBOOK →This book explores the cinematic representations of the pervasive socio-cultural change that the 21st century brought to Europe and the world. Discussing films such as I, Daniel Blake, Cold War and Jupiter’s Moon, it puts distinctively “post-crisis”, gendered representations in a complex, theoretically informed and socially committed interdisciplinary perspective that maps the newly emerging formations of masculinity at a time of rapid socio-economic transition. Kalmar argues that the series of crises that started with the 9/11 terrorist attacks changed some of our fundamental expectations about history, debunked many of our grand narratives, and thus changed the cultural logic of our (thoroughly globalized) civilization. The book focuses on the ways cinema reflects, interprets and shapes a rapidly changing world: the hot issues of the times, the new formations of identity, and the shifts in cinematic representation. This is an interdisciplinary research that is equally interested in what new the 21st century brought about, most specifically to Europe and to its white men, as in film and its responses to these socio-cultural changes.
Author: John Alexander Williams
Publisher: Rowman & Littlefield
Published: 2022-02-23
Total Pages: 213
ISBN-13: 153815899X
DOWNLOAD EBOOK →Since the turn of the twenty-first century, efforts to improve human rights, social equality, and democracy in western Europe have faced growing challenges that range from economic and medical crises to the resurgence of the tribalist far right. Studying western European cinema reveals how filmmakers have been using their art to reflect on the region’s contemporary problems and potentials. In Conflict and Survival in Contemporary Western European Film, John Alexander Williams and Alexandra Hagen have collected a diverse array of essays that analyzehow filmmakers have portrayed forms of strifeand endurancein the new century. Divided into three thematic sections—historical conflicts and national identities; migrants, natives, and battles over space; and ethical struggles in everyday life—this book offers case studies of historical context, narrative, and form in a range of significant recent films. Showcasing such movies as Days of Glory, A War, Code Unknown, The Edge of Heaven, Toni Erdmann, The Great Beauty, and Weekend, this fascinating collection presents contemporary filmmakers as critical citizen-artists who are directly involved in interrogating the past, present, and future of Europe.
Author: Lee Grieveson
Publisher: Psychology Press
Published: 2004
Total Pages: 448
ISBN-13: 9780415252843
DOWNLOAD EBOOK →The Silent Cinema Reader brings together key writings on cinema from the beginnings of film in 1894 to the advent of sound in 1927, addressing the development of film production and exhibition technologies, methods of distribution, film form, and film culture during this critical period on film history. Thematic sections address: film projection and variety shows; storytelling and the Nickelodeon; cinema and reform; feature films and cinema programs; classical Hollywood cinema and European national cinemas. Each section is introduced by the editors, and contains suggestions for further readings and film viewings.
Author: Gordana P. Crnkovic
Publisher: Bloomsbury Publishing USA
Published: 2021-05-06
Total Pages: 232
ISBN-13: 1501370677
DOWNLOAD EBOOK →Czechoslovakia, Yugoslavia-no longer on the map. East Europe of the socialist period may seem like a historical oddity, apparently so different from everything before and after. Yet the masterpieces of literature and cinema from this largely forgotten Second World, as well as by the authors formed in it and working in its aftermath, surprise and delight with their contemporary resonance. This book introduces and illuminates a number of these works. It explores how their aesthetic ingenuity discovers ways of engaging existential and universal predicaments, such as how one may survive in the world of victimizations, or imagine a good city, or broach the human boundaries to live as a plant. Like true classics of world art, these novels, stories, and films-to rephrase Bohumil Hrabal-keep telling us things about ourselves we don't know. In lively and jargon-free prose, Gordana P. Crnkovic builds on her rich teaching experience to create paths to these works and reveal how they changed lives.
Author: Tim Bergfelder
Publisher: Berghahn Books
Published: 2004-02-01
Total Pages: 288
ISBN-13: 1782389660
DOWNLOAD EBOOK →West German cinema of the 1960s is frequently associated with the emergence of a new generation of filmmakers, collectively known by the 1970s as the "New German Cinema." Yet for domestic and international audiences at the time, German cinema primarily meant popular genres such as exotic adventure films, Gothic crime thrillers, westerns, and sex films, which were dismissed by German filmmakers and critics of the 1970s as "Daddy's Cinema." International Adventures provides the first comprehensive account of these genres, and charts the history of the West German film industry and its main protagonists from the immediate post-war years to its boom period in the 1950s and 1960s. By analyzing film genres in the context of industrial practices, literary traditions, biographical trajectories, and wider cultural and social developments, this book uncovers a forgotten period of German filmmaking that merits reassessment. International Adventures firmly locates its case studies within the wider dynamic of European cinema. In its study of West German cinema's links and co-operations with other countries including Britain, France, and Italy, the book addresses what is perhaps the most striking phenomenon of 1960s popular film genres: the dispersal and disappearance of markers of national identity in increasingly international narratives and modes of production.
