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Author: Mark S. Sooy
Publisher: Booklocker.Com Incorporated
Published: 2006-08-01
Total Pages: 112
ISBN-13: 9781591139935
DOWNLOAD EBOOK →Essays on Martin Luther's Theology of Music explores Luther's thought on the biblical foundation of music beginning in the creation story and leading to its comfort and joy in the Christian life. A scholarly and intriguing discussion.
Author: Yakub E. Kartawidjaja
Publisher: Vandenhoeck & Ruprecht
Published: 2021-04-12
Total Pages: 217
ISBN-13: 3647565539
DOWNLOAD EBOOK →The study aims to analyse the impact of Luther's theology on his thoughts about music. It limits itself to an analysis of the topic by focusing on the three most important statements of Luther about music in his unfinished treatise Περι της μουσικης [On Music]. The first statement is that music is "a gift of God and not of man" [Dei donum hominum est], second, music "creates joyful soul" [facit letos animos], and third, music "drives away the devil" [fugat diabolum]. The relation between these three statements to each other and to Luther's theology in general can be understood in connection with his personal experiences and commitments to music, which were undergirded by his theology. Luther, as a man of medieval times, took for granted the existence of the devil, and many of his writings contained frequent references to the personal attacks of the devil, where it influenced his thoughts about music.
Author: Daniel Zager
Publisher: Scarecrow Press
Published: 2006-12-13
Total Pages: 290
ISBN-13: 1461701511
DOWNLOAD EBOOK →The scholar Robin A. Leaver holds a unique place in sacred music scholarship because of his training in both music and theology. He has written widely, bringing acute insights on a variety of musical repertories and topics related to Martin Luther, sixteenth-century psalmody, hymnody, and the sacred music of Johann Sebastian Bach. In Music and Theology, twelve scholars influenced by Leaver's work contribute essays in diverse areas of sacred music history and philosophy, focusing on the intersection of music and theology. Ranging chronologically from the twelfth-century writer and composer Hildegard of Bingen (1098-1179) to present-day considerations of American church music and worship, the volume provides thought-provoking new work for all who study church music. Reflecting the prominent emphasis in Leaver's own scholarship, eight chapters deal with the music of Johann Sebastian Bach, including his organ music, sacred cantatas, and passion settings. A final chapter provides a chronological listing of Leaver's own voluminous writings on music and theology.
Author: Frederic Henry Hedge
Publisher:
Published: 1888
Total Pages: 346
ISBN-13:
DOWNLOAD EBOOK →Selects for programming use 2,400 of the best contemporary recorded children's songs.
Author: Mark C. Mattes
Publisher: Baker Academic
Published: 2017-08-22
Total Pages: 240
ISBN-13: 149341030X
DOWNLOAD EBOOK →Many contemporary theologians seek to retrieve the concept of beauty as a way for people to encounter God. This groundbreaking book argues that while Martin Luther's view of beauty has often been ignored or underappreciated, it has much to contribute to that quest. Mark Mattes, one of today's leading Lutheran theologians, analyzes Luther's theological aesthetics and discusses its implications for music, art, and the contemplative life. Mattes shows that for Luther, the cross is the lens through which the beauty of God is refracted into the world.
Author: Timothy J. Wengert
Publisher: Fortress Press
Published: 2017-03-17
Total Pages: 392
ISBN-13: 1506427243
DOWNLOAD EBOOK →Sixteen church historians here examine Martin Luther in an uncommon waynot as Reformer or theologian but as pastor. Luther's work as parish pastor commanded much of his time and energy in Wittenberg. After first introducing the pastoral Luther, including his theology of the cross, these chapters discuss Luther's preaching and use of language (including humor), investigate his teaching ministry in depth, especially in light of the catechism, and explore his views on such things as the role of women, the Virgin Mary, and music. The book finally probes Luther's sentiments on monasticism and secular authority. Contributors: Charles P. Arand James M. Estes Eric W. Gritsch Robert Kolb Beth Kreitzer Robin A. Leaver Mickey L. Mattox Ronald Rittgers Robert Rosin, Reinhard Schwarz Jane E. Strohl Christoph Weimer Dorothea Wendebourg Timothy J. Wengert Vftor Westhelle H. S. Wilson
Author: Carl Schalk
Publisher:
Published: 1988
Total Pages: 64
ISBN-13:
DOWNLOAD EBOOK →The purpose of this volume is to: (1) establish the importance of music--especially in Luther's early life, in his education in the schools, and in his life in the monastery--in shaping his understanding of the role of music in the Christian life; (2) show how Luther's developing understanding of music in Christian life and worship led him to a practical and many-faceted involvement in a variety of music's aspects; (3) bring into sharp relief several distinct paradigms, or patterns of thought, that dominated Luther's theological understanding of the role of music in the church's life and ministry.
Author: Robin A. Leaver
Publisher: Wm. B. Eerdmans Publishing
Published: 2017-05-12
Total Pages: 220
ISBN-13: 1467447005
DOWNLOAD EBOOK →Authoritative study by a renowned musicologist and Reformation scholar Many scholars think that congregational singing was not established in Lutheran worship until well after the start of the Reformation. In this book Robin A. Leaver calls that view into question, presenting new research to confirm the earlier view that congregational singing was both the intention and the practice right from the beginning of the Wittenberg reforms in worship. Leaver's study focuses on the Wittenberg hymnal of 1526, which until now has received little scholarly attention. This hymnal, Leaver argues, shows how the Lutheran Reformation was to a large degree defined, expressed, promoted, and taken to heart through early Lutheran hymns. Examining what has been forgotten or neglected about the origins of congregational hymnody under Martin Luther's leadership, this study of worship, music, and liturgy is a significant contribution to Reformation scholarship.
Author: Matthew C. Harrison
Publisher:
Published: 2021
Total Pages:
ISBN-13: 9780758671073
DOWNLOAD EBOOK →"This collection of essays serves as a sourcebook of significant writings on the reception and use of the theology of the two kingdoms. The Lutheran teaching of the two kingdoms, in one way or another, touches on every article of faith from creation to eschatology. It is critical to vocation, as the Christian navigates life as a citizen of this world while simultaneously a citizen of the heavenly kingdom through faith in Christ Jesus. Without the distinction between the two kingdoms, faith is misplaced, and the neighbor is deprived of the love owed him or her. Pastors, church leaders, teachers, and theology students will find in these essays a respect for Luther's confession of God's two kingdoms and a desire to see it fruitfully utilized in addressing the issues we now encounter in the world"--
Author: Chiara Bertoglio
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2017-03-06
Total Pages: 862
ISBN-13: 311051933X
DOWNLOAD EBOOK →Five hundred years ago a monk nailed his theses to a church gate in Wittenberg. The sound of Luther’s mythical hammer, however, was by no means the only aural manifestation of the religious Reformations. This book describes the birth of Lutheran Chorales and Calvinist Psalmody; of how music was practised by Catholic nuns, Lutheran schoolchildren, battling Huguenots, missionaries and martyrs, cardinals at Trent and heretics in hiding, at a time when Palestrina, Lasso and Tallis were composing their masterpieces, and forbidden songs were concealed, smuggled and sung in taverns and princely courts alike. Music expressed faith in the Evangelicals’ emerging worships and in the Catholics’ ancient rites; through it new beliefs were spread and heresy countered; analysed by humanist theorists, it comforted and consoled miners, housewives and persecuted preachers; it was both the symbol of new, conflicting identities and the only surviving trace of a lost unity of faith. The music of the Reformations, thus, was music reformed, music reforming and the reform of music: this book shows what the Reformations sounded like, and how music became one of the protagonists in the religious conflicts of the sixteenth century.
