Essays on Art and Language

Essays on Art and Language PDF

Author: Charles Harrison

Publisher: MIT Press

Published: 2003-09-12

Total Pages: 350

ISBN-13: 9780262582414

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Critical and theoretical essays by a long-time participant in the Art & Language movement. These essays by art historian and critic Charles Harrison are based on the premise that making art and talking about art are related enterprises. They are written from the point of view of Art & Language, the artistic movement based in England—and briefly in the United States—with which Harrison has been associated for thirty years. Harrison uses the work of Art & Language as a central case study to discuss developments in art from the 1950s through the 1980s. According to Harrison, the strongest motivation for writing about art is that it brings us closer to that which is other than ourselves. In seeing how a work is done, we learn about its achieved identity: we see, for example, that a drip on a Pollock is integral to its technical character, whereas a drip on a Mondrian would not be. Throughout the book, Harrison uses specific examples to address a range of questions about the history, theory, and making of modern art—questions about the conditions of its making and the nature of its public, about the problems and priorities of criticism, and about the relations between interpretation and judgment.

Still Looking

Still Looking PDF

Author: John Updike

Publisher: Penguin UK

Published: 2006-02-23

Total Pages: 359

ISBN-13: 014192182X

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In Still Looking, John Updike has collected together his thoughts and observations on American art to produce an eye-opening follow-up to his 1989 art criticism classic Just Looking. Beginning with early American portraits and landscapes, he goes on to extol two late-nineteenth-century masters, Winslow Homer and Thomas Eakins, considers the eccentric pre-modern painter and graphic artist James McNeill Whistler, discusses the competing American Impressionists and Realists of the early twentieth century - and concludes with appreciations of the art of Edward Hopper, Jackson Pollock and Andy Warhol. The resulting collection of essays is proof that Updike is still looking and seeing what only he can describe. 'As a writer Updike can do anything he wants' Margaret Atwood 'John Updike writes with a steady brilliance about the world out there' Guardian

Conceptual Art and Painting

Conceptual Art and Painting PDF

Author: Charles Harrison

Publisher: MIT Press

Published: 2001

Total Pages: 252

ISBN-13: 9780262582407

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In 'Conceptual Art and Painting', a companion to his 'Essays on Art and Language', Charles Harrison reconsiders Conceptual Art in light of renewed interest in the original movement and of the various forms of 'neo-Conceptual' art--Publisher's description.

Essays on Art & Language

Essays on Art & Language PDF

Author: Charles Harrison

Publisher: Wiley-Blackwell

Published: 1991-01-01

Total Pages: 302

ISBN-13: 9780631178170

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Critical and theoretical essays by a long-time participant in the Art & Language movement.

Essays on Mexican Art

Essays on Mexican Art PDF

Author: Octavio Paz

Publisher: Harvest Books

Published: 1995-01

Total Pages: 303

ISBN-13: 9780156000611

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Essays discuss pre-Columbian art, the influence of European art on the Mexican muralists, and the abstract art of Tamayo

New Essays on the Psychology of Art

New Essays on the Psychology of Art PDF

Author: Rudolf Arnheim

Publisher: Univ of California Press

Published: 2023-04-28

Total Pages: 354

ISBN-13: 0520907841

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Thousands of readers who have profited from engagement with the lively mind of Rudolf Arnheim over the decades will receive news of this new collection of essays expectantly. In the essays collected here, as in his earlier work on a large variety of art forms, Arnheim explores concrete poetry and the metaphors of Dante, photography and the meaning of music. There are essays on color composition, forgeries, and the problems of perspective, on art in education and therapy, on the style of artists' late works, and the reading of maps. Also, in a triplet of essays on pioneers in the psychology of art (Max Wertheimer, Gustav Theodor Fechner, and Wilhelm Worringer) Arnheim goes back to the roots of modern thinking about the mechanisms of artistic perception.

Looking at the Overlooked

Looking at the Overlooked PDF

Author: Norman Bryson

Publisher: Reaktion Books

Published: 2013-06-01

Total Pages: 194

ISBN-13: 1780232527

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In this, the only up-to-date critical work on still life painting in any language, Norman Bryson analyzes the origins, history and logic of still life, one of the most enduring forms of Western painting. The first essay is devoted to Roman wall-painting while in the second the author surveys a major segment in the history of still life, from seventeenth-century Spanish painting to Cubism. The third essay tackles the controversial field of seventeenth-century Dutch still life. Bryson concludes in the final essay that the persisting tendency to downgrade the genre of still life is profoundly rooted in the historical oppression of women. In Looking at the Overlooked, Norman Bryson is at his most brilliant. These superbly written essays will stimulate us to look at the entire tradition of still life with new and critical eyes.

The Lure and the Truth of Painting

The Lure and the Truth of Painting PDF

Author: Yves Bonnefoy

Publisher: University of Chicago Press

Published: 1995-11

Total Pages: 270

ISBN-13: 9780226064444

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Always fascinated in his poetry by the nature of color and light and the power of the image, Bonnefoy continues to pursue these themes in his discussion of the lure and truth of representation. He sees the painter as a poet whose language is visual, and he seeks to find out what visual artists can teach those who work with words.

Art and Objecthood

Art and Objecthood PDF

Author: Michael Fried

Publisher: University of Chicago Press

Published: 1998-04-18

Total Pages: 424

ISBN-13: 9780226263199

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Much acclaimed and highly controversial, Michael Fried's art criticism defines the contours of late modernism in the visual arts. This volume contains 27 pieces--uncompromising, exciting, and impassioned writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. 16 color plates. 72 halftones.