Essay on the Origin of Languages, Melody and Musical Imitation

Essay on the Origin of Languages, Melody and Musical Imitation PDF

Author: By Jean Jacques Rousseau & Ed. By N.K. Singh

Publisher: Global Vision Pub House

Published: 2006

Total Pages: 160

ISBN-13: 9788182201378

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Rousseau, In This Book, Tells Us That Historical And Psychological Problem Gave Birth To Language And The Problem Of Acquiring And Learning Of Language. His Approach To Language Is Romantic In Many Respects, But It Cannot Be Aligned With Any Simplistic Opposition In Intellectual History. Rousseau Stresses The Expressive Power Of Language In His Version Of The Genie Des Langues , And In His Account Of The Connection Between Language And The Passions And Of The Importance Of Metaphor. But, He Does Not Reject The Thesis Of The Arbitrariness Of The Linguistic Sign Or The Central Denotatory Function Of Language.

Essay on the Origin of Languages and Writings Related to Music

Essay on the Origin of Languages and Writings Related to Music PDF

Author: Jean-Jacques Rousseau

Publisher: UPNE

Published: 2009-07-01

Total Pages: 658

ISBN-13: 1584658002

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"J.J. was born for music," Jean-Jacques Rousseau wrote of himself, "not to be consumed in its execution, but to speed its progress and make discoveries about it. His ideas on the art and about the art are fertile, inexhaustible." Rousseau was a practicing musician and theorist for years before publication of his first Discourse, but until now scholars have neglected these ideas. This graceful translation remedies both those failings by bringing together the Essay, which John T. Scott says "most clearly displays the juncture between Rousseau's musical theory and his major philosophical works," with a comprehensive selection of the musical writings. Many of the latter are responses to authors like Rameau, Grimm, and Raynal, and a unique feature of this edition is the inclusion of writings by these authors to help establish the historical and ideological contexts of Rousseau's writings and the intellectual exchanges of which they are a part. With an introduction that provides historical background, traces the development of Rousseau's musical theory, and shows that these writings are not an isolated part of his oeuvre but instead are animated by the same "system," this volume fashions a much-needed portal through which literary scholars, musicologists, historians, and political theorists can enter into an important but hitherto overlooked chamber of Rousseau's vast intellectual palace.

On the Origin of Language

On the Origin of Language PDF

Author: John H. Moran

Publisher: University of Chicago Press

Published: 1986-03-15

Total Pages: 190

ISBN-13: 9780226730127

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Additionally, Rousseau's essay is an important text for semiotics and modern critical theory, as it plays a very important role in Jacques Derrida's book Of Grammatology. Rousseau supplements his discussion of the origin of languages with theories about the origins of music, melody and harmony, and the relationship of languages to government.

Source Readings in Music History

Source Readings in Music History PDF

Author: William Oliver Strunk

Publisher: W. W. Norton & Company

Published: 1998

Total Pages: 1584

ISBN-13: 9780393037524

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The definitive collection of great writings on music from ancient Greece through the twentieth century.

Language, Music, and the Sign

Language, Music, and the Sign PDF

Author: Kevin Barry

Publisher: Cambridge University Press

Published: 1987-11-19

Total Pages: 262

ISBN-13: 0521341752

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This book forms a conceptual account of the relationship between music and poetry in the late eighteenth and early nineteenth centuries.

Musica Practica

Musica Practica PDF

Author: Michael Chanan

Publisher: Verso

Published: 1994-10-17

Total Pages: 324

ISBN-13: 9781859840054

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Musica Practica is a historical investigation into the social practice of Western music which advances an alternative approach to that of established musicology. Citing evidence from Barthes, Nietzsche, Bakhtin, Max Weber and Schoenberg, Michael Chanan explores the communal roots of the musical tradition and the effects of notation on creative and performing practice. He appraises the psychological wellsprings of music using the insights of linguistics, semiotics and psychoanalysis. Tracing the growth of musical printing and the creation of a market for the printed score, he examines the transformation of patronage with the demise of the ancien régime, and draws on little-known texts by Marx to analyze the formation of the musical economy in the nineteenth century. Chanan sketches out an unwritten history of musical instruments as technology, from Tutankhamen’s trumpets to the piano, the ancient Greek water organ to the digital synthesizer. The book concludes with reflections on the rise of modernism and the dissolution of the European tradition in a sea of postmodernism and “world music.” Musica Practica assumes no specialist knowledge of music beyond an ordinary familiarity with common terms and an average acquaintance with the music of different styles and periods. It is a fascinating commentary on the soundtrack of daily life in the metropolis of the late twentieth century.

Living Screens

Living Screens PDF

Author: Monique Rooney

Publisher: Rowman & Littlefield

Published: 2015-08-28

Total Pages: 209

ISBN-13: 1783480483

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Through original analysis of three contemporary, auteur-directed melodramas (Matthew Weiner’s Mad Men, Lars von Trier’s Melancholia and Todd Haynes’s Mildred Pierce), Living Screens reconceives and renovates the terms in which melodrama has been understood. Returning to Jean-Jacques Rousseau’s foundational, Enlightenment-era melodrama Pygmalion with its revival of an old story about sculpted objects that spring to life, it contends that this early production prefigures the structure of contemporary melodramas and serves as a model for the way we interact with media today. Melodrama is conceptualized as a “plastic” form with the capacity to mould and be moulded and that speaks to fundamental processes of mediation. Living Screens evokes the thrills, anxieties, and uncertainties accompanying our attachment to technologies that are close-at-hand yet have far-reaching effects. In doing so, it explores the plasticity of our current situation, in which we live with screens that melodramatically touch our lives.

Music, Subjectivity, and Schumann

Music, Subjectivity, and Schumann PDF

Author: Benedict Taylor

Publisher: Cambridge University Press

Published: 2022-04-07

Total Pages: 381

ISBN-13: 1009178490

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The concept of subjectivity is one of the most popular in recent scholarly accounts of music; it is also one of the obscurest and most ill-defined. Multifaceted and hard to pin down, subjectivity nevertheless serves an important, if not indispensable purpose, underpinning various assertions made about music and its effect on us. We may not be exactly sure what subjectivity is, but much of the reception of Western music over the last two centuries is premised upon it. Music, Subjectivity, and Schumann offers a critical examination of the notion of musical subjectivity and the first extended account of its applicability to one of the composers with whom it is most closely associated. Adopting a fluid and multivalent approach to a topic situated at the intersection of musicology, philosophy, literature, and cultural history, it seeks to provide a critical refinement of this idea and to elucidate both its importance and limits.