Eros Plus Massacre

Eros Plus Massacre PDF

Author: David Desser

Publisher: Indiana University Press

Published: 1988-05-22

Total Pages: 260

ISBN-13: 9780253204691

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The decade of the 1960s encompassed a "New Wave" of films whose makers were rebels, challenging cinematic traditions and the culture at large. The films of the New Wave in Japan have, until now, been largely overlooked. Eros plus Massacre (taking its title from a 1969 Yoshida Yoshishige film) is the first major study devoted to the examination and explanation of Japanese New Wave film. Desser organizes his volume around the defining motifs of the New Wave. Chapters examine in depth such themes as youth, identity, sexuality, and women, as they are revealed in the Japanese film of the sixties. Desser's research in Japanese film archives, his interviews with major figures of the movement, and his keen insight into Japanese culture combine to offer a solid and balanced analysis of films by Oshima, Shinoda, Imamura, Yoshida, Suzuki, and others.

Politics, Porn and Protest

Politics, Porn and Protest PDF

Author: Isolde Standish

Publisher: Bloomsbury Publishing USA

Published: 2011-06-02

Total Pages: 216

ISBN-13: 1441125183

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Out of a background of war, occupation and the legacies of Japan's post-defeat politics there emerged a dissentient group of avant-garde filmmakers who created a counter-cinema that addressed a newly constituted, politically conscious audience. While there was no formal manifesto for this movement and the various key filmmakers of the period (Oshima Nagisa, Imamura Shohei, Yoshida Yoshishige, Hani Susumu, Wakamatsu Koji and Okamoto Kihachi) experimented with very different conceptions of visual style, it is possible to identify a sensibility that motivated many of these filmmakers: a generational consciousness based on political opposition that was intimately linked to the student movements of the 1950s, and shared experiences as Japan's first generation of post-war filmmakers artistically stifled by a monopolistic and hierarchal commercial studio system that had emerged reinvigorated in the wake of the 'red purges' of the late-1940s. Politics, Porn and Protest: Japanese Avant-Garde Cinema in the 1960s and 1970s provides a much needed overview of these filmmakers and reconsiders the question of dissent in the cultural landscape of Japan in the post-war period.

Eros in Hell

Eros in Hell PDF

Author: Jack Hunter

Publisher:

Published: 1998

Total Pages: 248

ISBN-13: 9781871592931

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An illustrated guide to sex, blood and madness in Japanese exploitation cinema, including over 200 explicit and rare photographs.

The End of Japanese Cinema

The End of Japanese Cinema PDF

Author: Alexander Zahlten

Publisher: Duke University Press

Published: 2017-09-15

Total Pages: 320

ISBN-13: 0822372460

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In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies. A Study of the Weatherhead East Asian Institute, Columbia University

Cinema East

Cinema East PDF

Author: Keiko I. McDonald

Publisher: Rutherford [N.J.] : Fairleigh Dickinson University Press

Published: 1983

Total Pages: 288

ISBN-13:

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Eros and Magic in the Renaissance

Eros and Magic in the Renaissance PDF

Author: Ioan P. Culianu

Publisher: University of Chicago Press

Published: 1987-11-15

Total Pages: 286

ISBN-13: 0226123162

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It is a widespread prejudice of modern, scientific society that "magic" is merely a ludicrous amalgam of recipes and methods derived from primitive and erroneous notions about nature. Eros and Magic in the Renaissance challenges this view, providing an in-depth scholarly explanation of the workings of magic and showing that magic continues to exist in an altered form even today. Renaissance magic, according to Ioan Couliano, was a scientifically plausible attempt to manipulate individuals and groups based on a knowledge of motivations, particularly erotic motivations. Its key principle was that everyone (and in a sense everything) could be influenced by appeal to sexual desire. In addition, the magician relied on a profound knowledge of the art of memory to manipulate the imaginations of his subjects. In these respects, Couliano suggests, magic is the precursor of the modern psychological and sociological sciences, and the magician is the distant ancestor of the psychoanalyst and the advertising and publicity agent. In the course of his study, Couliano examines in detail the ideas of such writers as Giordano Bruno, Marsilio Ficino, and Pico della Mirandola and illuminates many aspects of Renaissance culture, including heresy, medicine, astrology, alchemy, courtly love, the influence of classical mythology, and even the role of fashion in clothing. Just as science gives the present age its ruling myth, so magic gave a ruling myth to the Renaissance. Because magic relied upon the use of images, and images were repressed and banned in the Reformation and subsequent history, magic was replaced by exact science and modern technology and eventually forgotten. Couliano's remarkable scholarship helps us to recover much of its original significance and will interest a wide audience in the humanities and social sciences.

Japanese Cinema

Japanese Cinema PDF

Author: Donald Richie

Publisher: Oxford University Press, USA

Published: 1990

Total Pages: 124

ISBN-13:

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Donald Richie, whose earlier works have done so much to introduce Japanese cinema to the West, has here written the first introduction to Japanese film. Written in a highly accessible style, this up-to-date history offers a study of those qualities which make a film distinctly Japanese. It will be an invaluable resource to students of film appreciation, as well as to readers with an interest in Japan.

Cinema of Actuality

Cinema of Actuality PDF

Author: Yuriko Furuhata

Publisher: Duke University Press

Published: 2013-09-13

Total Pages: 277

ISBN-13: 0822355043

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During the 1960s and early 1970s, Japanese avant-garde filmmakers intensely explored the shifting role of the image in political activism and media events. Known as the "season of politics," the era was filled with widely covered dramatic events from hijackings and hostage crises to student protests. This season of politics was, Yuriko Furuhata argues, the season of image politics. Well-known directors, including Oshima Nagisa, Matsumoto Toshio, Wakamatsu Kōji, and Adachi Masao, appropriated the sensationalized media coverage of current events, turning news stories into material for timely critique and intermedial experimentation. Cinema of Actuality analyzes Japanese avant-garde filmmakers' struggle to radicalize cinema in light of the intensifying politics of spectacle and a rapidly changing media environment, one that was increasingly dominated by television. Furuhata demonstrates how avant-garde filmmaking intersected with media history, and how sophisticated debates about film theory emerged out of dialogues with photography, television, and other visual arts.

The Darkest Joy

The Darkest Joy PDF

Author: Marata Eros

Publisher: Simon and Schuster

Published: 2014-02-18

Total Pages: 320

ISBN-13: 1476752222

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A sexy and poignant new adult novel in the vein of Jamie McGuire’s Beautiful Disaster from New York Times bestseller Marata Eros, about two lost souls who find each other in the wake of tragedy—only to learn that love may not be enough to heal the wounds of a dark and tortured past… “I don’t want my broken fixed. . . .” Six months ago, Brooke Starr was one impeccable piano performance away from Juilliard. Now, she is lonely, devastated, orphaned . . . seeking solace in a place where the sun never sets and trying to make sense of the dark tragedy that clouds her shattered heart. There are no coincidences. . . . Deep-sea fisherman Chance Taylor can’t imagine what his life would be if he’d never taken that midnight stroll to the pier. Had never seen the intriguing, raven-haired girl swan dive into the Alaskan sea. Had never plunged into the icy waters to rescue her . . . and finally felt her electric charge. As their blazing chemistry consumes them, Chance is determined to save Brooke from her demons. But Brooke knows she must find her own footing. She thinks she’s already lost everything—until the terror of her past catches up with her and threatens all that she has left: her life, her love, and the freedom to choose between drowning in grief and finding joy in the darkness.

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