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Ennius Perennis

Author: William Fitzgerald

Publisher: Cambridge Philological Society

Published: 2020-08-30

Total Pages: 306

ISBN-13: 1913701379

Ennius Perennis: the Annals and Beyond is a collection of eight essays by an international group of scholars on different aspects of the poetry and legacy of Quintus Ennius (239-169 BC). Ennius' epic poem the Annals and his many other works, including tragedies, satires and epigrams, survive only in mystifying fragments, but his influence on Latin poetry was enormous. He is now beginning to be appreciated, thanks both to excellent critical editions and to more enlightened literary and historical approaches, as a complex and varied poet and a fascinating representative of an era of intense cultural and political change. While they acknowledge the extent to which later authors are responsible for creating a misleading perception of Ennius as monolithic, jingoistic and clumsy, these essays also reflect on what can be said about the nature and aims of his work, given the limitations of our evidence. Subjects discussed include Cicero's invention of Ennius, the part played by the cor (heart) in unifying Ennius' literary project, the possibility of further voices and a role for women in Ennius, Virgil's fraught father-son relationship with his epic predecessor and Ennius' later reincarnation in the works of Horace and Petrarch. The collection is likely to appeal to all who are interested in Latin literature, literary history or reception studies.

Ennius Perennis

Author: William Fitzgerald

Publisher:

Published: 2007

Total Pages: 200

ISBN-13:

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Ennius Perennis: The Annals and Beyond is a collection of eight essays by an international group of scholars on different aspects of the poetry and legacy of Quintus Ennius (239-169 BC). Ennius' epic poem The Annals and his many other works, including tragedies, satires and epigrams, survive only in mystifying fragments, but his influence on Latin poetry was enormous. He is now beginning to be appreciated, thanks both to excellent critical editions and to more enlightened literary and historical approaches, as a complex and varied poet and a fascinating representative of an era of intense cultural and political change. While they acknowledge the extent to which later authors are responsible for creating a misleading perception of Ennius as monolithic, jingoistic and clumsy, these essays also reflect on what can be said about the nature and aims of his work, given the limitations of our evidence. Subjects discussed include Cicero's "invention" of Ennius, the part played by the cor (heart) in unifying Ennius' literary project, the possibility of "further voices" and a role for women in Ennius, Virgil's fraught "father-son" relationship with his epic predecessor and Ennius' later reincarnation in the works of Horace and Petrarch. The collection is likely to appeal to all who are interested in Latin literature, literary history or reception studies.

Ennius Noster

Author: Jason S. Nethercut

Publisher: Oxford University Press

Published: 2020-11-06

Total Pages: 273

ISBN-13: 0197517714

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Consensus holds that Lucretius admired the literary prestige of Homeric epos, the form that Ennius famously introduced to Latin literature. However, some hold that Lucretius disagreed with Ennius' quasi-Pythagorean claim to be Homer reborn, and so uniquely qualified to adapt Homeric poetry to the Latin language. Likewise, received wisdom holds that Lucretius followed in the path of poets writing in the wake of Ennius' Annales, most of whom employed an Ennian style. However, throughout the De Rerum Natura, Lucretius' use of Ennius' Annales as a formal model for a long discursive poem in epic meter was neither inevitable nor predictable, on the one hand, nor meaningful in the simple way that critical consensus has always maintained. Jason Nethercut posits that Lucretius selected Ennius as a model precisely to dismantle the values for which he claimed Ennius stood, including the importance of history as a poetic subject and Rome's historical achievement in particular. As the first book to offer substantial analysis of the relationship between two of the ancient world's most impactful poets, Ennius Noster: Lucretius and the Annales fills an important gap not only in Lucretian scholarship, but also in our understanding of Latin literary history.

Ennius and the Architecture of the Annales

Author: Jackie Elliott

Publisher: Cambridge University Press

Published: 2013-11-21

Total Pages: 605

ISBN-13: 1107027489

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This book combines a critical survey of the ancient sources for Ennius' Annales with fresh interpretation of the surviving record.

The Annals of Quintus Ennius and the Italic Tradition

Author: Jay Fisher

Publisher: JHU Press

Published: 2014-07-09

Total Pages: 219

ISBN-13: 142141130X

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A fresh look at the multicultural influences on Quintus Ennius and his epic poem, the Annals. Quintus Ennius, often considered the father of Roman poetry, is best remembered for his epic poem, the Annals, a history of Rome from Aeneas until his own lifetime. Ennius represents an important bridge between Homer’s works in Greek and Vergil’s Aeneid. Jay Fisher argues that Ennius does not simply translate Homeric models into Latin, but blends Greek poetic models with Italic diction to produce a poetic hybrid. Fisher's investigation uncovers a poem that blends foreign and familiar cultural elements in order to generate layers of meaning for his Roman audience. Fisher combines modern linguistic methodologies with traditional philology to uncover the influence of the language of Roman ritual, kinship, and military culture on the Annals. Moreover, because these customs are themselves hybrids of earlier Roman, Etruscan, and Greek cultural practices, not to mention the customs of speakers of lesser-known languages such as Oscan and Umbrian, the echoes of cultural interactions generate layers of meaning for Ennius, his ancient audience, and the modern readers of the fragments of the Annals.

Metamorphic Readings

Author: Alison Sharrock

Publisher: Oxford University Press, USA

Published: 2020-07-09

Total Pages: 273

ISBN-13: 019886406X

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Ovid's remarkable and endlessly fascinating Metamorphoses is one of the best-known and most popular works of classical literature, exerting a pervasive influence on later European literature and culture. A vast repository of mythic material as well as a sophisticated manipulation of story-telling, the poem can be appreciated on many different levels and by audiences of very different backgrounds and educational experiences. As the poem's focus on transformation and transgression connects in many ways with contemporary culture and society, modern research perspectives have developed correspondingly. Metamorphic Readings presents the state of the art in research on this canonical Roman epic. Written in an accessible style, the essays included represent a variety of approaches, exploring the effects of transformation and the transgression of borders. The contributors investigate three main themes: transformations into the Metamorphoses (how the mythic narratives evolved), transformations in the Metamorphoses (what new understandings of the dynamics of metamorphosis might be achieved), and transformations of the Metamorphoses (how the Metamorphoses were later understood and came to acquire new meanings). The many forms of transformation exhibited by Ovid's masterpiece are explored--including the transformation of the genre of mythic narrative itself.

The Choice of Odysseus

Author: Sarah Van der Laan

Publisher: Oxford University Press

Published: 2024-01-23

Total Pages: 323

ISBN-13: 0192524267

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The Choice of Odysseus demonstrates how the Odyssey provided Renaissance authors and readers with a poetic ethics—tools for living developed in poetry—to navigate the challenges of their age. As they endured schisms, ruptures, and failures of ideals, readers and poets turned to the Odyssey for narratives of recovery and aftermath. Sarah Van der Laan reconstructs Renaissance readings of the Odyssey from myriad sources. Situating major works by Petrarch, Poliziano, Ariosto, Tasso, Spenser, Monteverdi, and Milton in these Odyssean contexts, she recovers a powerful Renaissance tradition of Odyssean epic. Renaisance poets adopted the Odyssey as an epic model that supplements and even opposes the Virgilian epic model of conquest and imperial foundation. For Renaissance readers and authors, the Odyssey renders heroic other kinds of lived experience: the necessity of facing the world and its challenges with only human wisdom and reason; the ability to integrate traumatic detours and reversals into a vision of a successful and accomplished self; the recovery of a private life and personal desires painfully suspended for public service. Emphasizing marriage, reconciliation, homecoming, and the return to private life and private desires as suitably heroic matter for epic and powerful conventions for narrative and poetic closure, the Renaissance Odyssey and the epics and operas it inspired confer a uniquely heroic status on experience for men and women alike.

Imitating Authors

Author: Colin Burrow

Publisher: Oxford University Press

Published: 2019-05-16

Total Pages: 496

ISBN-13: 0192575155

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Imitating Authors is a major study of the theory and practice of imitatio (the imitation of one author by another) from antiquity to the present day. It extends from early Greek texts right up to recent fictions about clones and artificial humans, and illuminates both the theory and practice of imitation. At its centre lie the imitating authors of the English Renaissance, including Ben Jonson and the most imitated imitator of them all, John Milton. Imitating Authors argues that imitation was not simply a matter of borrowing words, or of alluding to an earlier author. Imitators learnt practices from earlier writers. They imitated the structures and forms of earlier writing in ways that enabled them to create a new style which itself could be imitated. That made imitation an engine of literary change. Imitating Authors also shows how the metaphors used by theorists to explain this complex practice fed into works which were themselves imitations, and how those metaphors have come to influence present-day anxieties about imitation human beings and artificial forms of intelligence. It explores relationships between imitation and authorial style, its fraught connections with plagiarism, and how emerging ideas of genius and intellectual property changed how imitation was practised. In refreshing and jargon-free prose Burrow explains not just what imitation was in the past, but how it influences the present, and what it could be in the future. Imitating Authors includes detailed discussion of Plato, Roman rhetorical theory, Virgil, Lucretius, Petrarch, Cervantes, Ben Jonson, Milton, Pope, Wordsworth, Mary Shelley, and Kazuo Ishiguro.

Women in Roman Republican Drama

Author: Dorota Dutsch

Publisher: University of Wisconsin Pres

Published: 2015-04-27

Total Pages: 275

ISBN-13: 0299303144

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About the role of women in Roman Republican plays of all genres, and about the role of gender in the influence of this on later dramatists

The Museum of Augustus

Author: Peter Heslin

Publisher: Getty Publications

Published: 2015-05-01

Total Pages: 368

ISBN-13: 1606064215

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In the Odes, Horace writes of his own work, “I have built a monument more enduring than bronze,”—a striking metaphor that hints at how the poetry and built environment of ancient Rome are inextricably linked. This fascinating work of original scholarship makes the precise and detailed argument that painted illustrations of the Trojan War, both public and private, were a collective visual resource for selected works of Virgil, Horace, and Propertius. Carefully researched and skillfully reasoned, the author’s claims are bold and innovative, offering a strong interpretation of the relationship between Roman visual culture and literature that will deepen modern readings of Augustan poets. The Museum of Augustus first provides a comprehensive reconstruction of paintings from the remaining fragments of the cycle of Trojan frescoes that once decorated the Temple of Apollo in Pompeii. It then finds the echoes of these paintings in the Augustan-dated Portico of Philippus, now destroyed, which was itself a renovation of Rome’s de facto temple of the Muses—in other words, a museum, both in displaying art and offering a meeting place for poets. It next examines the responses of the Augustan poets to the decorative program of this monument that was intimately connected with their own literary aspirations. The book concludes by looking at the way Horace in the Odes and Virgil in the Georgics both conceptualized their poetic projects as temples to rival the museum of Augustus.