Victorian Studies

Victorian Studies PDF

Author: Sharon W. Propas

Publisher: Routledge

Published: 2016-06-17

Total Pages: 266

ISBN-13: 1317216482

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First published in 2006, this work is a valuable guide for the researcher in Victorian Studies. Updated to include electronic resources, this book provides guides to catalogs, archives, museums, collections and databases containing material on the Victorian period. It organises the vast array of reference sources by discipline to help researchers tailor their investigations.

Writing the History of the British Stage

Writing the History of the British Stage PDF

Author: Richard Schoch

Publisher: Cambridge University Press

Published: 2016-09-12

Total Pages: 407

ISBN-13: 1316739031

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This is the first book on British theatre historiography. It traces the practice of theatre history from its origins in the Restoration to its emergence as an academic discipline in the early twentieth century. In this compelling revisionist study, Richard Schoch reclaims the deep history of British theatre history, valorizing the usually overlooked scholarship undertaken by antiquarians, booksellers, bibliographers, journalists and theatrical insiders, none of whom considered themselves to be professional historians. Drawing together deep archival research, close readings of historical texts from the seventeenth, eighteenth and nineteenth centuries, and an awareness of contemporary debates about disciplinary practice, Schoch overturns received interpretations of British theatre historiography and shows that the practice - and the diverse practitioners - of theatre history were far more complicated and far more sophisticated than we had realised. His book is a landmark contribution to how theatre historians today can understand their own history.

European Theatre Performance Practice, 1750–1900

European Theatre Performance Practice, 1750–1900 PDF

Author: Jim Davis

Publisher: Routledge

Published: 2016-12-05

Total Pages: 539

ISBN-13: 1351938304

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This volume contains key articles and chapters which represent both seminal and innovative scholarship on European theatre performance practice from 1750 to 1900. The selected topics focus on acting and performance, staging (including set design and lighting), and audiences, and are approached with a broad perspective as well as with in-depth, focussed analysis. The volume captures the rich, dynamic and variegated nature of European theatre throughout the late-eighteenth and nineteenth centuries and provides a carefully selected body of significant texts on this important period of theatre history.

Theatre in the Victorian Age

Theatre in the Victorian Age PDF

Author: Michael R. Booth

Publisher: Cambridge University Press

Published: 1991-07-26

Total Pages: 244

ISBN-13: 9780521348379

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A comprehensive survey of the theatre practice and dramatic literature of the Victorian period.

The Oxford History of Classical Reception in English Literature: The Oxford History of Classical Reception in English Literature

The Oxford History of Classical Reception in English Literature: The Oxford History of Classical Reception in English Literature PDF

Author: David Hopkins

Publisher: Oxford University Press

Published: 2012-09-27

Total Pages: 749

ISBN-13: 0199219818

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"The present volume [3] is the first to appear of the five that will comprise The Oxford History of Classical Reception in English Literature (henceforth OHCREL). Each volume of OHCREL will have its own editor or team of editors"--Preface.

English Theatre in Transition 1881-1914

English Theatre in Transition 1881-1914 PDF

Author: James Woodfield

Publisher: Routledge

Published: 2015-07-16

Total Pages: 224

ISBN-13: 1317389433

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Originally published in 1984. The turn of the nineteenth and twentieth centuries was a time of considerable change in the English theatre. Victorian attitudes were shocked or shattered by the new drama of Ibsen; the major figure of George Bernard Shaw dominated the period; theatre censorship was the subject of a long and furious contest; and staging conventions changed from the spectacular stylings of Irving and Beerbohm Tree to the masking and statuesque styles of Isadora Duncan and the inner realism of Stanislavsky. This book traces the activities of the leading figures in the English theatre, notably William Archer who introduced Ibsen to this country and who became one of the main promoters of the idea of a National Theatre. Other personalities discussed include Harley Granville Barker, particularly his association with Shaw at the Court Theatre and his part in campaigns against censorship and for changes in the staging of Shakespeare, and Edward Gordon Craig, whose rebellion against the Victorian theatre took and anti-realist direction. This is a stimulating account of the background to the modern English theatre which can only increase appreciation of its standard and variety.

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