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Elizabethan Triumphal Processions

Author: William Leahy

Publisher: Routledge

Published: 2017-03-02

Total Pages: 185

ISBN-13: 1351940813

Until now, scholarly analysis of Elizabethan processions has always regarded them as having been successful in their function as propaganda, and has always found them to have effectively 'won over' the common people - that group of the population at whom they were chiefly aimed. Both her Royal entries and progresses were regarded as effective public relations exercises, the population gaining access to the Queen and thus being encouraged to remain loyal subjects. This book represents a new approach to this subject by investigating whether this was actually the case - that is, whether the common people were actually won over by these spectacular rituals. By examining original documents that have thus far been ignored, as well as re-examining others from the perspective of the common people, the book casts a new light on Elizabethan processions.

The Progresses, Processions, and Royal Entries of King Charles I, 1625-1642

Author: Siobhan Keenan

Publisher: Oxford University Press

Published: 2020-05-06

Total Pages: 256

ISBN-13: 0192595806

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The Progresses, Processions, and Royal Entries of King Charles I, 1625-1642 is the first study to focus on the history, and the political and cultural significance, of the travels and public profile of Charles I. As well as offering a much fuller account of the king's progresses and Caroline progress entertainments than currently exists, this volumes throws fresh light on the question of Charles I's accessibility to his subjects and their concerns, and the part that this may, or may not, have played in the political conflicts which culminated in the English civil wars and Charles's overthrow. Drawing on extensive archival research, the history opens with an introduction to the early modern culture of royal progresses and public ceremonial as inherited and practiced by Charles I. Part I explores the question of the king's accessibility further through case studies of Charles's three 'great' progresses in 1633, 1634, and 1636. Part II turns attention to royal public ceremonial culture in Caroline London, focusing on Charles's spectacular royal entry to the city on 25 November 1641. More widely travelled than his ancestors, Progresses reveals a monarch who was only too well aware of the value of public ceremonial and who did not eschew it, even if he was not always willing to engage in ceremonial dialogue with his subjects or able to deploy the propaganda power of public display as successfully as his Tudor and Stuart predecessors.

The Progresses, Pageants, and Entertainments of Queen Elizabeth I

Author: Jayne Elisabeth Archer

Publisher: OUP Oxford

Published: 2007-03-29

Total Pages: 328

ISBN-13: 0191568090

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More than any other English monarch before or since, Queen Elizabeth I used her annual progresses to shape her royal persona and to bolster her popularity and authority. During the spring and summer, accompanied by her court, Elizabeth toured southern England, the Midlands, and parts of the West Country, staying with private and civic hosts, and at the universities of Oxford and Cambridge. The progresses provided hosts with unique opportunities to impress and influence the Queen, and became occasions for magnificent and ingenious entertainments and pageants, drawing on the skills of architects, artists, and craftsmen, as well as dramatic performances, formal orations, poetic recitations, parades, masques, dances, and bear baiting. The Progresses, Pageants, and Entertainments of Queen Elizabeth I is an interdisciplinary essay collection, drawing together new and innovative work by experts in literary studies, history, theatre and performance studies, art history, and antiquarian studies. As such, it will make a unique and timely contribution to research on the culture and history of Elizabethan England. Chapters include examinations of some of the principal Elizabethan progress entertainments, including the coronation pageant Veritas temporis filia (1559), Kenilworth (1575), Norwich (1578), Cowdray (1591), Bisham (1592), and Harefield (1602), while other chapters consider the themes raised by these events, including the ritual of gift-giving; the conduct of government whilst on progress; the significance of the visual arts in the entertainments; regional identity and militarism; elite and learned women as hosts; the circulation and publication of entertainment and pageant texts; the afterlife of the Elizabethan progresses, including their reappropriation in Caroline England and the documenting of Elizabeth's reign by late eighteenth- and early nineteenth-century antiquarians such as John Nichols, who went on to compile the monumentalThe Progresses of Queen Elizabeth (1788-1823).

The Elizabethan Country House Entertainment

Author: Elizabeth Zeman Kolkovich

Publisher: Cambridge University Press

Published: 2016-07-04

Total Pages: 261

ISBN-13: 1107134250

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This book analyses how country house entertainments facilitated political negotiations, rethought gender roles, and crafted identities.

Music in Elizabethan Court Politics

Author: Katherine Butler (Music tutor)

Publisher: Boydell & Brewer Ltd

Published: 2015

Total Pages: 273

ISBN-13: 1843839814

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Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.

The Pragmatics of Early Modern Politics: Power and Kingship in Shakespeare’s History Plays

Author: Urszula Kizelbach

Publisher: Rodopi

Published: 2014-10-10

Total Pages: 291

ISBN-13: 9401211663

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Early modern kings adopted a new style of government, Realpolitik, as spelled out in Machiavelli’s writings. Tudor monarchs, well aware of their questionable right to the throne, posed as great dissimulators, similarly to the modern prince who “must learn from the fox and the lion”. This book paints a portrait of a successful politician according to early modern standards. Kingship is no longer understood as a divinely ordained institution, but is defined as goal-oriented policy-making, relying on conscious acting and the theatrical display of power. The volume offers an intriguing discussion on kingship in pragmatic terms, as the strategic face-saving behaviour of Shakespeare’s kings. It also demonstrates how an efficient or inefficient management of the king’s political face could decide his success or failure as a monarch, and how the Renaissance world of Shakespeare’s history plays is combined with modern theories of communication, politeness and face. “Many studies in historical pragmatics or historical stylistics purport to expose language use in social context, but they fall short when measured against this study. The author approaches Shakespeare with concepts from literary studies and linguistic pragmatics, and weaves them together seamlessly with social history. The result is a treasure trove of insights.” – Jonathan Culpeper, Lancaster University “Exploring Machiavellian politics from the perspective of linguistic pragmatics and sociological role theory, Urszula Kizelbach’s study sheds interesting new light on Shakespeare’s stage kings. Her discussion of the strategic uses of polite speech is a particularly welcome addition to our thinking about Shakespeare’s English history plays. A promising new voice in European Shakespeare studies!” – Andreas Höfele, Munich University

The Catholic Imaginary and the Cults of Elizabeth, 1558–1582

Author: Stephen Hamrick

Publisher: Routledge

Published: 2016-12-05

Total Pages: 354

ISBN-13: 1351893327

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Stephen Hamrick demonstrates how poets writing in the first part of Elizabeth I's reign proved instrumental in transferring Catholic worldviews and paradigms to the cults and early anti-cults of Elizabeth. Stephen Hamrick provides a detailed analysis of poets who used Petrarchan poetry to transform many forms of Catholic piety, ranging from confession and transubstantiation to sacred scriptures and liturgical singing, into a multivocal discourse used to fashion, refashion, and contest strategic political, religious, and courtly identities for the Queen and for other Court patrons. These poets, writers previously overlooked in many studies of Tudor culture, include Barnabe Googe, George Gascoigne, and Thomas Watson. Stephen Hamrick here shows that the nature of the religious reformations in Tudor England provided the necessary contexts required for Petrarchanism to achieve its cultural centrality and artistic complexity. This study makes a strong contribution to our understanding of the complex interaction among Catholicism, Petrachanism, and the second English Reformation.

Elizabeth I: Oxford Bibliographies Online Research Guide

Author: Sarah Covington

Publisher: Oxford University Press

Published: 2010-06

Total Pages: 80

ISBN-13: 0199811008

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This ebook is a selective guide designed to help scholars and students of Islamic studies find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated related. This ebook is a static version of an article from Oxford Bibliographies Online: Renaissance and Reformation, a dynamic, continuously updated, online resource designed to provide authoritative guidance through scholarship and other materials relevant to the study of European history and culture between the 14th and 17th centuries. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.oxfordbibliographies.com.

The Elizabethans

Author: A. N. Wilson

Publisher: Farrar, Straus and Giroux

Published: 2012-04-24

Total Pages: 450

ISBN-13: 1466816198

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"In Wilson's hands these familiar stories make for gripping reading."—The New York Times Book Review New York Times Book Review Editors' Choice Author of Dante in Love A sweeping panorama of the Elizabethan age, a time of remarkable, strange personages and great political and social change, by one of our most renowned historians A time of exceptional creativity, wealth creation, larger-than-life royalty and political expansion, the Elizabethan age was also more remarkable than any other for the Technicolor personalities of its royals and subjects. Apart from the complex character of the Virgin Queen herself, A. N. Wilson's The Elizabethans follows the stories of Francis Drake, a privateer who not only defeated the Spanish Armada but also circumnavigated the globe with a drunken, mutinous crew and without reliable navigational instruments; political intriguers like William Cecil and Francis Walsingham; and Renaissance literary geniuses from Sir Philip Sidney to Christopher Marlowe and William Shakespeare. Most crucially, this was the age when modern Britain was born and established independence from mainland Europe—both in its resistance to Spanish and French incursions and in its declaration of religious liberty from the pope—and laid the foundations for the explosion of British imperial power and eventual American domination. An acknowledged master of the all-encompassing single-volume history, Wilson tells the exhilarating story of the Elizabethan era with all the panoramic sweep of his bestselling The Victorians, and with the wit and iconoclasm that are his trademarks.

Ink, Stink Bait, Revenge, and Queen Elizabeth

Author: Steven W. May

Publisher: Cornell University Press

Published: 2014-12-19

Total Pages: 287

ISBN-13: 0801455553

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In Ink, Stink Bait, Revenge, and Queen Elizabeth, Steven W. May and Arthur F. Marotti present a recently discovered "household book" from sixteenth-century England. Its main scribe, John Hanson, was a yeoman who worked as a legal agent in rural Yorkshire. His book, a miscellaneous collection of documents that he found useful or interesting, is a rare example of a middle-class provincial anthology that contains, in addition to works from the country’s cultural center, items of local interest seldom or never disseminated nationally. Among the literary highlights of the household book are unique copies of two ballads, whose original print versions have been lost, describing Queen Elizabeth’s procession through London after the victory over the Spanish Armada; two poems attributed to Elizabeth herself; and other verse by courtly writers copied from manuscript and print sources. Of local interest is the earliest-known copy of a 126-stanza ballad about a mid-fourteenth-century West Yorkshire feud between the Eland and Beaumont families. The manuscript’s utilitarian items include a verse calendar and poetic Decalogue, model legal documents, real estate records, recipes for inks and fish baits, and instructions for catching rabbits and birds. Hanson combined both professional and recreational interests in his manuscript, including material related to his legal work with wills and real estate transactions. As May and Marotti argue in their cultural and historical interpretation of the text, Hanson’s household book is especially valuable not only for the unusual texts it preserves but also for the ways in which it demonstrates the intersection of the local and national and of popular and elite cultures in early modern England.