Old English Country Dances

Old English Country Dances PDF

Author: Frank Kidson

Publisher: Franklin Classics Trade Press

Published: 2018-10-24

Total Pages: 90

ISBN-13: 9780344165962

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

An Introduction to English Country Dancing

An Introduction to English Country Dancing PDF

Author: Rebecca Suerdieck

Publisher: Lulu.com

Published: 2012-02-12

Total Pages: 38

ISBN-13: 1105527808

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This book was created to offer Readers a deeper appreciation of English Country Dancing. Topics covered in the book include: history of this form of dance, style notes, sheet music, and instructions for several 17th and 18th century dances. Tips are given for hosting Period Dance events, how to ""call"" the dances, and information for Musicians. Several dances are included for family and younger audiences. Fully illustrated with many period images.

American Country-Dances

American Country-Dances PDF

Author: Elizabeth Burchenal

Publisher: Forgotten Books

Published: 2015-06-04

Total Pages: 83

ISBN-13: 9781330254356

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Excerpt from American Country-Dances, Vol. 1 For this first volume of American Folk-Dances I have taken the "contra-dances" of rural New England, for this is one of the old, most truly American sections of our country, where many generations of the same stock have grown up undisturbed by foreign influences, and where sufficient time has elapsed since the days of the early settlers for the building up of certain traditions and customs. The social group-dances which have originated or evolved through common usage under such conditions in this country are as truly folk-dances as those found in the older countries, and have elements which are almost universally characteristic of folk-dances. And yet it has often been said that our country has no folk-music or folk-dancing of its own other than that of the American Indian! We are to-day a nation of immigrants, not of Indians, and the folk-traditions that are most essentially our own are those which have developed (from traditions brought to us by our early immigrants) into something peculiarly our own. And we have the new and dazzling wealth of folk-art brought in with the comparatively recent rush of immigration from many countries, the beauty and value of which is not yet generally understood or appreciated. Surely, the folk-dances and music of all the nationalities which make up the people of our country may be considered ours just as these people are our people, and every effort should be made to encourage, preserve and assimilate this dancing and music, so that we may not only have these added resources for social enjoyment and recreation; but that our national life may be enriched with beauty and color and joy of living which may become the foundation of a yet undreamed-of development of art In this country. It was with the hope of assisting toward this end that my earlier collections of folk-dances and music of other countries were published, and for the same purpose the Organization Committee of an American Folk-Dance Society was formed In February, 1916. This present volume contains some of the old Country-Dances which are most essentially American Folk-Dances because they have grown here. Some of them are slightly reminiscent of English country-dances, and were probably originally suggested by or evolved from them. Most of them, however, seem to be products of this country, and all have a typical and distinctly individual quality of their own, both In their form and the manner and style in which they are danced.- The constant repetition of the theme, and the easy swing and rhythm of the dance, are almost hypnotically fascinating. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Almain in Britain, c.1549-c.1675

The Almain in Britain, c.1549-c.1675 PDF

Author: Ian Payne

Publisher: Routledge

Published: 2017-07-05

Total Pages: 330

ISBN-13: 1351546724

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This complete scholarly edition of the collection of manuscript choreographies from c.1565-c.1675 associated with the Inns of Court is the first full-length study of these sources to be published. It offers practical reconstructions of the dances and provides a selection of musical settings simply but idiomatically arranged for four-part instrumental ensemble or keyboard. ? Part One centres on the manuscript sources which transmit the Almain, and on the trends and influences that shaped its evolution in Britain from c. 1549 to c. 1675, taking account of both music and choreography.? In viewing the Almain within its broader historical context, Ian Payne throws new light on the dance, arguing that, together with the ?measures? which accompany it in the choreographies, it owes an even greater debt to the English country dance than has hitherto been acknowledged, a popular style that received its fullest expression in Playford's English Dancing Master of 1651. ? The second part of the book focuses on the dances themselves. The steps are described in detail and reconstructions provided for the nine Almains and some of the other measures included in the manuscripts. Part Three comprises a complete critical edition of the manuscripts. ? These easily performable versions of the dances will be an invaluable aid to those wishing to learn the dances, reconstruct them for stagings of Shakespeare's plays or Jacobean masques, and for dance historians.