Nietzsche contra Wagner

Nietzsche contra Wagner PDF

Author: Friedrich Nietzsche

Publisher: NoBooks Editorial

Published: 2004-01-01

Total Pages: 53

ISBN-13:

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Nietzsche Contra Wagner

Nietzsche Contra Wagner PDF

Author: Friedrich Wilhelm Nietzsche

Publisher:

Published: 2020-10-10

Total Pages: 58

ISBN-13:

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Complete and unabridged paperback edition. Nietzsche contra Wagner is a critical essay by Friedrich Nietzsche, composed of recycled passages from his past works. It was written in his last year of lucidity (1888-1889), and published by C. G. Naumann in Leipzig in 1889. Nietzsche describes in this short work why he parted ways with his one-time idol and friend, Richard Wagner. Nietzsche attacks Wagner's views, expressing disappointment and frustration in Wagner's life choices (such as Nietzsche's mistaken belief that Wagner had converted to Christianity, perceived as a sign of weakness). Nietzsche evaluates Wagner's philosophy on tonality, music and art; he admires Wagner's power to emote and express himself, but largely disdains what the philosopher deems his religious biases. Description from Wikipedia, the free encyclopedia.

The Case of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms.

The Case of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms. PDF

Author: F. W. F. W. Nietzsche

Publisher: Createspace Independent Publishing Platform

Published: 2018-02-28

Total Pages: 106

ISBN-13: 9781985705005

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The Case of Wagner (German: Der Fall Wagner) is a book by the philosopher Friedrich Nietzsche, originally published in 1888. Subtitled "A Musician's Problem", it has also been known as The Wagner Case in English. "Nietzsche contra Wagner" is a critical essay by Friedrich Nietzsche, composed of recycled passages from his past works. It was written in his last year of lucidity (1888-1889), but was not published until 1895, six years after his mental collapse. Nietzsche describes in this short work why he parted ways with his one-time idol and friend, Richard Wagner. Nietzsche attacks Wagner's views, expressing disappointment and frustration in Wagner's life choices (such as his conversion to Christianity, perceived as a sign of weakness). Nietzsche evaluates Wagner's philosophy on tonality, music and art; he admires Wagner's power to emote and express himself, but largely disdains what Nietzsche calls his religious biases.