eBook PDF Download Digital Library
Author: Robert Robertson
Publisher:
Published: 2018-09-04
Total Pages: 170
ISBN-13: 9781723576966
DOWNLOAD EBOOK →Soviet avant-garde theatre, circus attractions, Piranesi's imaginary prisons, Chinese landscape art, Dreiser's An American Tragedy, Hokusai's One Hundred Views of Mount Fuji, pre-logical thought -with this book, open Eisenstein's windows to new audiovisual horizons.
Author: Robert Robertson
Publisher: Bloomsbury Publishing
Published: 2011-03-24
Total Pages: 306
ISBN-13: 1786729547
DOWNLOAD EBOOK →The pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his films have had on the development of cinema. Less is known about his remarkable and extensive writings, which present a continent of ideas about film. Robert Robertson presents a lucid and engaging introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema, which are more pertinent today than ever before. With the advent of digital technology, music and sound now act as independent variables combined with the visual medium to produce a truly audiovisual result. Eisenstein explored in his writings this complex, exciting subject with more depth and originality than any other practitioner, and this is an accessible and original exploration of his ideas. Winner of the Kraszna Krausz Foundations' And/Or Award for Best Moving Image Book of 2009, "Eisenstein on the Audiovisual" is essential reading for students and practitioners of the audiovisual in cinema and related audiovisual forms, including theatre, opera, dance and multimedia.
Author: Sergei Eisenstein
Publisher: HMH
Published: 2014-06-17
Total Pages: 303
ISBN-13: 0547539479
DOWNLOAD EBOOK →A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.
Author: Sergei M. Eisenstein
Publisher: I. B. Tauris
Published: 2010-06-15
Total Pages: 344
ISBN-13: 9781848853553
DOWNLOAD EBOOK →I.B.Tauris is delighted to announce the reissue in paperback in three volumes of the definitive, most comprehensive edition, in the finest translations and fully annotated, of the writings of this great filmmaker, theorist and teacher of film -- and one of the most original aesthetic thinkers of the twentieth century. Now in paperback for the first time, Volume 1 documents from the definitive Russian texts the complex course of Sergei Eisenstein's writings during the revolutionary years in the Soviet Union. It presents Eisenstein the innovative aesthetic thinker, socialist artist and humourist, passionately engaged in the debates over the art forms of the future. Importantly, this was also the period of Eisenstein’s great silent masterpieces, The Strike, The Battleship Potemkin, October and The General Line, and of his controversial sojourns in Hollywood and Mexico.
Author: Sergei Eisenstein
Publisher: Houghton Mifflin Harcourt
Published: 1947
Total Pages: 316
ISBN-13: 9780156309356
DOWNLOAD EBOOK →A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.
Author: Ian Christie
Publisher: Bloomsbury Publishing
Published: 2021-04-22
Total Pages: 312
ISBN-13: 1350142093
DOWNLOAD EBOOK →Over the decades since he was first hailed by critics and filmmakers around the world, Sergei Eisenstein has assumed many identities. Originally cast as a prophet of revolution and the maestro of montage, and later seen as both a victim of and apologist for Stalin's tyranny, the scale and impact of Eisenstein's legacy has continued to grow. If early research on Eisenstein focused on his directorial work – from the legendary Battleship Potemkin and October to the still-controversial Ivan the Terrible – with time scholars have discovered many other aspects of his multifarious output. In recent years, multimedia exhibitions, access to his vast archive of drawings, and publication of his previously censored theoretical writings have cast Eisenstein in a new light. Deeply engaged with some of the leading thinkers and artists of his own time, Eisenstein remains a focus for many of their successors, contested as well as revered. Over half a century since his death in 1948, an ambitious treatise that he hoped would be his major legacy, Method, has finally been published. Eisenstein's lifelong search for an underlying unity that would link archaic art with film's modernity, individuals with their historic communities, and humans as a species with the universe, may have more appeal than ever today. And among his many thwarted film projects, those set in Mexico and what were once the Soviet Central Asian republics reveal complex and still-intriguing realms of speculation. In this ground-breaking collection, sixteen international scholars explore Eisenstein's prescient engagement with aesthetics, anthropology and psychology, his roots in diverse philosophical traditions, and his gender politics. What emerges has surprising relevance to contemporary media archaeology, intermediality, cognitive science, eco-criticism and queer studies, as well as confirming Eisenstein's prestige within present-day film and audiovisual media.
Author: James Goodwin
Publisher: University of Illinois Press
Published: 1993
Total Pages: 284
ISBN-13: 9780252062698
DOWNLOAD EBOOK →Among early directors, Sergei Eisentein stands alone as the maker of a fully historical cinema. James Goodwin treats issues of revolutionary history and historical representation as central to an understanding of Eisentein's work, which explores two movements within Soviet history and consciousness: the Bolshevik Revolution and the Stalinist state. Goodwin articulates intersections between Eisentein's ideas and aspects of the thought of Walter Benjamin, Georg Lukács, Ernst Bloch, and Bertolt Brecht. He also shows how the formal properties and filmic techniques of each work reveal perspectives on history . Individual chapters focus on Strike, Battleship Potemkin, October, Old and New, projects of the 1930s, Alexander Nevsky, and Ivan the Terrible.
Author: David Bordwell
Publisher: Routledge
Published: 2020-10-07
Total Pages: 372
ISBN-13: 1000159094
DOWNLOAD EBOOK →The Cinema of Eisenstein is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of film. The director of such classics as Potemkin, Ivan the Terrible, October, Strike, and Alexander Nevsky, Eisenstein theorized montage, presented Soviet realism to the world, and mastered the concept of film epic. Comprehensive, authoritative, and illustrated throughout, this classic work deserves to be on the shelf of every serious student of cinema.
Author: Sergei Eisenstein
Publisher:
Published: 1998
Total Pages: 232
ISBN-13:
DOWNLOAD EBOOK →Presents, in a concise form, a selection of Sergei Eisenstein's significant writings. The texts, drawn from the BFI's Selected Works of Eisenstein, address subjects including sound, film language, and his theories of montage. This reader provides an accessible introduction to Eisenstein's work.
Author: Robert Robertson
Publisher:
Published: 2011
Total Pages: 0
ISBN-13: 9780755697168
DOWNLOAD EBOOK →List of illustrations; Acknowledgements; Preface; Introduction; 1 -- Audiovisual Counterpoint; 2 -- Organic Unity; 3 -- Nonindifferent Nature; 4 -- Synasthesia; Notes; Bibliography; A note on the versions of Eisenstein's films consulted; Index.
