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Eight Symphonic Masterworks of the Twentieth Century

Author: Leonard Slatkin

Publisher: Rowman & Littlefield Publishers

Published: 2024

Total Pages: 0

ISBN-13: 9781538186800

"Leonard Slatkin dives deeply into eight symphonic masterworks from the twentieth century and presents advice for physically conducting the pieces, tricks of the trade, interpretive possibilities, and life-long lessons for conductors. This book covers works by Debussy, Shostakovich, Bartók, Stravinsky, Gershwin, Copland, Barber, and Britten"--

Eight Symphonic Masterworks of the Twentieth Century

Author: Leonard Slatkin

Publisher: Rowman & Littlefield

Published: 2024-02-27

Total Pages: 205

ISBN-13: 1538186810

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Based on his decades of experience conducting these works, Leonard Slatkin guides readers through eight of the most beloved orchestral pieces of the twentieth century: Claude Debussy’s La Mer Dmitri Shostakovich’s Symphony No. 5 Béla Bartók’s Concerto for Orchestra Igor Stravinsky’s Le Sacre du printemps (The Rite of Spring) George Gershwin’s An American in Paris Aaron Copland’s Appalachian Spring Suite Samuel Barber’s Adagio for Strings Benjamin Britten’s The Young Person’s Guide to the Orchestra Slatkin tackles problems conductors face before stepping onto the podium and highlights the many decisions they make during the study process, as well as in rehearsal and performance, to bring a score to life. He also shares tricks of the trade for leading efficient rehearsals and recounts engaging anecdotes from a lifetime of music making. This book will open the world of score study to conductors, other musicians, and students interested in expanding their knowledge of this essential repertoire.

Eight Symphonic Masterworks of the Nineteenth Century

Author: Leonard Slatkin

Publisher:

Published: 2024-10-15

Total Pages: 0

ISBN-13: 9781538187180

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Leonard Slatkin delves into eight of the most beloved orchestral pieces of the nineteenth century and tackles problems conductors face before stepping onto the podium, providing tips that will help bring these works to life on the stage. He covers works by Mussorgsky, Berlioz, Brahms, Dvořák, Sibelius, Beethoven, Rimsky-Korsakov, and Tchaikovsky.

Classical Crossroads

Author: Leonard Slatkin

Publisher: Rowman & Littlefield

Published: 2021-09-15

Total Pages: 257

ISBN-13: 1538152231

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Legendary maestro Leonard Slatkin provides personal insights and offers his ideas to solve the current dilemmas of classical music. As the new millennium poses some of the greatest challenges to the relevance of the art form, Slatkin reflects on the modern evolution of classical music and presents ways for both music lovers and musicians alike to navigate these uncertain times. Classical Crossroads: The Path Forward for Music in the 21st Century addresses a wide range of relevant and provocative topics such as performance in the era of COVID-19, dwindling audience attendance, the lack of classical music in public education, broken audition systems, technology replacing live concerts, and diversity in the classical music world. While the new millennium has provided great obstacles, Slatkin emphasizes that there are also new opportunities—if there was ever a time for change in classical music, that time is now.

Twentieth Century Symphony

Author: Christopher John Ballantine

Publisher:

Published: 1983

Total Pages: 232

ISBN-13:

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In this book, the author examines the 'raison d'etre' of classical symphonic style and then subjects latter-day works which purport to be of this genre to searching analysis. In essence, arguing from historical evidence, the author shows that the symphony is a dialectical process, of which the purposefulness has often been weakened by the imposition of alien ideas and techniques. At the same time a number of remarkable new forms and procedures have developed in response to the profound changes and challenges of the twentieth century. The argument unfolds after consideration of familiar works of the eighteenth and nineteenth centuries which, however, are shown in a new light. Of modern works a number are subjected to detailed scrutiny, and the reader will find appreciations of major twentieth-century works by Mahler, Prokofiev, Shostakovich, Sibelius, Nielsen, Tippett, Goehr, Gerhard, Hamilton, and others. The text is illuminated by well-chosen music examples and there is a bibliography.

Structurally Sound

Author: Eric Wen

Publisher: Courier Dover Publications

Published: 2017-05-17

Total Pages: 321

ISBN-13: 0486821455

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"A well-written textbook by a learned musician practicing his craft. The analyses are clearly argued, and Wen projects a reassuring sense of authenticity in his approach to tonal music analysis. The book will be of interest to many musicians, especially those focused on Schenkerian theory and analysis. I believe the book will be a welcome addition to the range of teaching manuals on the subject." — Music Theory OnlineMusic theorist Eric Wen presents in-depth analyses of seven masterworks from the common-practice period of Western art music: Bach: Air from Orchestral Suite No. 3 in D, BWV 1068 Mendelssohn: Andante con moto tranquillo from Piano Trio No. 1 in D minor, Op. 49 Schubert: Nacht und Traüme, D. 827 Haydn: Adagio — Vivace assai from Symphony No. 94 in G, Hob. I:94 Mozart: Molto Allegro from Symphony No. 40 in G minor, K. 550 Beethoven: Marcia funebre: Adagio assai from Symphony No. 3 in E-flat, Op. 55 Brahms: Un poco presto e con sentimento from Violin Sonata No. 3 in D minor, Op. 108 Wen employs the analytic approach developed by Heinrich Schenker, a method that uses musical notation to clarify and illuminate a work's structural hierarchies. Copiously illustrated with analytic musical examples that elucidate the tonal organization of each of the seven works, this study also explores aspects of form, rhythmic organization, and programmatic meaning. This volume will be of particular interest to musicologists and professional musicians, and it will also appeal to listeners keen to probe the rich complexities of these masterpieces.

A Conductor's Guide to Choral-Orchestral Works

Author: Jonathan D. Green

Publisher: Scarecrow Press

Published: 1994-01-01

Total Pages: 324

ISBN-13: 1461655781

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Now in paperback. This innovative survey of large choral-orchestral works written between 1900 and 1972 and containing some English text examines eighty-nine works, from Elgar's Dream of Gerontius to Bernstein's Mass. For each work, the author provides a biography of the composer, complete instrumentation, text sources, editions, availability of performing materials, performance issues, discography, and bibliographies of the composer and the work. Based upon direct score study, each work has been evaluated in terms of potential performance problems, rehearsal issues, and level of difficulty for both choir and orchestra. When present, solo roles are described. The forty-nine composers represented include Samuel Barber, Arthur Bliss, Benjamin Britten, Henry Cowell, Frederick Delius, R. Nathaniel Dett, Gerald Finzi, Howard Hanson, Roy Harris, Paul Hindemith, Ulysses Kay, Constant Lambert, Peter Mennin, Gunther Schuller, William Schumann, Michael Tippett, Ralph Vaughan Williams, William Walton, and Healey Willan. Written as a field guide for conductors and anyone else involved in programming concerts for choir and orchestra, this text should prove a useful source of new repertoire ideas and an invaluable aid to rehearsal preparation. Cloth edition first published in 1994.

A Conductor's Interpretive Analysis of Masterworks for Band

Author: Frederick Fennell

Publisher: Hal Leonard Corporation

Published: 2008

Total Pages: 68

ISBN-13: 9781574630947

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(Meredith Music Resource). Frederick Fennell, widely acknowledged as the "dean of American band conductors," has freely shared what he called "long-distilled thoughts" about the world's greatest music for band. In this collection, he covers original scores by Persichetti, Hanson, Schuman and Chance, as well as classic works by Wagner and Holst. Fennell's clear and to-the-point analysis/interpretations are based on a lifetime of careful research, rehearsals, and professional performances. In this informative work, you will find inspiration for a truly superior presentation of these masterworks for band. Includes: Divertimento for Band (Persichetti) * Symphony for Band (Persichetti) * Elsa's Procession to the Cathedral (Wagner) * Chorale and Alleluia (Hanson) * George Washington Bridge (W. Schuman) * A Moorside Suite (Holst) * Variations on a Korean Folk Song (Chance) * I Really Do Love Marches! (Fennell).

Conducting Business

Author: Leonard Slatkin

Publisher: Amadeus Press

Published: 2012-07-01

Total Pages: 375

ISBN-13: 1476821321

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(Amadeus). Conducting an orchestra is something that is seen as well as heard, but it is quite misunderstood when it comes to knowing what this person actually does for a living. This most mysterious of jobs is brought to life for the music lover as well as for the aspiring maestro in a book by Leonard Slatkin. Drawing on his own experiences on and off the podium, Slatkin brings us into the world of the baton. He tells tales of some of the most fascinating people in the musical world, including Frank Sinatra, Leonard Bernstein, and John Williams. He takes the reader to the great concert halls and orchestras, soundstages in Hollywood, and opera pits around the globe. Mr. Slatkin recounts his controversial appearance at the Metropolitan Opera, his creation and direction of summer music festivals, and a shattering concert experience that took place four days following 9/11. Life in the recording studio and on the road as well as health issues confronting the conductor provide an insider's glimpse into the private world of public figures. Covering everything from learning how to read music to standing in front of an orchestra for the first time, what to wear, and how to deal with the press, Conducting Business is a unique look at a unique profession.

American Orchestras in the Nineteenth Century

Author: John Spitzer

Publisher: University of Chicago Press

Published: 2012-04-09

Total Pages: 504

ISBN-13: 0226769763

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Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren’t just symphonic works—programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes. This book brings together musicologists and historians to investigate the many orchestras and programs that developed in nineteenth-century America. In addition to reflecting on the music that orchestras played and the socioeconomic aspects of building and maintaining orchestras, the book considers a wide range of topics, including audiences, entrepreneurs, concert arrangements, tours, and musicians’ unions. The authors also show that the period saw a massive influx of immigrant performers, the increasing ability of orchestras to travel across the nation, and the rising influence of women as listeners, patrons, and players. Painting a rich and detailed picture of nineteenth-century concert life, this collection will greatly broaden our understanding of America’s musical history.