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Author: A. Gavin
Publisher: Springer
Published: 2008-12-17
Total Pages: 236
ISBN-13: 0230595138
DOWNLOAD EBOOK →The first book-length look at childhood in Edwardian fiction, this book challenges assumptions that the Edwardian period was simply a continuation of the Victorian or the start of the Modern. Exploring both classics and popular fiction, the authors provide a a compelling picture of the Edwardian fictional cult of childhood.
Author: Jefferson Hunter
Publisher:
Published: 2013-10-01
Total Pages: 291
ISBN-13: 9780674499133
DOWNLOAD EBOOK →Author: Sandra Kemp
Publisher: Oxford University Press, USA
Published: 1997
Total Pages: 472
ISBN-13:
DOWNLOAD EBOOK →Contains some 1,000 entries on well-known and obscure authors, individual works, and genres, encompassing adult's and children's fiction and some work by authors from other English-speaking countries. About half of the 800 authors profiled are women. Includes a chronology and an index of pseudonyms. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Jane Eldridge Miller
Publisher: University of Chicago Press
Published: 1997-03-15
Total Pages: 252
ISBN-13: 9780226526775
DOWNLOAD EBOOK →With the rise of women's suffrage, challenges to marriage and divorce laws, and expanding opportunities for education and employment for women, the early years of the twentieth century were a time of social revolution. Examining British novels written in 1890-1914, Jane Eldridge Miller demonstrates how these social, legal, and economic changes rendered the traditional narratives of romantic desire and marital closure inadequate, forcing Edwardian novelists to counter the limitations and ideological implications of those narratives with innovative strategies. The original and provocative novels that resulted depict the experiences of modern women with unprecedented variety, specificity, and frankness. Rebel Women is a major re-evaluation of Edwardian fiction and a significant contribution to literary history and criticism. "Miller's is the best account we have, not only of Edwardian women novelists, but of early 20th-century women novelists; the measure of her achievement is that the distinction no longer seems workable." —David Trotter, The London Review of Books
Author: Jina Moon
Publisher: Cambridge Scholars Publishing
Published: 2016-04-26
Total Pages: 220
ISBN-13: 1443892076
DOWNLOAD EBOOK →This book opens the curtain on the crucial role played by Victorian and Edwardian novelists in changing views of domestic violence. Examining the mechanisms of domestic violence through the historical lenses of the law, crime, and economics, this study illuminates these novelists’ depictions of wife-battering, including scenes in which women witness their children being beaten or children witness their mothers’ beatings. This book also shows how these representations interacted with changing paradigms of masculinity and femininity at the time. Extending from the decades before the 1857 Divorce Act to the Suffrage era, the book details the changing circumstances of conjugal violence and divorce in England. William Makepeace Thackeray’s The Memoirs of Barry Lyndon, Esq. (1844) and Caroline Norton’s Stuart of Dunleath: A Story of Modern Times (1851) expose the impact of class on reactions to domestic violence. Wilkie Collins’s The Law and the Lady (1875) and Ouida’s (Marie Louise de la Ramé) Moths (1880) depict proto-New Women figures who resist domestic violence, while traditional wife figures continue to fall victim. In Mona Caird’s The Wing of Azrael (1889) and Sir Arthur Conan Doyle’s The Hound of the Baskervilles (1902) and “The Adventure of the Abbey Grange” (1904), protagonists exact their own justice on perpetrators of domestic violence. By the Edwardian period, it was clear that legislation alone could not solve the problems of domestic violence. Constance Maud’s No Surrender (1911) adroitly links wife-battering with public violence against suffragettes, exposing the underlying British socio-cultural system that maintained women’s subordination.
Author: Rex Collings
Publisher: Wordsworth Editions
Published: 2008
Total Pages: 308
ISBN-13: 9781840220667
DOWNLOAD EBOOK →This is a book to be read by a blazing fire on a winter's night, with the curtains drawn close and the doors securely locked. The unquiet souls of the dead, both as fictional creations and as 'real' apparitions, roam the pages of this haunting selection of ghost stories by Rex Collings. Some of these stories are classics while others are lesser-known gems unearthed from this vintage era of tales of the supernatural. There are stories from distant lands - 'Fisher's Ghost' by John Lang is set in Australia and 'A Ghostly Manifestation' by 'A Clergyman' is set in Calcutta. In this selection, Sir Walter Scott (a Victorian in spirit if not in fact), keeps company with Edgar Allen Poe, Sheridan Le Fanu and other illustrious masters of the genre.
Author: Caroline Stevermer
Publisher: Macmillan
Published: 2002-10-13
Total Pages: 427
ISBN-13: 1466819480
DOWNLOAD EBOOK →Teenager Faris Nallaneen is the heir to the small northern dukedom of Galazon. Too young still to claim her title, her despotic Uncle Brinker has ruled in her place. Now he demands she be sent to Greenlaw College. For her benefit he insists. To keep me out of the way, more like it! But Greenlaw is not just any school-as Faris and her new best friend Jane discover. At Greenlaw students major in . . . magic. But it's not all fun and games. When Faris makes an enemy of classmate Menary of Aravill, life could get downright . . . deadly. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author: Richard Dalby
Publisher: Carroll & Graf Pub
Published: 1995
Total Pages: 573
ISBN-13: 9780786702794
DOWNLOAD EBOOK →Gathers forty of the best English and American ghost stories from the genre's golden age of 1839 to 1910, including works by Charles Dickens, Bram Stoker, Harriet Beecher Stowe, and Ambrose Bierce. Original.
Author: Cecilia Björkén-Nyberg
Publisher: Routledge
Published: 2016-03-03
Total Pages: 222
ISBN-13: 1317021223
DOWNLOAD EBOOK →In her study of music-making in the Edwardian novel, Cecilia Björkén-Nyberg argues that the invention and development of the player piano had a significant effect on the perception, performance and appreciation of music during the period. In contrast to existing devices for producing music mechanically such as the phonograph and gramophone, the player piano granted its operator freedom of individual expression by permitting the performer to modify the tempo. Because the traditional piano was the undisputed altar of domestic and highly gendered music-making, Björkén-Nyberg suggests, the potential for intervention by the mechanical piano's operator had a subversive effect on traditional notions about the status of the musical work itself and about the people who were variously defined by their relationship to it. She examines works by Dorothy Richardson, E.M. Forster, Henry Handel Richardson, Max Beerbohm and Compton Mackenzie, among others, contending that Edwardian fiction with music as a subject undermined the prevalent antithesis, expressed in contemporary music literature, between a nineteenth-century conception of music as a means of transcendence and the increasing mechanisation of music as represented by the player piano. Her timely survey of the player piano in the context of Edwardian commercial and technical discourse draws on a rich array of archival materials to shed new light on the historically conditioned activity of music-making in early twentieth-century fiction.
Author: Charlotte Jones
Publisher: Oxford University Press
Published: 2021-01-07
Total Pages: 332
ISBN-13: 019259981X
DOWNLOAD EBOOK →The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underlying its narrative and descriptive apparatus as an aesthetic mode lies a philosophical quandary. What grounds the 'real' of the realist novel? What kind of perception is required to validate the experience of reality? How does the realist novel represent the difficulty of knowing? What comes to the fore in James's account, as in so many, is how the forms of realism are constituted by a relation to unknowing, absence, and ineffability. Realism, Form, and Representation in the Edwardian Novel recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how—or if—we can conceptualize realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguistic practices—a formulation Charlotte Jones refers to as 'synthetic realism'. In new readings of Edwardian novels including Conrad's Nostromo and The Secret Agent, Wells's Tono-Bungay, and Ford's The Good Soldier, this volume revises and reconsiders key elements of realist novel theory—metaphor and metonymy; character interiority; the insignificant detail; omniscient narration and free indirect discourse; causal linearity—to uncover the representational strategies by which realist writers grapple with the recalcitrance of reality as a referential anchor, and seek to give form to the force, opacity, and uncertain scope of realities that may lie beyond the material. In restoring a metaphysical dimension to the realist novel's imaginary, Realism, Form, and Representation in the Edwardian Novel offers a new conceptualization of realism both within early twentieth-century literary culture and as a transhistorical mode of representation.
